You Will Be My Son
You Will Be My Son
R | 16 August 2013 (USA)
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Paul de Marseul, a prestigious wine-maker and owner of a renowned chateau and vineyard in Saint-Emilion, is disheartened by the notion of his son Martin taking over the family business. Martin does not seem to have inherited the qualities that Paul esteems in a wine-maker: persistence, creative insight and technical prowess matched with passion for the job and the product, and Paul frequently reminds him of this, whether explicitly or in subtle gestures. When Philippe, the son of his manager, appears at the vineyard, Paul leaps at the chance to name him as his successor, neglecting the wishes of his own son...

Reviews
Inclubabu

Plot so thin, it passes unnoticed.

Baseshment

I like movies that are aware of what they are selling... without [any] greater aspirations than to make people laugh and that's it.

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Humaira Grant

It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.

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Raymond Sierra

The film may be flawed, but its message is not.

philipfoxe

Some excellent playing in this film which really works because its French. Some have commented on the character of the son, Martin and that he is an unsympathetic character. In Hollywood, he would have been a lovely doe-eyed sweetie pie, but this is a French movie. A son who has been constantly neglected, abused and criticised by his father is likely to be introverted, resentful and unconfident and so he is. It is to be admired that he is portrayed as flawed and uncharismatic. His loyal and loving wife keeps him going and supports him-without her he would not cope. This film, with more work, money, time etc could have been a classic, but it is still a good reason to value the French film industry.

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cestmoi

The lead is a distinctive actor with all the subtlety of the script in this role. The poor beleaguered son is so unsure of his place in the world that his masochism in remaining in his father's universe is barely believable...though his behavior begs for more beatings of a psychological kind. The loyal wife of the junior loves him for reasons unknown to the viewer; under the sheets, perhaps? The once (1960-70) disco scene is resurrected here to hardly any purpose. The manager of the vineyard, dying of cancer, gets the best draw of script which he fulfills with professionalism and dignity, and his practical and loyal wife plays her role beautifully. As to the prodigal would be son, an insensitive cad and gainer well played here. The logic of the script is minimal and the resolution more abrupt and fevered than what precedes it logically allows. Beautiful shots of the vineyard. All in all, this vintage is pas mal but no chapeau.

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Chris L

Gilles Legrand delivers with Tu Seras Mon Fils a poignant drama carried an excellent duo of actors whose performances are oozing accuracy, the always masterful Niels Arestrup, frightening as an authoritarian and despising patriarch, and Lorànt Deutsch, touching as a constantly demeaned son.The viewer ends up completely carried away by this polished familial tragedy where the implacable unfolding of the plot and the striking dialogues totally captivate from end to end. However, certain motivations are a bit hard to assimilate and the purpose of the opening scene is questionable because it incomprehensibly reveals the twist of the movie, which by the way could be regarded as a bit sloppy.All in all, Tu Seras Mon Fils overall is solid and deserves more consideration than the press critics tried to convince us.

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richard-1787

I found this movie aggravating. The head of a French vineyard constantly belittles his son - near the end, we find out that it is at least in part because the father lost his wife in part because of his son's ill health. The father eventually favors the son of his foreman. But the son is not presented in a sympathetic way, and though his situation is unfair, we never get a chance to really feel for him.The acting is all fine, and some of the shots of Provence are wonderful. There were the makings here of a much better movie, but that would have required rethinking the script, and therefore probably finding a better director.----------------------------I watched this movie again this evening, and that gave me no reason to improve my previous opinion of it. The only reason this movie works at all is because the lead, Niels Arestrup, has so much charisma, that you remain interested in his thoroughly disagreeable character despite his many flaws; had a less charismatic actor played the role, the character would have been so hard to stomach that I doubt anyone would have sat through the movie.On the other hand, Lorànt Deutsch, who plays his son, comes across as having no charisma whatsoever. (What makes his extremely attractive and intelligent wife stay with him the movie never begins to make clear.) As a result, it is very hard to feel sorry for him, even through his father treats him like dirt for no good reason.This is just a dissatisfying movie. A shame, because there were the makings of an interesting story here.

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