You’re Missing the Point
You’re Missing the Point
| 11 September 1940 (USA)
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Cantinflas, the boyfriend of the servant of a rich industrial man, gets into the house in order to kill a mad dog. Suddenly this man appears so the servant tells him that Cantinflas is his wife's brother (Leonardo), who had been lost for years. The rich man then remembers that his father in law's testament could only be paid when all brothers get together, so treats Cantinflas, a real bum, as a king.

Reviews
Harockerce

What a beautiful movie!

Greenes

Please don't spend money on this.

Plustown

A lot of perfectly good film show their cards early, establish a unique premise and let the audience explore a topic at a leisurely pace, without much in terms of surprise. this film is not one of those films.

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Jakoba

True to its essence, the characters remain on the same line and manage to entertain the viewer, each highlighting their own distinctive qualities or touches.

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murakisadao

Mario Moreno created his trademark character in the thirties. However Cantinflas appeared as a leading role for the first time in 1940 with "Ahi está el Detalle". Near 3/4 Century later, "Ahi está el Detalle" stands proudly as the most representative Cantinflas movie. Yes, most of the ingenious monologues are very difficult to translate, because they are tricky word combinations (for example: try to translate a David Letterman's joke to another language, or more extremely, to another region inside the US, it's absolutely New Yorker!!!!!). However, "Ahí está el Detalle" is a true monument of Comedy, and Cantinflas proudly stands beside Charlot in the Olympus of the great humorists.

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cyn_duncan

I'm not a big fan of comedies, but Cantínflas is absolutely wonderful and this is one of his best films. I laughed out loud all through the film, and loved it so much I bought the dvd. Most of the humor is verbal, like in the best of the Marx brothers films, so I'm not sure how it comes across with subtitles to a non-Spanish speaking public. I suspect some of the puns and witty responses don't hold up well to translation. If you know Spanish, you will marvel at Mario Moreno's verbal skills. If you don't know Spanish, you can still enjoy his silly behavior, his funny facial expressions, and the general exasperation of other characters who try to follow his logic. The pace is fast, the gags are constant, and you will really understand why Mexican audiences flocked to see Cantínflas films for so many years when you see this movie. He's a cultural icon, and you can't really understand Mexican films without knowing something about this man. He makes fun of authorities, he turns the system on its head and comes out on top against all odds. It's worth watching to see how he does it.

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dlahey

I still think of this, one of his first movies, as his best. Here Cantinflas' explodes with comic genius. He fully develops the under-educated but always noble, kind-hearted delinquent he is that speaks his mind, only to the confusion of even the most highly educated. The courtroom ending scene also establishes the formula for a bunch of "mistaken identity" plot movies that follow.The "Bobby" scene at the beginning makes you howl with laughter. The portrayal of the absurdities and paranoia of the upper class let every working-class bloke bellow out loud as well.

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Rodion15

I mean...when I first saw this movie, I didn't wanna see it, there was nothing else on t.v., constantly zapped out of this prehistoric black&white film, tennis on 2nd channel, rubbish on Tele-5, so I finally landed on this "Ahí está el Detalle" again, it was just beginning...I had a laugh, then one more, laughs got into outbursts of uncontrollable laughter, decided to turn on de VCR and recorded it almost wholly, I had to see it three times to get it all in (Mr. Mario Moreno talks so fast you have to listen twice) .It's the only one I liked by Cantinflas but the best comic movie I've ever seen in my life.

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