Good idea lost in the noise

a film so unique, intoxicating and bizarre that it not only demands another viewing, but is also forgivable as a satirical comedy where the jokes eventually take the back seat.

The storyline feels a little thin and moth-eaten in parts but this sequel is plenty of fun.

A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.

This thriller in the Agatha Christie vein could have been much better that it is. The actors are all well known in Sweden and Nils Asther even made a Hollywood career. The snowbound setting is atmospheric even if it is spoiled by the very theatrical looking graveyard. Arne Mattsson had before he made this had much success with a few thrillers where his unique sense of movement and lighting overcame silly storylines, much like Mario Bava in Italy. Most notably maybe in "Mannekäng i rött", an elegant technicolor thriller. This movie has a story that takes place around Christmas and New Years eve. There is a murder and more suspects than I have the strength to name here. The start of the picture isn't half-bad but soon stiff acting and silly dialogue destroy whatever mood there was in the beginning. As long as the actors are doing everyday chores and such thing, they seem quite natural. But once they are to display emotions of fear and dread, they act like cardboard cut-outs or hamming it up terribly. A few suspenseful sequences and a nice score cannot help this one I'm afraid. If you want to get familiar with Arne Mattsson and his particular visual style, watch "Mannekäng i rött" or "Vita frun" instead. They may look old-fashioned now, but at least they are hugely entertaining.