What a waste of my time!!!

People are voting emotionally.

Let's be realistic.

A film of deceptively outspoken contemporary relevance, this is cinema at its most alert, alarming and alive.

I will say that while watching the very first episode of "Nadia - Secret of Blue Water" that I was completely blown away. It takes a very common trope and completely does away with it in a single episode. I will not spoil any of it, but what Nadia does in just a few episodes, it takes many anime an entire season to accomplish. To put it mildly, the anime has fantastic pacing, does a lot in a single episode's time, and continues to do so for about eighteen episodes before bouncing around with fourteen episodes of filler. The filler episodes can be skipped, but do have some character development which occur - take your pick. After the filler the series resumes as normal and concludes things nicely - I was left with that 'this is awesome' feeling the minute the series wraps things up.Nadia itself stars a girl of the same name; she carries a mysterious pendant called "Blue Water" which plays center stage for the entire series. She becomes intertwined with the fate of a young boy that is also an inventor - he promises to take her to Africa, but not before saving her repeatedly from villains that want her pendant. Fast forward a bit and she and Jean are thrust into a much larger plot of destiny involving an organization dubbed "Neo Atlantis". They've been working on a special project for nearly a decade that can bring down a pillar of light from the sky. They intend to use this weapon to dominate the planet and bend humanity to their will. Only a certain captain by the name of Nemo, and his ship the Nautilus, stand in the way of this organization. It isn't exactly a pirate tale, but it comes awfully close; further it directly references "Twenty Thousand Leagues Under the Sea".I will say that I wasn't all that impressed by "Twenty Thousand Leagues Under the Sea" anymore than I was impressed by the character of Nemo (from the book), and the one reference the book gave to Atlantis. On the flip side, the anime does a complete three-sixty and otherwise has Atlantis as center stage for some episode plot points, and goes into Nemo's character and why he acts the way he does. Most of the main characters actually have some kind of background that is alluded to, and their personality and way of dealing with things matches it. Further, character personalities often get some development time - especially during the fourteen episode filler arc. Depending on how you view it, the filler is either a welcome addition, or serves as the weakest link within the series. I felt it was a bit redundant after about eight episodes and I largely skipped the "Africa" episodes which seemed to really change Nadia's character. By the time the series comes full circle, it is as if the filler episodes never happened.Of more interest in the series is the fact it was directed by "Hideki Anno", a certain director that would later work on "Neon Genesis Evangelion". If it isn't obvious, there are many throwbacks and influences from Nadia that make it into "Evangelion". I'm a bit surprised that it worked out this way, when it felt like "Evangelion" was an original series - yet Nadia seems to take that one! Also, there seems to be some parallels between "Disney's Atlantis" and "Nadia". Some say it was blatantly copied; you decide! Either way, this is a great series to watch and I highly recommend it.Originally posted to Orion Age (http://www.orionphysics.com/? p=11531).

