How sad is this?

Captivating movie !

A Masterpiece!

It's a movie as timely as it is provocative and amazingly, for much of its running time, it is weirdly funny.

I had no idea what to expect from this movie. Given that it takes place in Africa I expected it that it would be about zombies driven by voodoo rituals such as White Zombie and I walked with a zombie. This movie has a different take though on the zombie phenomenon. Rather than driven by a ritual from some witch doctor they are cursed men. They do not age, cannot be killed, don't feel pain and they can hardly be wounded. They don't have a will of their own their only purpose protecting a treasure of jewels laying at the bottom of the sea near the wreck of a ship. The zombies are fearless with only fire keeping them at a distance. It's all explained in the movie by an old lady what can be done to stop them and remove the curse. That's right these zombies are more like restless souls than evil flesh eating monsters they would become in later zombie movies. Yes the action scenes look cheap even though the underwater scenes look very nice. With a running time under 70 minutes everything was explained and the motivations of the protagonists all cleared. Too many movies spend too much time sidestepping focusing on things who don't really matter. Not this movie, straightforward right from the start until the end.

There's nothing particularly remarkable about "Zombies of Mora-Tau", but it isn't the worst way to pass about an hour of your life. Fans of Eddie Cahn will see the resemblance to his voodoo-themed "Four Skulls of Johnathan Drake" which are a strong contrast to his more modern (and influential) zombie/apocalypse films "Invisible Invaders" and "Creature with the Atom Brain." This places this film in the older tradition of zombie movies, some kind of descendant of "White Zombie" and "I Walked with a Zombie" (both of which are superior to the film in question). The zombies in this film are reanimated sailors who must guard a cursed treasure (remind anyone of any recent mega-hits?). They look pretty silly in their striped shirts; it doesn't look like anyone even thought to make them look a bit aged or anything like that.The film's best asset is Allison Hayes and the scenes involving her character, including the memorable scene where she's clearly a zombie but nobody wants to believe it, so they lead her back to the house and surround her with candles at the old lady's (Marjorie Eaton) insistence. Shades of the old vampire movies and their garlic cloves here. Hayes is lovely and her acting adequate. None of the other leads are particularly memorable.There are a few scenes that will draw unintentional laughter from a modern audience but not all that many. Probably the atmosphere in the film was intense enough to scare some young kids who saw it in the '50s. We have scenes of graveyards and so forth – I think it's quite a nice effect when the old lady shows the group all those graves and when asked who they are for says "they're yours." But I can hardly imagine any person older than 5 who would be scared by this film in the 20th Century because it really doesn't even try that hard. Once you get to the scenes with the underwater treasure search you realize this is, like "Invisible Invaders", more of an action/adventure film than a horror film.It's not nearly as inept as some posters here have said, but it's clearly a movie that didn't have high ambitions. Within the scope of its own goals I would say it is reasonably successful.

Adventurers tangle with zombies who can walk underwater. (Did George Romero ever catch this?)The fifties were a fallow decade for the walking dead. Scary zombies may have roamed INVISIBLE INVADERS and CREATURE WITH THE ATOM BRAIN, but they were sci-fi generated. (PLAN 9, anyone?) MORA TAU more or less sticks to the hoodoo playbook, but its finale is unforgivably weak, and the underwater scenes, which should have been a highlight, are blatantly bogus. If the story were rewritten on land, it would have spared lots of trouble and unintended laughter.On the plus side, quickie director Ed Cahn always aced day-for-night shots, and nearly all of the action here occurs in darkness. The film is free of stock wildlife footage and white dudes dressed as natives. The cast seems to appreciate scripter Bernard Gordon's snappy dialogue. Cult actress Allison Hayes pulls double duty as a shrewish moll and a zombie. Can't act worth stale jujubes, but still a treat to watch. There's also plenty of gaffe guffaws, my favorite being the portly zomb who "chases" victims down a staircase as he clutches the railing.

Some amateur reviewers will excuse anything in a movie and give 5 stars minimum simply for the crew having been able to load film-stock into a camera without exposing it to sunlight. After sitting through all 69 minutes of Mora Tau (that I will never have back) I began to really wish that this bad movie had somehow become a 'lost film' instead of films I'd actually like to see -- such as "London After Midnight" starring Lon Chaney or the original 9 hour version of von Stroheim's silent film classic "Greed".As a devoted fan of zombie films who has seen more than 70 films in the genre from the brilliant to the downright awful, even I must admit that most voodoo zombie movies aren't very good -- aside from Halperin's White Zombie and Gilling's Plague of the Zombies (for Hammer Studios) and to a lesser extent, the entertaining if somewhat offensive 1941 Mantan Moreland minstrel show that is King of the Zombies. Even by that guideline for diminished expectations, Mora Tau is probably one of the worst of the voodoo zombie genre and might make me think better of Halperin's 1936 followup disaster Revolt of the Zombies. Zombies of Mora Tau is so insultingly stupid and lame that it almost made me long for the 'good ole days' of the 1940s when Abbott and Costello were busy ruining the Universal Monsters franchise (though A&C enthusiasts still refuse to admit how unfunny those films were). If you want a good underwater horror film from that era watch any of the three 'Creature from the Black Lagoon' films instead or maybe even (horror of bad TV horrors) the Godzilla Power Hour cartoon with Godzookie. If you want underwater zombies, try Wiederhorn's 'Shockwaves' instead. This film is a reminder that not all old black and white films are 'classics' and I can think of any of a number of cheesy 50s horror films that are 10 times more entertaining. The atomic age sci-fi silliness of Invisible Invaders is another better recommendation than Zombies of Mora Tau. Maybe the 3 stars out of 10 that I gave Mora Tau was too generous. I'm now glad there wasn't a DVD of this for me to buy and that TCM showed it to me for free.PLOT: The basic plot sounds like something the "Pirates of the Caribbean: Curse of the Black Pearl" might have pilfered some basic ideas from: There is a sunken treasure of $1 million of uncut diamonds that has attracted treasure hunters for decades and lead to the demise of many a diver. It seems that the original thieves of the treasure all met an untimely demise and 10 zombies now guard said treasure (though why they live in 10 lined up coffins in a cave like Snow Whites dwarfs is anyone's guess) and will not rest until said treasure is 'destroyed' as the old lady says. The sailors dream of riches and ignore her warnings and try to get the treasure anyway...These are also among the least scary voodoo zombies I've seen in a movie. If all the reels of this film were at the bottom of the sea, I think I'd voodoo up some zombies to guard them and ensure that they were never retrieved so that movie audiences would be spared the horror of seeing this film.**SPOILERS**I have several issues with this film and its lazy writing:*The dive crew/sailors are too dumb to realize that the woman is not 'ill' but now has become one of the zombies and is exhibiting all the same traits. These characters are obviously much dumber than your average horror movie morons.*Sure the old lady claims the zombies are indestructible, but that doesn't stop the sailors from using knives and other weapons on them ineffectively. None of the sailors/divers ever thinks to try lighting a zombie aflame after they display an obvious fear of fire? You've gotta be kidding me. Maybe it wouldn't destroy them, but you'd think someone would at least try it.*Don't establish rules for the zombies and then proceed to break those rules later in the film when it seems convenient to do so.*So the diamonds must be 'destroyed' for the zombies to rest, right? So why does dumping the diamonds into a couple feet of water not 10 feet from the shore of old lady's property count as 'destroying them' and end the curse? It's as if the writers forgot that someone could just bend down and pick retrieve the diamonds 5 minutes after the 'zombies' dematerialize out of their clothes.