Good story, Not enough for a whole film

If you like to be scared, if you like to laugh, and if you like to learn a thing or two at the movies, this absolutely cannot be missed.

There is, somehow, an interesting story here, as well as some good acting. There are also some good scenes

The film never slows down or bores, plunging from one harrowing sequence to the next.

This is a terrific series. You totally loose yourself in the times, location; the characters are all too real; you only want it to continue.The acting has so much depth;one has to believe and hope there may be a sequel. I thought the story lines blended well together; the script was tight; if you left for a second, you missed key dialogue. Happy Valley was an "anything goes" society so characters like DeVille, Hans Dietrick Gessler (it was never implied that he was a Nazi), and Daphne's affair are hardly surprising. As for the insignia on the plane, British and Kenyan planes had different registration schemes; I don't know if this was accurately portrayed. All in all 10 stars.

This series mixes genres and conventions in a most enjoyable way. It has elements of police procedural, hard-boiled detective story, historical mystery, and colonial soap opera. Trevor Eve is fun to watch as Tyburn, the tough, incorruptible British cop who is both repelled and amused by British society in 1930s Nairobi, Kenya, while refusing to become enmeshed in its racism and decadence. The lovely Susannah Harker is under-used as his aviatrix girl friend. The rest of the supporting cast is highly effective. I am not an expert on the period, but the stories give a good flavor of life as it was lived in that place and time.

From every aspect this programme is tremendous. I am mesmerized whilst watching and sad when it ends. The attitudes of social stature are clearly portrayed. I find this highly enjoyable.

The story jumps about so much as to be indiscernible. Missing insignia, wrong native languages, a blatant homosexual, an impossible interracial affair, an airplane with different tail registration numbers, and the use of a rifle not in the system until 1939 in a 1933 setting lend to the confusion. The introduction of a German Nazi(?) kidnapper adds nothing, but more confusion. The plot appears written in sequences, then glued together without consideration for continuity.