In the mid 1970's, prior to obtaining his well-deserved status as Japan's greatest animator ever, a young Hayao Miyazaki was hired by Japanese movie giant Toho to develop ideas for TV series. One of these concepts was "Around the World Under the Sea", based on Jules Verne's "20,000 Leagues Under the Sea," in which two orphan children pursued by villains team up with Captain Nemo and his mighty submarine, the Nautilus. Although it was never produced, Toho nonetheless kept the rights to the story outline. Miyazaki would reuse elements from his original concept in later projects of his, most notably the terrific action-adventure CASTLE IN THE SKY. Ten years later, in the mid-1980's, animation studio Gainax was commissioned to produce an original Anime series to be broadcast on television network NHK. Under the direction of a brilliant but angst-ridden artist known as Hideaki Anno, the studio selected Miyazaki's concept, and crafted an engaging story set in a steampunk 1889 France, with interesting characters, amazing animation (for its time), and a mixture of comedy, romance, mystery, and drama. The result was NADIA: THE SECRET OF BLUE WATER, which has since become a worldwide fan favorite.The story begins at a Paris World Exposition Fair where Jean, a nerdy but charming and instantly lovable inventor boy of fourteen, becomes smitten with a pretty, dark-skinned girl his own age. The girl, known as Nadia, is an unhappy circus acrobat with no clue about her past other than a jeweled necklace she wears. After rescuing her from a trio of comic bandits (the Grandis Gang) Jean earns Nadia's trust. The two set off on an even bigger adventure to find Nadia's birthplace, which supposedly lies in Africa. Along the way, they have run-ins with a supercharged submarine commanded by the mysterious Captain Nemo and his pretty but overprotective first officer Electra as well as a shadowy cult of Nazi-like masked soldiers known as Neo-Atlanteans led by the misanthropic, sinister Gargoyle, who wants Nadia's pendant at any cost. In the course of their around-the-world adventure, Jean and Nadia adopt an orphaned little girl, Marie, who senses that her new guardians will become more than just close friends. Although Nadia's explosive temper poses problems, Jean's patience and loyalty keeps their relationship afloat, and her growing love for the boy gradually transforms her as a person.NADIA has all the makings of a classic series: a well-rounded cast of characters, unforgettable sequences, and a long, involving action adventure. There is a distinctive "Miyazaki-esque" style to the visual designs of the leads, yet only Jean seems to emerge as a Miyazaki creation. Which is arguably what makes him the most lovable character in the whole show. It's easy to see why Nadia finds herself falling for him--who wouldn't want to be with a boy as intelligent, genuinely compassionate, and impossibly generous as Jean? While he does display clumsiness in terms of social graces around the opposite sex, it only makes him all the more appealing as a character. Nadia herself, by contrast, is not always lovable. In addition to having serious anger management issues, she also has unbending and irrational principles about killing, eating meat, or trusting grown-ups. She does, however, display courage and, as mentioned, finds herself growing to care for Jean. Actually, Anno has said that he created Jean and Nadia based on his "light" and "dark" sides.For all its assets, however, NADIA suffers from one fatal flaw that prevents it from being the classic it aims to be--it doesn't always stay afloat throughout its 39-episode count. The first twenty-two episodes are old-fashioned adventure at its best, with humor, young love, traumatic situations which involve death, and compelling, engrossing mysteries as we learn about Nadia, the Nautilus, and the Atlanteans. In episodes 23-34, however, it devolves into a painfully dull, unengaging, haphazard, incoherent Saturday morning cartoon, with warped characterizations, sloppy animation, and even worse scenarios totally devoid of imagination or credibility. (In all fairness, these dreadful half-hours weren't supposed to have existed; distributor NHK requested that they be made after the show became a smash hit in Japan.) In the final five episodes NADIA does recover, delivering a satisfying finale, but it's hard to compensate for the damage that has been done. Simply put, the show would have been far better if it were eleven episodes shorter.For their part, however, ADV Films deserves a shout-out for their work on bringing this series to American audiences. The visual and aural transfers are competently done, but it's their translation that really shines. The English dub, a wonderful achievement for the now defunct Austin-based Monster Island studios, is notable for casting three actual children in the roles of Jean, Nadia, and Marie--Nathan Parsons (12), Meg Bauman (14), and Margaret Cassidy (11), respectively. For inexperienced youngsters, all three do exceptional jobs, and are amply supported by an excellent cast of adults, particularly Sarah Richardson, Corey Gagne, Martin Blacker (as the Grandis Gang) as well as Jennifer Stuart (Electra), and Ev Lunning Jr. (Nemo). All show liveliness and enthusiasm for the characters and give the performances of their careers. Ditto for the use of genuinely believable accents--it adds a national flavor to the characters (although Jean's sometimes shaky French dialect takes some getting used to).Is NADIA a complete waste of time? Not at all; as mentioned, the characters are fully-realized, and for twenty-two episodes and the final five, the show does indeed deliver an entertaining, consistently engaging adventure story with just the right amount of heart, humor, and drama. It's just too bad that it goes downhill in the second half (despite delivering a phenomenal conclusion). Otherwise, this series would truly be worthy of the praise it receives as one of the greats. The best way to appreciate NADIA is to view episodes 1-22, then 31 (the only "filler" episode to have any genuine plot development), and finally 35-39. It will provide for a much more pleasing experience.

