I really wanted to like this movie. I feel terribly cynical trashing it, and that's why I'm giving it a middling 5. Actually, I'm giving it a 5 because there were some superb performances.

I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

It is an exhilarating, distressing, funny and profound film, with one of the more memorable film scores in years,

If you have a good sense of humor -- sophisticated humor, not slap stick or farce -- you will enjoy this movie about character actors and their efforts to break out of their ruts. The premise is that four actors who have long been close friends, are all dissatisfied with the parts they have been lucky to get, if they are getting them at all. Johnny DiMartino, the short obese bald member of the quartet, is called by Theresa (Beverly D'Angelo), a casting director who is a friend of the quartet, for an audition about the title role in a Marty Scorcese (who plays himself) movie about Al Capone. Only he has to keep this very hush hush. The one predictable part of the film is that keeping a secret in Hollywood is not going to happen. The first half of the movie involves the comedy of how the secret gets spread (no, not by the actors' wives, but by actor envy and insecurity). The second half deals with their preparation for the auditions, and of course the climax.An interesting piece of trivia is that actor Robert Costanzo who plays Johnny DiMartino, the actor Theresa selected to audition for the part of Al Capone, actually played that part in "Sizzle," a 1981 ABC TV movie featuring John Forsythe and Loni Anderson.

Thought this film would be rather interesting since I love all the actors in this film, however, it held my interest for about an hour and then I simply got entirely tired of the characters in the film repeat themselves over and over again. These actors are all striving to find acting positions and at the same time are good friends from way back when. However, there is a gangster role that seems to be in the making and all these actors secretly make an appointment to try out for the role. All the characters practice over and over again and this film becomes boring right to the bitter end. Do not recommend viewing this film, however, everyone might feel completely different.

A not too bad effort at chronicling the life and hard times of barely working character actors in Los Angeles. I never know when I check out one of these low budget indies if I am going to be pleasantly surprised or grievously disappointed, so it's always nicer to be the first.Some fine character actors on display, including David Straithairn, Amy Madigan, Adam Arkin, Beverly D'Angelo and an uncredited Bill Murray (pre-Lost in Translation). The story is a little light, even for a comedy, and doesn't really hit many strong notes, but it's nice to see something about those actors whose faces are always familiar to us and yet we rarely know their names. There is a particularly nice turn at the end, when each actor auditions for a "dream part" in a Scorcese film (the elusive goal driving the plot), and we suddenly see them as talented professionals, not goofballs and losers. This is very well done and a nice, satisfying end to the film.If there is a major flaw -- and this is a flaw in a lotta movies -- these marginally successful actors are all depicted as living like Hollywood royalty. Big, stylish houses that would cost upwards of $1 million in So Cal! And yet these actors are clearly described as "out of work", sometimes for over a year. Get real! A real out-of-work character actor is probably living in a one bedroom apartment and lucky if he doesn't have a roommate at that! Still, as someone else wrote, it's nice anymore these days to see a movie about something besides a giant monster, space alien, things blowing up or CGI graphics. So thumbs up!

This is a pretty good 'slice-of-life' comedy. It revolves around four male actors who become captivated by the prospect of auditioning for the part of Al Capone in Martin Scorsese's next production. The Los Angeles actors' lifestyle is chronicled here, with several ironic references to familiar themes: nobody can keep their mouth shut, times are tough, and everybody is out for themselves."With Friends Like These" has flaws. It doesn't have as many laughs as it should, and the 'feel-good' parts of the film don't come off quite right. There is some comedy here, and some drama, but the the two aren't integrated well. The characters are knowingly painted as self-absorbed, except for Amy Madigan's character, who has a penchant for charity work. What saves the film is a fairly good script, some good ensemble work by the cast, and a brisk tempo that keeps the film hopping along.The film's second half is better than its first, and I enjoyed the end quite a bit. David Strathairn is one of the great underrated American actors, and he has a lot to do with the film gaining momentum. Elle MacPherson is good too, as she is given something to do besides just look ravishing. She always does that well, but it's nice to see her get a chance to act.Other nice touches were Scorsese himself appearing in one of the pivotal final scenes, and some nice work between Strathairn and his girlfriend, played by Lauren Tom. This film isn't a classic, but it is about people rather than robots or a serial killer, and it doesn't insult the intelligence of people over 20 years old. Rating 7/10.