Good start, but then it gets ruined

Good , But It Is Overrated By Some

It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.

Through painfully honest and emotional moments, the movie becomes irresistibly relatable

As a student of Texas State University, the river is part of our culture. My class ring depicts tubers floating in the San Marcos in front of Old Main. Just that alone shows you the relationship that this river has with our community. To me, Yakona told the rivers' story. From beginning to end. It showcased to natural beauty that many of us in the community don't realize we swim in. The filmmakers subtly tell us that in order for us to enjoy another 12,000 years of these waters, we need to protect it. I was so moved at the imagery of this film. It provided a story with just scenes. No narration needed. They let the river tell us it's life story. We should do all that we can to let that story continue.

The film Yakona was enthusiastically received by a large crowd at Austin's Paramount Theatre during its world premiere during the SXSW Film Festival. The film is absolutely exquisite in terms of its nature photography and editing. The film was an attempt to capture the beauty and the journey of the San Marcos River its headwaters to the sea. It also is an attempt to capture how at one time native peoples lived in harmony with the river, but they have been displaced by the constant encroachment of the white man and modern civilization. While the filming is beautiful and subtle, the political message seemed quite simplistic and lacking in subtly and sophistication. It seemed to be a simplistic message of preserve the river at all costs against the forces of modernity. Actually, the lack of political and historical sophistication was as stunning as the beautiful photography. The employment of actors to recreate the native peoples and the colonizers seemed like a strange choice. It created a simplistic mythology of how the natives lived in absolute harmony with nature and the thuggish white men with guns came and destroyed that simple beauty. The issues around development and modernization are so much more complicated than this simplistic narrative suggests. I know I'm supposed to like a film like this, but the wordless nature of the film left me quite bored and disengaged. Many times without and narrative or explanation it was difficult to figure out just what we were seeing in the imagery. This may be the type of film where some people love it and others hate it. Words and language are some of the most valuable tools that our civilization has developed and the absence of them left very little room for complexity. The beautiful imagery was used as cudgel for a radical environmental agenda. An image can say much that words cannot easily convey, but words can also add remarkable depth and detail that is left unexplained by absence of words and narrative explanation. Still, my review is beautiful, but lacking in substance and depth.

Anlo Sepulveda and Paul Collins brought something to the screen that I've never experienced before. A few words to describe my experience. Pure, transcendent, Just, meditative, "the unseen" - joy, science, nature, history, music, life - love. The music, the cinematography, the storyline - all absolutely gorgeous. I grew up in San Antonio - so I was fortunate to have the opportunity to relive some of the history in this film. My childhood memories, my children's experiences - all unfolding in music, story and sight. There is an amazing documentary blossoming throughout the film. An ending you will never forget. IMAX... get ready.