How sad is this?

Highly Overrated But Still Good

An absolute waste of money

It is a whirlwind of delight --- attractive actors, stunning couture, spectacular sets and outrageous parties.

a excellent TV series from hammer in the late sixties,which had a different story to it every episode,the show was based on people who found themselves in bizarre situations.the opening segment to the show still sends shivers down my spine, a deserted fairground somebody entering it you don't see the person at all,also a haunting theme to add spice to the matter?and the opening titles are then just put into the viewers face?powerful stories, like faces in the crowd, which stars Jane asher, David Henson,which one the scariest have seen,Stephanie powers in Jane browns body,which is cult viewing,plus chad Everett, in a story called poor butterfly, another a good ghost story. why the show has not made it to DVD, is beyond me. this excellent series,still holds good today.

I was just surfing through this site and stumbled across the title JOURNEY TO THE UNKNOWN . Sounds familiar I thought , then I read the comments " Oh yeah I remember it now " I told myself " That`s the series with the opening title sequence of someone whistling , stepping through the deserted twilight fair and going on the big dipper " . Maybe not a classic title sequence compared to THE PRISONER or DOCTOR WHO but still very impressive and if memory serves me right ( I haven`t seen the show since the Spring of 1983 ) a very impressive fantasy series There`s two episodes that stick out in my mind . One is Eve which stars a young Dennis Waterman as Albert who works in a fashion store and falls in love with a showroom mannequin who appears to him as a living teenage girl and which ends with a twist in the tale . The other episode ( Did someone say it`s titled Beautiful Dreamer ? ) starts with an American draft dodger with his girlfriend in a cafe where a waitress approaches warning them not to leave . The girlfriend doesn`t heed the advice and is killed in an accident moments later . The boyfriend realises the waitress can tell the future and decides to profit from this . Again there`s another twist at the end . In fact I can`t remember the details but I think every tale closes with a twist in the tale with varying degrees of success The production values are absolutely superb , always as good as or sometimes better than movies made at the time . The reason was that the show was funded by American money ( As were the latter series of THE AVENGERS ) which meant filming in colour and showing an American audience how cool and swinging London is , a London Brits living there at the time probably wouldn`t recognise . It also explains why every episode had an American character in the narrative somewhere ( It`s for the benefit of audience identification )and why the opening caption " In Color " is spelt the American way I can still remember it , and remember it more fondly than those other twist in the tale shows like TALES OF THE UNEXPECTED . Having said that I haven`t seen it for over twenty years and there`s a nagging doubt that my memory might have cheated on me same as it cheated with VAULT OF HORROR , THEATRE OF BLOOD and THE CREEPING FLESH

The dark, empty amusement park. The roller coaster. The music. Chills up and down my spine! I honestly can't remember an episode (though seeing it over might jog my mind) but the intro to this tv program has NEVER left my mind. Given the number of episodes, this one seems perfect for release on dvd. I would LOVE to see that! If there is anyone I can email or anyway to generally support that happening, let me know.

This series has 3 very important things going for it:1. It has 17 episodes. "So what" I here you cry. Well, 17 must be magic numeral because The Prisoner is the only other classic 60s show to have that number of episodes and just like McGoohan's masterpiece, once bitten you'll not escape the charms of "Journey to the Unknown". These are 17 slices of classic telly folks...2. IT HAS THE BEST TITLE SEQUENCE IN THE HISTORY OF TELEVISION. PERIOD.3 "The New People" episode is the "Rosemary's Baby" of TV (only much better) It is, along with The Prisoner's "Girl Who Was Death", the single best televisual segment of the 1960s. You probably don't believe me. Seek it out, prepare to be amazed...It may have sprung from the Hammer horror stable, but this feels more like The (original)"Outer Limits" meets "UFO" meets, well, "The Prisoner"!. There's no silly costumes and Kensington gore here- this stunning batch of mystery thrillers, ghost stories and frighteners was a U.S. co-production produced by Hitchcock's close associate Joan Harrison (who produced Alfred Hitchcock Presents). Consequently, and uniquely, this TV production is of a markedly higher cinematic quality than any of the big screen outings Hammer produced. Indeed, many episodes were cut together for cinema distribution in the early 70s with linking narration from the likes of Joan Crawford and...Patrick McGoohan (umm..). Oh sure, the reliance on obligatory American guest stars in the (very) British settings is somewhat quaint, and the acting is often, ahem, variable. But the sheer force of imagination on display here commands your attention. A rare treat indeed.