White Angel
White Angel
| 15 April 1994 (USA)
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Ellen Carter's career is on the rocks. She hasn't written a worthy novel since her husband went missing and she was suspected by the police of murdering him. To top it all off, she has reason to believe that her new tenant Leslie Steckler is the serial killer responsible for a number of deaths in the region. But what she doesn't know is that, in the meantime, Steckler has discovered a little secret about her...

Reviews
Develiker

terrible... so disappointed.

Bluebell Alcock

Ok... Let's be honest. It cannot be the best movie but is quite enjoyable. The movie has the potential to develop a great plot for future movies

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Marva-nova

Amazing worth wacthing. So good. Biased but well made with many good points.

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Phillipa

Strong acting helps the film overcome an uncertain premise and create characters that hold our attention absolutely.

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Wuchak

RELEASED IN 1994 and directed by Chris Jones, "White Angel" (aka "Interview with a Serial Killer") stars Harriet Robinson as a writer in England who hasn't written a novel since her abusive husband "went missing." A new tenant (Peter Firth) arouses suspicion that he's the 'White Angel' serial killer, a murderer who's said to be a white blond woman. Catherine Arton plays her friend and Don Henderson a nosey inspector from Scotland Yard.This is a pretty good serial slayer flick with capable acting and a fairly interesting story. You can see where it's going, but there are a couple of surprises. Incredibly, the actors and the writers make you sorta care for the deranged-but-'normal' murderer. It also cogently expounds on the concept of justifiable killing.THE FILM RUNS 96 minutes and was shot in Gloucester & London, England. WRITERS: Geneviève Jolliffe & Jones.GRADE: B/B- (6.5/10)

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Woodyanders

Struggling novelist Ellen Carter (a fine portrayal by Harriet Robinson) suspects that her mysterious new tenant Leslie Steckler (an excellent and serenely creepy performance by Peter Firth) is a serial killer who has murdered over a dozen women. Director Chris Jones, who also co-wrote the absorbing script with Genevieve Jollifee, relates the engrossing story at a steady pace, firmly grounds the premise in a totally plausible everyday reality, makes the most out of the claustrophobic flat setting, and spruces things up with several snazzy stylistic flourishes (the frequent use of black and white is especially neat). The top-rate acting by Firth and Robinson holds the picture together; the tense battle of wit and wills between their characters is gripping throughout and culminates in a deliciously ironic surprise ending that packs one hell of a strong punch. Firth makes for a genuinely chilling psycho whose deceptively calm, quiet, and pleasant demeanor masks his scary capacity for extreme brutal violence. Moreover, there are sturdy supporting contributions by Don Henderson as the pesky Inspector Taylor, Catherine Arton as the sweet and chipper Mik, and Caroline Staunton as Steckler's shrill emasculating wife. Jon Walker's slick cinematography gives the movie an impressive glossy look. The rattling score by Harry Gregson-Williams hits the shivery spot. A real sleeper.

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rodduncan-1

I don't think you can judge a budget thriller with the same measures as you use to judge a thriller that cost tens of millions to make.Cut out the helicopter explosions and car smash-ups chases. Reduce the number of locations to the absolute minimum. Then see what is left of a big-budget thriller. Usually very little. But in white angel - constructed cleverly around the limited resources that were available - there is a compelling narrative that never feels slow.Maybe I see it this way because I am a writer and can see the elegance of what the film-makers have done in this case. A compelling story and a fine central performance make this a British psychological thriller well worth watching.

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gridoon

When you can feel your heart beating faster while you're watching a thriller, you know it has done its job! Apart from some questionable plot devices (does it really take entire MONTHS for computers in London to get a positive fingerprint match?), "Interview With A Serial Killer" is a compelling thriller that makes the most of its small budget and benefits from unusual storytelling techniques and two excellent performances by Harriet Robinson and Peter Firth; they both (and especially the former) look and sound like real people, not like standard movie creations. To get an idea of how good this movie really is, try comparing it with the somewhat similar American thriller "Where Sleeping Dogs Lie", which was made one year earlier, with a larger budget and much more "name" stars, including Sharon Stone. "Interview..." easily comes out on top. (***)

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