the audience applauded

A Disappointing Continuation

The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.

A clunky actioner with a handful of cool moments.

This is one of the weakest murder mysteries of Agatha as far as I am concerned. That a qualified pathologist cannot distinguish between a 13 year old schoolgirl and a buxom woman would have Sir Bernard Spilsbury turning in his grave, even though the body in the car was burnt. That ruins the story for me - always has. Christie was not great in my opinion in her non murder books, often stretching the bounds of credibility to great lengths.Outside of that the settings and acting were excellent, but Hickson is at the bottom of my list of Marple actresses which made this a long and tedious tale spread over three episodes as it was.

There are two sorts of viewers of this film. Those who see it having first read the novel, and those who see it not having read it.Those who have read it first recognize a superlative job done by the scriptwriter and director, getting all the essentials of the story included within three fifty minute episodes. Those who have not read it first find the film filled with matters that only seem to dither along as Miss Marple herself and merely obstruct the eventual conclusion.Agatha's novels are very difficult to condense into 90 to 120 minutes. There are always delicious elements left out or plot lines that are not developed or explanations not made.In this adaptation, SPOILERS COMING!!, the conclusion wraps up the sleuth's thinking, but leaves out the novel's attention to what happens to Conway Jefferson's daughter in law and her son Peter, resolving the question of the final distribution of the old man's wealth. Maybe the director and scriptwriter decided that the woman was not sympathetic enough to talk about. Indeed, they did present her as something of a cold fish who flirted with two men without any resolution of their fates in the film. It's all explained in the book where she comes across much more sympathetically.But this may be a minor quibble. Many commentators have rightly given this film very high marks. I agree with those who accord this movie top rank or near top rank for its kind.

The Bantry's wake up in their home one morning to find the body of a young woman they have never seen before, lying in their library. They duly call the police and the girl is identified as a dancer from the Majestic hotel (several towns away) and the time of death is established. However, with more of a link to the girl than he realised and no alibi for the time of the murder, Colonel Bantry finds himself a suspect at worst and a point of gossip at best. Mrs Bantry decides to get away for a bit and, hoping to clear her husband's name, asks her friend Miss Marple to accompany her to the seaside and the Majestic Hotel, to carry out their own investigation.Structuring the delivery of the story a bit differently from some of the other BBC Marple films I had seen, this film jumps right into the mystery and only really gives background in flashback scenes during interviews and the investigation generally. This approach works well early on because it sets out a solid pace and urgency early on. The BBC Marple films generally have a slow pace so, even though it did gradually settle down to what I expected, it gave it a nice boost early on. The story is the usual complex mix of mystery and characters delivered with a good sense of period; it won't win over those used to 45 minute chunks of CSI etc but it does have a certain style and charm of its own. I'm not being snobby when I say that about CSI because I must confess that at times I found it frustratingly slow and occasionally a bit too subtle for my tastes but generally the quality of the material works.The material is also structured well to, as normal, use the police almost as much as it uses Miss Marple. Looking back it seems risky (can you imagine a Columbo where he is sidelined for big sections?) but it works well and compliments the feel of the film. Hickson is, as many have said, the definitive Marple and only looks better and better the more ITV insist on wheeling out McEwan in their versions. She is classy and thoughtful and she very much fills the idea of the elderly spinster that I have in my head (and it seems Christie had in hers). She benefits from having Watford as a companion for much of the film and she is quite fun as a contrast. Horovitch gives his usual good turn; he is not as good as Marple of course but unlike some other "bumbling cop" performances he is given a good cop and he always plays it as such. Support from the rest of the cast is roundly good without anyone dominating the rest of them.Overall then this has the usual "faults" of the BBC Marple series in that it is quite complex (and doesn't really help you out along the way) and it can be frustratingly slow at times. However for fans of the series these may not be faults; either way the film is an engaging mystery that is well written and well delivered by the cast. I could have happily had it 30 minutes shorter and tighter/slicker as a result but as it was it still worked well enough and certainly fans will enjoy it.

A simple plot: a the body of a young woman is found in the library of a manor house in Kent. She can be traced to a sea-side hotel, and the list of suspects is endless. The police are baffled. So, who do you call in? Scotland Yard? The FBI? No. Just call Miss Marple, the elderly sleuth from St Mary Mead. She may look innocent, but her mind has plummeted the deaths of human inequity, and is as sharp as a meat cleaver. This is the first of the twelve adaptations made by the BBC between 1984 and 1992, all featuring the late, great Joan Hickosn, who is regarded as the definitive Miss Marple. Hickson truly shines as Miss Marple, able to convey a sense of depth in the character, and to really capture Miss Marple as Christie described her: on the outside, seemingly dotty - a fluffy, gentle old lady more concerned with knitting than murder; but on the inside, a detective genius, but very modest, also. The supporting cast are really quite good, too. Gwen Watford is delightful as Mrs Bantry, in whose library the body is found. Her dependence on Miss Marple, and the way that she acts as though Miss Marple were her nanny, always asking questions in a sweet, child-like way is quite charming. Moray Watson (whom you may recognise from the Darling Buds of May) is also very good as the proud, military man Colonel Bantry, who appears very strong, but, as Miss Marple says, like most military men, is unusually sensitive. The rest of the cast are good too, particularly, David Horovitch as Chief Inspector Slack, the zealous police officer who is always trying to outdo Miss Marple in detective skills, but rarely succeeds, much to his own chagrin!The period detail is also excellent, and really recreates a Britsoh sea-side resort in the years directly after WWII, with people gradually starting to enjoy themselves again, and really getting into the swing of leisure, dinner and dancing. The costumes are realistic, as are the characters. The eventual solution will surprise you! This adaptation far surpasses the new ITV series featuring Geraldine McEwan, who, in my opinion, is far too racy nd modern to play Miss Marple. If you want a more wholesome, realistic Miss Marple, who is more like the Miss Marple of the books, I highly recommend that you watch this.