It is a performances centric movie

The performances transcend the film's tropes, grounding it in characters that feel more complete than this subgenre often produces.

Good films always raise compelling questions, whether the format is fiction or documentary fact.

By the time the dramatic fireworks start popping off, each one feels earned.

I have been watching on TV the 1984 version of Miss Marple. This one is with Joan Hickson in the eponymous role.What a delight having been subjected to the unsuited Geraldine McEwan version (2004) series in recent times.The difference between the two is so marked as to be astonishing.Maybe you should watch both just to see how good Joan Hickson is.So if you are an aspiring actress do compare and contrast.Poor Geraldine McEwan, how could you follow what is a definitive portrayal ?So if you like Christie and Marple - Joan Hickson is number one and second is some far distant even broad daylight. I'd say Geraldine McEwan was in the rear of the pack myself.

The Body in the Library is one of the most satisfying of the twelve Marples starring Joan Hickson as a not-really-very-sweet little old lady who possesses "a mind more cynical... than any barrister you'll ever encounter.." as one older copper tells a young and ambitious inspector in this episode. Gwen Watford plays Miss Marple's batty chum from Saint Mary Meade (their home village). She is Dolly Bantry and is married to Moray Watson's daft and courtly Col. Arthur Bantry.If Hickson's Marple displays momentary hints of menace it is only that. Hers is a very subtle and dry performance, crammed with sparkling humor that shoots out from her beady little blue eyes. Hickson was a formidable comedian and she is very much one in these shows, powdered over with politeness and modesty. She is never annoying, like Geraldine McEwen's Marple is from time to time with that Old Mother Hubbard portrayal of hers; not her fault really as the producers of that later series had a political agenda which ruined the stories and scripts and any chance of McEwen's being as good as Hickson.With the cast alone you have one of the classics of British television from the mid-to-late 20th century. It isn't only that Joan Hickson is nigh perfect for the role of Miss Jane Marple, it is also that the supporting actors, direction, locations, props, everything are splendidly done. It took me awhile to accept the musical score because I had been watching the pretty awful Marple series with Geraldine McEwen and the score to those productions was very 20th century sounding, like the music of Prokofiev or Britten. In the Hickson series the music is disarmingly charming and almost sounds trite at first. Now it is one of the highlights in an already brilliant achievement. It is catchy and sticks in the mind, it is also frequently very funny. The ballet music in They Do It With Mirrors is hilarious.Some of the highlights of the supporting cast are Jean Simmons, Renée Asherson, Joyce Carey, Claire Bloom and greatest of all joys, Joan Greenwood who plays Selina Hazy in At Bertram's Hotel. After this film Greenwood went on to play a brilliantly macabre Mrs Clenham in Little Dorrit, dying young at 65 and still much missed.The vital secondary roles, inspectors, murderers, victims, chambermaids, cooks, butlers, young lovers and vicars are all appealingly cast by actors familiar to fans of British television. There are no misfires in the casting, which is very rare.The directors take a lot of time surveying the English countryside and the sea. The series, in general, is extremely atmospheric and has just enough sinister shots to prevent the story from becoming merely light entertainment.This Hickson Marple is the one to have in your collection if you need a Marple series to watch on demand, as I do. The Margaret Rutherford movies were bogus but entertaining, and Rutherford is her usual bumbling, hilarious self, but these Hickson shows are the real Marple as Mrs Christie intended her to be.I rate this series a 9 because I still think there is room for something even greater and more like the original stories. Some of the Hickson stories are updated to the 1950s when the entire series takes place. It works fine, but still....

While I slightly prefer A Murder is Announced(my personal favourite of the 12 feature length adaptations) and Sleeping Murder, The Body in the Library is a beautifully done adaptation of a very good book. And yes, it is much better than the Geraldine McEwan version, which was spoiled significantly by that wretched ending. I know people will say it is unfair to rag on the Geraldine McEwan adaptations, but I have to admit while I don't despise them with the exception of about four they are disappointing, particularly Nemesis, Sittaford Mystery and At Bertram's Hotel.Back to this version. While a tad overlong and a little slow, The Body in the Library is an interesting and very worthwhile adaptation, not to mention more faithful. It is lovingly photographed, with the photography, costumes and scenery as always beautiful, and the music is lovely. The story rarely loses interest, the direction is attentive and the script is sophisticated and thoughtful. The acting once again is very good, with Joan Hickson simply terrific as Miss Marple(and I concur with the reviewers who say she was the best Miss Marple, she is certainly the warmest and the wisest) and Gwen Watford delightful as Mrs Bantry. So in conclusion, a very good start to 12 worthwhile, beautifully filmed and thoughtfully acted and written adaptations with Joan Hickson. 9/10 Bethany Cox

Joan Hickson's first appearance in her outstanding portrayal of Miss Marple - and the first BBC adaptation written by Trevor Bowen. It was first broadcast in three 50-minute episodes.Suspense: For me, the structure of the adaptation is one of its qualities: each episode ends with a cliffhanger, while parts two and three begin with a shot of the body in the darkness of the Library at Gossington Hall. Watch out for the macabre ending to episode two involving a bonfire, a laugh and a native mask. The use of shadows and closeup shots to create sinister effects are a feature of the BBC adaptations and the first film contains some good examples of this. In my opinion, the closing ten minutes are worthy of a Hitchcock thriller or an expressionist film of the 1920s or 30s.Characterisation: Each member of the cast is suited to their respective roles. Moray Watson's staccato accent makes him an ideal Colonel Bantry; Jess Conrad's appearance is perfect for the role of Raymond Starr; Gwen Watford is brilliant as Dolly Bantry - she is what I would expect a wife of a retired colonel in the 1950s to look like. Members of the cast interact well together: I am thinking here of the opening scene in bed where Dolly browbeats her husband into viewing the dead body in the library. There's also the bond between two elderly friends in the form of Sir Henry Clithering and Miss Marple when the retired professional detective and the amateur sleuth are reunited.Comparison with ITV version: I do not mind the ITV version, but there's no where near as much thought given to casting and scripting as there was in the BBC version. There is too much overacting, particularly with Simon Callow as Inspector Melchett and Joanna Lumley as Dolly Bantry. There are also some comical elements which seem a bit cheap and contrived.Overall, the BBC's adaptation of the Body in the Library is highly recommended and is something I will never tire of watching.