Boring

It’s an especially fun movie from a director and cast who are clearly having a good time allowing themselves to let loose.

I wanted to like it more than I actually did... But much of the humor totally escaped me and I walked out only mildly impressed.

There are moments that feel comical, some horrific, and some downright inspiring but the tonal shifts hardly matter as the end results come to a film that's perfect for this time.

In WOMEN HE'S UNDRESSED, director Gillian Armstrong attempts to uncover the man behind some of cinema's most iconic looks, costume designer Orry-Kelly. Theatrical reenactments & monologues from Orry-Kelly & his mother (played by Darren Gilshenan & Deborah Kennedy), guide us through his life--from his childhood in the small Australian seaside town of Kiama, around the world to New York City (where his roommate is fellow immigrant, Archibald Leach, later known as Cary Grant), to his career in Hollywood, in which he garnered 3 Academy Awards. Interspersed with these staged scenes are interviews with those who knew & worked with Orry-Kelly (Ann Roth, Angela Lansbury, Jane Fonda, to name a few), as well as costume designers, film critics & biographers who have been influenced by his work. Unlike many Hollywood homosexuals of the day, Orry-Kelly refused to hide behind a lavender marriage or staged identity, as his old flame Cary Grant would hardly acknowledge their past together. Being his authentic self may have fueled a drinking problem, but it also allowed stars like Bette Davis, Katharine Hepburn, Ingrid Bergman & Marilyn Monroe to fully trust his talent for making them shine in his designs. Even Tony Curtis & Jack Lemmon petitioned Billy Wilder to let Orry design their costumes in Some Like It Hot. While Orry-Kelly is not a household name in today's world, the looks he created for movies like Jezebel, Casablaca, Irma la Douce & Auntie Mame are unforgettable.

A terrific biography of Australian-born Hollywood costume designer (and 3 time Oscar winner) Orry-Kelly. Gillian Armstrong's fun and emotional look at Kelly's often challenging life includes wonderful taking heads; actresses like Jane Fonda and Angela Landsbury, great designers of the more modern era like Ann Roth and Catherine Martin, film and Hollywood historians like Leonard Maltin and others. They tell absorbing stories about the wildly talented, sometimes wildly difficult perfectionist, as well as heartbreaking ones about his personal life as a gay man in Hollywood at a time when being 'out' was still cause for possible unemployment and human banishment. These attitudes and threats led to – among other things - a terribly painful and ultimately cruel break-up of many years from his early lover and one time best friend Archie Leach, later known as Cary Grant. But what makes the documentary much more interesting than most Hollywood hagiographies are the more theatrical elements Armstrong and screenwriter Katherine Thompson bring to the party. Along with the great stories, clips and still photos there are also actors playing Kerry (an excellent Darren Gilshenan), his mother and others from his life. Kerry enthusiastically narrates his own story in the midst of wonderfully surreal, theatrical and playfully symbolic settings (rowing alone in a tiny boat is a constant metaphor). These sequences paradoxically bring both lightness and depth to the film, giving us a far more personal connection to the man than most screen biographies have. In the end it's both a lot of fun and tremendously sad and informative about the sexual and human politics of Hollywood, and their costs on real human beings (not only gay men, but women both straight and gay as well). One of those films I almost didn't see since it's not a subject that called out for me, only to be very happily surprised at how much I got out of it.

I'm a huge fan of classic movies and I loved this documentary about fashion designer Orry-Kelly. He dressed all the greatest stars of the 1930s and 1940s - Bette Davis, Kay Francis, Ingrid Bergman, and Marilyn Monroe. He won three Academy Awards! His personal life was even more fascinating. He was openly gay and the great love of his life was Cary Grant!!! This documentary focuses a LOT of time on Cary. He was in the closet and he broke Orry's heart. This documentary is based on Orry's unpublished autobiography so I believe it's true. They don't sugarcoat Orry's battle with alcoholism which he won after going to rehab in the 1950s. I hope film fans watch this documentary and become a fan of Orry. He was an important part of Hollywood history.

This unwatchable show is chock full of bizarre directorial conceits, which start immediately with the odd notion that Orry-Kelly is 'unknown' despite having no fewer than 302 movie credits as one of the best-known costume designers in Hollywood from 1930-63. Curiously enough this claim is specifically contradicted by one of the first interviewees.The tale is largely told using shots of the protagonist rowing a boat, for no apparent reason whatsoever; his mother is cruelly reduced to an Edna Everage caricature putting out the washing next to a lighthouse, for some other unexplained reason; there is not nearly enough of the actual dresses, which is the actual point after all; and even the title is wrong. Orry-Kelly dressed women, not undressed them. The remainder is basically the usual unsubstantiated scuttlebutt about Cary Grant, Randolph Scott, etc.Among many other inaccuracies, David Selznick did not produce Casablanca.