Possible spoilers ahead.I don't know what I can possibly say about this phenomenal series that hasn't been said already, but I'm here to try anyway. From the moment I saw a review of this series in Gamefan magazine (rest in peace), I fell in love. I had to see it. I dashed out to the mall and grabbed the first copy I saw. And it grabbed me right back, and would not let me go.The series uses 20,000 Leagues Under the Sea (and to a lesser extent the sequel Mysterious Island) as a jumping point for its own story. It takes place in 1889, and revolves around two teens, Jean, a French boy who wants to change the world with inventions and is the biggest weenie who's ever been the hero of an anime, and Nadia, a circus acrobat and animal trainer who has a magical crystal, the Blue Water, and no clue about where she comes from. During the course of things they embark on an adventure to get to the bottom of Nadia's past, meet Captain Nemo and help to stop a group of people from Atlantis from taking over the world. And I loved every minute of it.I mean for crying out loud, what kind of mad genius does it take to make episodes on end of adjusting to life on a submarine entertaining? Whatever kind it is, the guys at Gainax had it. Their smarts in storytelling show in other areas too, mainly the finely tuned characters, like the obligatory kid, Marie, who manages to be anything but the obnoxious brat the kid in an anime series almost always is. Nadia's the only short-tempered anime girl I've ever actually liked. The Grandis Gang go from the comically inept antagonists to helpful and resourceful back-up for the other characters once the real menacing villains show up. In the two really big battles of the series it's arguably them who ultimately save the day.It does warrant mentioning that this show kind of flounders in the middle, owing to a bunch of quickly-proudced episodes that were shoehorned in to pad out the length of the series when it became an unexpected hit. Most of the mid-to-late 20's of Nadia can be skipped without missing anything worth seeing.If you're an anime fan, want to watch a series with people in it you'll care about, and don't mind being expected to root for a dork like Jean, please do yourself a favor and pick this up. Oh, and do yourself another favor and watch it with the subtitles on. I'm sure Nathan Parsons is a wonderful human being who'd give me the shirt off his back, but a friend of mine actually started laughing out loud at how dumb Jean's voice sounded when we watched it with the English voices.And before I go, I want affirm what everyone else is saying, that the sequel movie is terrible and should be avoided by fans of the series at all costs. Unless you want to see how badly a story can undermine itself (pretty much every suspense issue is defeated by watching the series epilogue and twenty five minutes straight of the movie is series flashbacks). Otherwise, stay away. You'll thank me.

i bought a package of various bootleg anime series (bad, i know) and spent a few months muddling my way through them all. some were really good (pretear, love hina) some grew on me (macross 7) and some flat-out stunk. (to heart, and ironically, the series for which i bought the bundle, angelic layer) i approached them all with a certain amount of skepticism and nadia was no different. the story takes place in the 1880's and spent its first few minutes placing the viewer within the frame of the times. however, a few minutes later the story introduces the villains/heroes known as the grandis gang and their apparent mastery of a level of technology unavailable now 100 years later. so if anachronisms and anthropomorphisms bug you, nadia won't appeal to you.as the plot develops, the characters take on depth and voice and you can't help but be charmed. the story becomes complicated and textured and not a little dark. then suddenly the first act closes and the second begins by abruptly changing from a tense drama into a wile e. coyote cartoon. then as soon as you settling into the admittedly funny and loopy island adventures, the series swiftly switches back into its formerly dramatic theme. so if wild swings in tone bug you, nadia won't appeal to you.can a series flip and twist back and forth between drama and slap-stick comedy and still work? watch nadia for yourself and you be the judge. i found myself forgiving its flaws because it created characters i cared about, who seemed to have the depth to consider who they themselves were and what motivated them. the series lovingly embraces its characters flaws rather then exploiting them. (as was the case in evangelion, also by hideki anno) i forgave the surreality of the plot because it had the profound insight and courage to craft REAL teenagers. (i know a real kid who in his loving teenage cluelessness could have written jean's painfully funny "nadia" song) i especially appreciated the fact that marry's 5-year-old character wasn't nearly as obnoxious as she could have been. nadia could have been done differently, eliminating either its most serious moments or its most ridiculous, but it might not have been the same.somewhere between the wide swings of our own pendulum is where real life happens.p.s. there is a movie. it stinks, and adds nothing to anyone or anything in the story. resist the temptation to find it or watch it.