Cilla
Cilla
| 15 September 2014 (USA)
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    Reviews
    GamerTab

    That was an excellent one.

    Limerculer

    A waste of 90 minutes of my life

    ActuallyGlimmer

    The best films of this genre always show a path and provide a takeaway for being a better person.

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    Bluebell Alcock

    Ok... Let's be honest. It cannot be the best movie but is quite enjoyable. The movie has the potential to develop a great plot for future movies

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    WeldonHenley

    One reviewer wrote about Cilla's Protestant family. Wasn't she raised Roman Catholic? I believe she attended St. Anthony's School. I would appreciate clarification on this. The DVD is non USA formatted, so it cannot be played o most players in the U.S. at this time - Hopefully the series will appear on The BBC in America channel some time in the very near future. Also, I find it strange that no further installments detailing Cilla's further career are planned in view of the rave reviews for the series. Thanks for all of the reviews for this series, as I've found all of them informative and well- written. One of the reasons I am looking forward to seeing this series is that I've read about twelve reviews and all are positive ones.

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    l_rawjalaurence

    On the face of it the life of Cilla Black (née Priscilla White) might seem an unprepossessing subject for a biopic. After a brief period as a singing star in the mid-1960s, she gradually moved into more middle-of-the-road activities such as hosting her own television Show CILLA, acting in pantomime and subsequently becoming the host of BLIND DATE and SURPRISE SURPRISE. Her chief claim to fame in her early years seems to be her association with The Beatles at the beginning of their careers.Nonetheless Paul Whittington's drama proves compelling viewing. This is chiefly due to a series of stellar performances - although Sheridan Smith bears little facial resemblance to the character she lays, she communicates Black's verbal and gestural nuances perfectly, that combination of sheer drive and homespun charm that helped Black to remain at the top of her profession for thirty-plus years. Smith also has a wonderful singing voice: at the end of each of the three parts, we are told that she sang everything live. This is quite the best characterization I have seen from this talented actress.Smith is admirably complimented by Aneurin Barnard as her road manager (and later her husband) Bobby Willis. Initially he comes across as a bit of a lad, someone who willingly lies about his age and profession in order to pursue the girl of his dreams. As time passes, however, so he understands the depth of his attraction to Cilla; he even passes up the chance of a stellar career of his own in order to be with her. The love-scenes between the two are really touching, as we understand how they were simply made for one another. Especially in her early career, Cilla could not record without seeing Bobby out of the corner of her eye.As Brian Epstein, Ed Stoppard has a difficult role to play as a stellar manager with a complicated - not to say disastrous - private life at a time when homosexuality was still a crime. We understand a lot about his contradictions; his brilliant flair for publicity and/or finding the right people to further Cilla's burgeoning career, allied to his desperate need for love, something that he can never find. Epstein was the rock upon which Cilla constructed her career - although never in love with him, she found she could seldom do without him. In a poignant sequence set in a hotel restaurant, she learns of his premature death through an overdose of sleeping-pills, and collapses into Bobby's arms.Stylistically speaking CILLA's narrative comprises a series of intimate sequences that convincingly recreate the atmosphere of early Sixties Liverpool and London Director Whittington is also fond of the aerial shot that gives a panorama of the industrial landscapes in which Black grew up. While certain aspects of her life have been omitted - notably her stint as a server in a restaurant - Jeff Pope's script vividly recaptures her social background in which religion and morality played such a significant part. This three-part biopic is definitely worth watching, not only for its entertainment value but for its evocation of a long-vanished world of working-class life.

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    ianlouisiana

    Miss S.Smith does a nice impression of Cilla Black and in fact sings rather better than the original in a competent enough if not inspired series celebrating Miss Black's fifty years as an entertainer. Starting out as a raunchy R & B singer she joined Svengali Brian Epstein's stable and changed to an anodyne M.O.R. artiste and ultimately a family TV favourite - the classic path followed by such as Tommy Steele and Cliff Richard before her and many others since. In later years she has become a bit of a cliché figure with her scouse accent broadening to the point of self - parody,but she gave every song her all and was a celebrity before the word became a curse. The mis - en - scene is familiar to anybody who has watched TV or seen a British kitchen sink drama over the last 60 years,oop north,outside privies,mums in aprons,dads in sleeveless pullies,back to back housing.. .....this very familiarity is now a comfort and Miss Black so much a part of our culture that it almost writes itself. The first episode is a bit glum and ends on a down note that might have broken a lesser woman but Cilla has guts and,at least in her case,talent - as they say - will out. She never seems particularly happy and I wondered at the end whether she might have preferred to have remained a pecunious but artistically fulfilled R&B singer rather than having to churn out "Anyone who had a heart" for fifty years - but I'll guess we'll never know.

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    terry-newman199

    I was at school in the 1950's and 1960's and yes I also noticed a number of inaccuracies, but this was not the point of the programme. There are plenty of historical books and websites out there if that is what you want. The programme is all about capturing the hopes and dreams of young musicians during a very exciting period in popular music, and this it does perfectly. Any references to the Beatles are in the context of the story itself and are not intended to be an detailed account of their movements. If any of the inaccuracies had detracted from the storyline then I am sure that Cilla herself would have objected to it. So just sit back and enjoy the programme and avoid any unnecessary nitpicking.

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