Best movie of this year hands down!

This movie tries so hard to be funny, yet it falls flat every time. Just another example of recycled ideas repackaged with women in an attempt to appeal to a certain audience.

All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

Great movie. Not sure what people expected but I found it highly entertaining.

A Woman of Substance is an entertaining, typically British mini series, which tells the story of a young woman empowering herself through hard work and hatred against a high class family that have always been indifferent and bossy to her and her poor relatives. She rapidly grows into a powerful business woman who ruins the hated family to the very last crumb.A biography must always find a fine line: how 'old' can the actors grow and when to substitute characters with new players? They've done a marvelous job with 'Blackie' Neeson; he really looks like an old man at the end of the series, although his mannerisms completely oppose his former, playful self. And it must be added: gluing a beard and silvering his hair makes the job a lot easier.Miss Seagrove didn't make it into old age, she got replaced by (a first-rate) Deborah Kerr. In the main story Emmy ages some 40 years, but in her fifties she still looks like the teenage lass from the beginning of the story. Here, old-fashioned haircuts and clothes don't help; Seagrove just has too youthful a face The acting is of a reasonable level. Seagrove does a fine job, with the exception of some cheesy moments and the instances where she talks to her young children - as if she doesn't know how to talk to kids. Although this could also have been the director's fault. All in all, Seagrove is believable in her role, and she has one of the sweetest smiles I've ever seen...The other dozen or so actors are okay but forgettable, except for two of them: Blackie, the happy-go-lucky everybody's friend and Gerald Fairley, Mr. Evil Impersonated; overacting has never been so effective!

The story follows the life of Emma Harte and her rise from a servant girl to the owner of a large empire of her own creation. The movie begins in the 1980's, but the bulk is Emma's recollection of her life from the age of 14 on (1900's-1940's.) Jenny Seagrove does a magnificent job portraying young Emma, and a young Liam Neeson plays the part of 'Blackie' wonderfully. This mini series matches the likes of 'The Thornbirds' and 'Pride and Prejudice' in it's acting and beautiful scenery, not to mention the story itself. Emma is a young woman of independence during a time when such a thing was a rarity. Definitely worth the 6 hours it will take you to watch it!

Having first seen this mini series when it originally aired I purchased my own copy and watch it over and over. Obviously, I like it very much, however there are flaws that I find increasingly irritating. Just before the severe thunderstorm and downpour of rain in Part I they show a perfectly cloudless blue sky. The "Hollywood Rain" that follows is so phony looking it's embarrassing. Edwina's voice dubbing (as a child) sounds awful. Barry Bostwick was a "sore thumb" miscast in the role of Paul McGill. Concerning Emma's children: The viewer is "pulling" for Emma throughout the saga, wronged by the Fairlys, working hard for a better life but how can the viewer take joy or feel supportive of her "actions" at that last "family meeting" at her Yorkshire house? Those children turned out the way they did for a reason. It's called neglect and emotional abuse and it WILL do that to a person. In this case 4 people! At that point in the story I felt sympathy for them not support for Emma. Daisy's daughter Paula was clearly Emma's favorite, but what of Daisy herself ? It was odd that she was not more prominent. The most annoying thing to me was the very last scene. Back in Yorkshire, just moments after having "rocked the world" of those select family members she and Blackie are outside reviewing the years as she sums up her life in an "unaffected" nonchalant manor. How can she appear "unaffected" after what has just occurred ? The last line was so contrived; she actually tells the viewer the "motive" of the story. The viewer doesn't want to be TOLD what the "motive" is. If it's well written we'll figure it out. The ending of a story is all important !!! They blew this one.

I enjoyed this series from beginning to end. Jenny Seagrove was fantastic as the young Emma Harte. Deborah Kerr was magnificent as the older Emma Harte. It was wonderful seeing her again. Liam Neeson was great as Blackie. This is the story of the fictional Emma Harte, a Yorkshire girl who works her way up from lowly domestic servant to the head of her own mega empire. She outsmarts and outdeals some of the biggest tycoons in the world. She finds love and loses love, but never loses her Yorkshire country values. Unfortunately, she's the mother of a bunch of money hungry, backstabbing children who plot against her. Have no fear, she knows how to outsmart them. I won't reveal the ending. You've got to see it for yourself. It was awesome! The only part of this series that I didn't like was Barry Bostwick's portrayal of Emma's Australian boyfriend, Paul McGill. His accent was virtually non-existant. He should've played a Canadian. He was also a bit whimpy for the part. The role needed someone with more presence and strength. His performance was mediocre at best. I highly recommend this series and it's sequel, Hold The Dream. Rent them. You won't regret it.