Charming and brutal

I wanted to like it more than I actually did... But much of the humor totally escaped me and I walked out only mildly impressed.

Blending excellent reporting and strong storytelling, this is a disturbing film truly stranger than fiction

The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.

in this story with lot of historical mistakes. There are two big miniseries in the 90 about Catherine The Great, the second one with Catherine Zeta Jones was much better. Zeta Jones character was cult but intringuing, while Ms. Ormond (even when she shines with her beauty and acting skills) is little more than a damsel in destress. However there is a thing that save this miniseries for the total melodrama. And that's it Vanessa Redgrave as Elisabeth Petrovna. She really rules, and she looks young, the Empress Elisabeth died in her early fifties, while she met Catherine in her last thirsties. And Redgrave look young, passionated and energic, the quite opposite of the pale version of Jeanne Moreau who was too old for the role in Zeta Jones miniseries.

Young Catherine is superb. It may not be totally 100% accurate but it is sweeping and powerful drama. The cast are superb and it is fantastic to see that it was actually filmed in real settings in Russia. It is wonderful to see the magnificent Catherine Palace at Tsarskoe Selo used. There are many wonderful actors in this drama. I think my favourite must be Vanessa Redgrave as the Empress Elizabeth. She is superb. Julia Ormond is also wonderful in the lead role. At the end of the film I wanted to see her continue in the role with more of Catherine II. Mark Frankel is such a dashing Gregory Orlov. It is so sad that he was killed in an accident so young. He had much to give as a performer. Reece Dinsdale is suitably made as the Grand Duke Peter while Maximilian Schell is fantastic as King Frederick the Great of Prussia. I particularly liked Marthe Keller as Catherine's mother Johanna. She is a wonderful actress. Anna Kanakis and Franco Nero are deliciously evil as Count and Countess Voronstov and Christopher Plummer is superb as the British Ambassador. Katharine Schlesinger is grotesquely wonderful as the whorish crippled mistress of Grand Duke Peter. Harmut Becker as Catherine's father and Laurie Holden as Princess Dashkova are also very good. John Shrapnel is also excellent as the Russian Orthodox Archimandrite Todorsky. All in all if you like sweeping romantic drama with lots of interesting characters, Young Catherine is well worth seeing. I know I enjoyed it.

This film is rare in that it tries, and almost succeeds, in giving an accurate impression of Russian history. There are only three points on which it flounders, and unfortunately, the second one of them, at the end of the film, is quite unforgivable. The acting is excellent. Christopher Plummer is a true delight as a sardonic and kindly old diplomat, while Vannesa Redgrave is truly stunning as the mercurial and autocratic Empress Elizabeth. Julia Ormond is good, skillful and inspired in playing an intelligent young woman, who possesses a grand will and a superb mind which will not allow her to stay in the background. It is easy to see that the roles were studied well, and that the memoirs of Catherine the Great played a large part in the planning of the film. The shooting of the film was done, thankfully, on location, for a large part in the Catherine Palace at Pushkin (formerly Tsarskoe Selo). The costumes (with the exception of the black fox winter coats), were well studied and planned. All in all, this film is done well, intelligently, and it almost manages to avoid the fatal flaw of romantic hollywoodism. Almost, but not quite. Here we come to the flaws of the film. The first historical error is, I admit, a very small one. The winter coats worn in the film are made of black fox. Unfortunately, this animal was bred for the fur only in the nineteenth century, long after Catherine's death. Had bearskin coats been used, or sable, or ordinary red fox, the general effect would have been a bit smoother. The second flaw is the condensation of the film into a reasonable time period. True, I realize that this was unavoidable. But the fact remain, Catherine was married to Peter III for no less than seventeen years, and was a mature woman in her thirties when she planned her palace coup against her (very well played here) incompetent and sickening husband. Truth to tell, though, after reading her memoirs one begins to wonder why she did not poison him after the first six months. Heaven knows, any normal woman would have. And finally, the third and worst flaw of the film. Unfortunately, here, the romantic notions of the movie industry took over from historical accuracy and common sense. The scene of Peter III's death at the hands of his guards and Alexej Orlov (not Grigorij), was well described in the documents of Catherine's time. Allowing, in the script, for the "romantic" scene in which Grigorij Orlov strangles Peter, and then tells Catherine of it in bed is the largest mistake of the film. It neglects historical fact on a fairly major point in favor of cheap theatrical effect. To sum up: this is a beautifully and accurately filmed movie, with excellent acting, an intelligent (and almost accurate!) plot, and a good sense of history (something you will not see in the 1930's film). It is worth watching, but if you are a historian, or even a person interested in Russian history, try not to take it too personally.

This is one of my favorite videos to watch. Young Julia Ormond is beautiful and gives a fine performance, and the supporting cast is simply awesome. Christopher Plummer's English diplomat is a spectacular schemer with a heart of gold, Vanessa Redgrave is a wonderful old harridan, and the Grand Duke is crazy as a mad ferret in a sack. Some great scenes (anything with Plummer or the Grand Duke) make this a fun watch, and the liberties it takes with history are fully justified from a dramatic standpoint.