The film creates a perfect balance between action and depth of basic needs, in the midst of an infertile atmosphere.

The movie runs out of plot and jokes well before the end of a two-hour running time, long for a light comedy.

Excellent characters with emotional depth. My wife, daughter and granddaughter all enjoyed it...and me, too! Very good movie! You won't be disappointed.

I enjoyed watching this film and would recommend other to give it a try , (as I am) but this movie, although enjoyable to watch due to the better than average acting fails to add anything new to its storyline that is all too familiar to these types of movies.

"Goethe!" is a 100-minute movie from Germany directed by Philipp Stölzl and he also came up with the script with 2 other writers. Moritz Bleibtreu may be the biggest star in the cast, but the lead is played by Alexander Fehling, a breakthrough performance for him. Other than these two, there are more actors in here that are known in Germany, such as Klaußner, Hübchen, Bruch and Milberg. My favorite performance, however, comes from Miriam Stein I think, the only major female character and given she has not played in a film of that dimension before, it was delightful to see how good she was, especially in the emotional parts.This 5-year-old film can certainly be classified as a period piece and there is the usual story of love vs. reason for Stein's character. Love would be Goethe, reason is Kestner. This film is as wild as Goethe himself and he and his buddy occasionally reminded me of the two hobbits from "Lord of the Rings". It was great fun to watch them. The film becomes more serious as it goes on, but I never felt it was a tragic watch, even with Goethe not getting the girl he wants. Stölzl also solved this with creativity as the film to me somehow had to end on a high note. And he used Goethe's success as a writer for this. So, everybody was somehow happy. Still, it's always difficult to watch for me and see how love was not the crucial factor in relationships back then. Totally unimaginable today.This was the second time I watched this movie and was at least as good as the first time. Stölzl is slowly moving into Germany's filmmaking elite for me. I did no like "Nordwand", but that had mostly to do with the subject of the film. I loved "The Physician" and now I also like "Goethe!". A pretty talented director and I am certainly curious about his next works. Until then, I recommend "Goethe!". Good performances, a nice story and also real characters (obviously) definitely make this one worth the watch.

Good-humoured and not too serious fiction about the young Goethe, tall and sometimes gawky Alexander Fehling, during his stint at a law court in the modest Hessian town of Wetzlar.There he falls for the charming, gifted and sexy Lotte Buff (Miriam Stein), but sees her marry for family reasons his rich and influential boss Kestner (Moritz Bleibtreu). He also suffers the loss of his best friend Wilhelm Jerusalem (Volker Bruch), who blows his brains out. Out of these traumas comes a passionate semi-autobiographical novel, "The Sorrows of Young Werther", which overnight makes the still unsure young man a national hero. What Lotte says of the book, that it is not objectively true "Wahrheit" but creatively poetic "Dichtung", applies also to the film. The consummation of their love in a ruined abbey, ending up entwined naked in the mud, with subsequent colds that confine them to their separate beds, is filmed realistically but remains fantasy. More than a nod to Richardson's "Tom Jones" and, in the portrayal of the immortal artist as a young dog, to Shaffer's "Amadeus".

Playwright, poet and author, Johann Goethe is one of the most famous German writers. This lavish production is part biopic, part colourful historical drama and part romance, but it makes for an entertaining and bawdy romp along the same vein as Tom Jones, Shakespeare In Love, etc. The film mainly concentrates on the youthful Goethe's life before he successfully published his first novel, at the age of 22, which made him the toast of Europe. When we first meet Goethe (Alexander Fehling), he is an aspiring poet. But after several rejections from publishers, who feel that his work is uninspiring, Goethe follows his disapproving father's advice and heads to the small town of Wetzlar, where he gains employment as a law clerk working for the officious Ketsner (Moritz Bleibtreu). He shares a room with a fellow law student, the boisterous and socially uncouth Wilhelm (Volker Bruch). He also falls in love with the beautiful Charlotte (Miriam Stein). But Charlotte's father is struggling financially, and arranges for Charlotte to marry Kestner. Goethe and Kestner become rivals, which eventually leads to Goethe being imprisoned. His misadventures and the doomed romance provides the material for Goethe's first novel The Sorrows Of Young Werther. Fehling (who had a small role in Inglorious Basterds) brings a rakish charm, with, energy and charisma to his performance as the irreverent, hard drinking, 17th century slacker Goethe. Bleibtreu is suitably cold as the rather dull Kestner. Stein is feisty and sassy as Charlotte. Director Phillip Stozl (the grueling mountaineering drama North Face, etc) directs the material with a light touch. He makes great use of locations to enhance the film's atmosphere. The production design is excellent, and the film's setting reek of authenticity.

Even Goethe was young once (yes I know, some things seem completely ridiculous now don't they) and was not the genius we all came to know ... Wait, do we really know him? Actually I wouldn't claim to know him. So we know his work and may like that or not. Think it's great or not. But what do we know about the human behind that? Only way to make the movie more awkward would have been, to show him as a 2-year old (though that would be almost intriguing ... and I might even line up to watch that). As it is, we get to see him, as we have not seen him before. So the filmmakers have the freedom to show a human side on him. If any of this is based on anything in particular? I wouldn't be able to tell you.What I can tell you, is that this is very light entertainment. It also tells us, that even great persons are people too. If you can live with that and enjoy a little story that has no aim to please anything more than lightweight entertainment, than you can't do anything wrong by watching this