Good films always raise compelling questions, whether the format is fiction or documentary fact.

I didn’t really have many expectations going into the movie (good or bad), but I actually really enjoyed it. I really liked the characters and the banter between them.

There are moments that feel comical, some horrific, and some downright inspiring but the tonal shifts hardly matter as the end results come to a film that's perfect for this time.

There's no way I can possibly love it entirely but I just think its ridiculously bad, but enjoyable at the same time.

Though the title of this B movie western suggests that the horse in question will be up front and center, that is not actually the case - after the opening ten or so minutes, the horse is almost completely missing for the remainder of the movie! But that fact is not why "Wildfire" is a big disappointment in the end. Lead actor Bob Steele has a character that's somewhat thin - his character isn't given a terrible amount of introduction and detail. But the main problem with the movie is that it is really slow and dull. The movie really needed more of a swift pace and more action. The action that is in the movie isn't that exciting, though I will admit that it was nice to see fist fights where the punches actually sounded realistic for a change. Even if you've enjoyed other '40s B movie westerns in the past, chances are that you'll find "Wildfire" below par.

In the 1930s and 40s, Hollywood made about 16,290,383 cheap cowboy pictures. Because of this, there is no way anyone could ever see them all! Most are pretty forgettable, though a few manage to be a bit better--and "Wildfire" is one of these. One thing that sets this Bob Steele film apart from most is that it's filmed in Cinecolor--something very unusual considering it comes from tiny Action Pictures. Most films, including those of larger studios, were still coming out in black & white.When the film begins, two guys have shot a wild horse and are about to kill it once and for all. It seems the locals have been blaming this horse for leading their horses out of the corrals--though it's really the work of rustlers. Happy (Bob Steele) comes upon them and stops them from dispatching the animal. And, with patience and love, he and his friend Alkalai (Sterling Holloway) manage to rehab the horse.In the meantime, the local baddie (John Miljan) and his gang have been stealing horses right and left--but proving it is another thing. The only one in this crappy town who seems to want to do anything about this is the Sheriff--and soon he deputizes Happy to help him get to the bottom of things. However, the trouble ends up being much deeper--and it turns out that the judge and much of the town is involved. Can Happy, Alkalai and the Sheriff manage to solve the crimes and escape with their lives? While the baddie and his gang is a very standard plot for these films, a few things stand out for the better. The fight scenes are well done and Steele always managed to make it look real. The color is very nice. And, it's nice to see that in this case the sidekick is NOT a dumb boob thrown in for comic relief--Holloway shoots some of the gang and saves his friend's life as well. Overall, entertaining and a film that rises above the norm for this often dull genre.

Wouldn't you know it - the first time I get to see Bob Steele in a color Western, he's playing second fiddle to a horse! Actually this one wasn't too bad, as horse trader Happy Haye (Steele) and sidekick Alkali Jones (Sterling Holloway) arrive on the scene to break up a gang of horse thieves and swindlers led by villain Pete Fanning (John Miljan). Along the way they manage to get an assist from cowboy crooner Eddie Dean who portrays Sheriff Johnny Deal. The gimmick here is having the horse of the title framed for rustling, a convenient way for Fanning and his bunch to misdirect the sheriff and the local ranchers into thinking Wildfire is responsible for horses gone missing from nearby ranches. The premise is kind of thin but I've seen it used before. Speaking of gimmicks, Holloway's character also has one. He throws a clichéd phrase around every ten minutes or so, along the lines of "Let's not start anything we can't finish, shall we"? There's also an attractive female lead portrayed by Virginia Maples in the story, and starting out it looks like she has eyes for Bob Steele's character, but in a mid-picture course correction casts her lot with colorful singer Eddie Dean. Dean serenades Miss Judy Gordon at one point, and in an uncharacteristic move I haven't seen before, actually holds hands with the leading lady. Smart move, because by the end of the picture, not only does the Sheriff get the girl, but she's wearing a wedding dress to boot!

This 1945 Cinecolor B-western favorite features the great Bob Steele in a tale of wrangling, rustling & revenge . A magnificent but untamed horse named Wildfire is wrongfully blamed for rustling and horse-wrangling!This was a rare color film for Bob Steele, with a unique twist on the standard sagebrush movie plot. Steele is very good here in the action scenes and was one of the better Cowboy heroes of the day. It was fun to see the singing cowboy Eddie Dean in the co-starring role as the local Sheriff !Many of the films from this era are indistinguishable from each other, but the plot, performances and Cinecolor presentation make this a must-see for the Western fan. A notch above the average oater !