everything you have heard about this movie is true.

While it doesn't offer any answers, it both thrills and makes you think.

One of the most extraordinary films you will see this year. Take that as you want.

It's easily one of the freshest, sharpest and most enjoyable films of this year.

The only reason to watch Mistral's Daughter is Timothy Dalton who appears in Episodes 2 and 3. He's the reason I'm giving 10 stars. If I could just buy episodes 2 and 3, I would. This man is like a woman's dream come true - he comes across as so sincere, so sexy, so kind, so accepting and so devoid of ego - what woman interested in men, would NOT want to be loved by a man like this? Name another actor with that level of drop dead gorgeous looks, that sumptuous voice, that dazzling charm, acting talent for days and so generous to his fellow actors! I confess envy that Stephanie Powers got to do these scenes with him and honestly, don't know how she didn't keep from jumping his bones for real. When I die, I want to see Timothy Dalton in heaven - please God!!!!

As a kid I adored Stephanie Powers in Hart To Hart and would watch her in anything..even my childhood favourite; The Bionic Woman (sady, she was in the bigfoot episodes, the equivalent of 'jumping the shark' but I still liked her!) and recently I had a chance to see Mistral's Daughter again. It actually held up well to my now fairly sophisticated movie taste. I don't like to find flaws anyway, so I will leave that to those who enjoy that sort of thing. The cast was a wonderful assortment of talent. Stephanie was so beautiful and played the age range very well. I also found the actress who played Fauve, Philippine Leroy-Beaulieu to be uniquely beautiful as well. Timothy Dalton was appealingly young and handsome though rather slight as compared to my memory of him. Stacy Keach was suitably sexy and intense, a good actor, though hard to feel much attraction to such a selfish character and the hare-lip turned me off. I loved some of the paintings used in the film though! A lot of fun especially for any seasoned TV watcher as you will see a lot of familiar and young faces, Joanna Lumley is a treat, as always. As usual some of the best acting was done by the secondary roles, in this case feature film calibre roles played by; Pierre Malet as Avigdor, who was very good, sometimes heart-wrenchingly so, Stéphane Audran as the selfless Paula and the incredible Lee Remick as the cool master manipulator with a self-destructive passion for Mistral. Sure one can find faults, but why bother? Enjoy yourself!

A cozy up to the fire kind of flick for a rainy day blubber-fest. The "mistral" a wild, hot wind that blows for weeks in parts of Greece and Italy, this epic tale blows likewise, with the fiery passion of a true "romantic". Yes, Stephanie Powers is probably the only woman who could have pulled off the age span, and she does it very well.But once Timothy Dalton took over the screen all else paled. Talk about wild and hot, this man could make any woman burn! When Dalton leaves the stage the movie begins to go downhill for those of us who love to look at that gorgeous face! If Judith Krantz knew T.D. would have been playing him, I would like to think she would have kept him around longer. But alas, the plot did not, so to speak. My enthusiasm began to wane even though the heroine's life didn't.Mistral himself comes off as what he is, an egocentric, artistic cad, well done by Stacey Keach. You do begin to despise the man. Loved the story, and the scenery was breath-taking enough to make me want to hop a plane for France, just to travel the countryside and see what Krantz saw when she wrote it.The artworks depicted in the film were striking, and one could almost believe to find them in some gallery in New York or Chicago. All in all, a chick-flick, but one worth re-visiting on a lonely day.

This a typical glossy American mini-series of the mid-eighties (and now) concerning a grumpy Provencal artist deftly played by Stacey Keach and his life and loves. It is both melodramatic and crass, but it is watchable for one reason alone; the sight of Stefanie Powers prancing around the Rive Gauche in 1900's Paris playing an 18 year artist's model when she is well over 40 and far too old for the part is absolutely irresistible. This is genuine parody fodder for the likes of French & Saunders and has the watcher giggling with disbelief at such comic miscasting. Interlaced with its syrupy theme tune 'Only Love' sung by the evergreen (and awful) Nana Mouskouri and faux French scenery, this is guaranteed to cheer up all fans of awful but hilarious television.