Sadly Over-hyped

everything you have heard about this movie is true.

True to its essence, the characters remain on the same line and manage to entertain the viewer, each highlighting their own distinctive qualities or touches.

Strong acting helps the film overcome an uncertain premise and create characters that hold our attention absolutely.

This is the first Popeye cartoon. He had appeared in newspaper comic strips. At the beginning we get to hear the entire version of his theme song as he disintegrates various items of property. While impressive, he is really pretty destructive. Of course, Bluto shows up and he has to deal with him. At no point does the big guy seem to have a chance. Of course, he can't leave Olive Oyl alone and Popeye saves her several times. Mostly, they show off at the carnival where Bluto does something well and Popeye does him one better. Betty Boop makes and appearance as a hula girl and Popeye gets on stage and copies her dancing. Eventually, Bluto ties Oliive to a railroad track (original!) and this forces the use of spinach, that performance enhancing drug. This is really a nice introduction to the Popeye oeuvre.

Despite a brief (semi-nude!) appearance by Betty Boop as an exotic dancer at a fair, this cartoon by the Fleischer brothers introduced us to the popular figures of Popeye, Olive Oyl and Bluto – who would naturally take off in a long-running series of their own and basically eclipsed the career of the studio's afore-mentioned star attraction! It is interesting to note, at this juncture, that the essence – with respect to characterization, gag type and plot structure (not to mention, the equally iconic theme tune!) – was there from the outset. That said, while I admit to having sat through many of these during my childhood, much like the live-action stuff of The Three Stooges which yours truly sampled again a few years back (let alone their strictly kiddie-oriented animated fare!), I seem to have irrevocably outgrown this particular brand of comedy and now approach it with an inevitable measured step

I had always wonder when Popeye started his animated career, until I've watched this cartoon online. I found out that this short was intended as a test cartoon to see if Popeye could work as an animated character, he was originally a character from a comic strip by a guy named E.C. Segar. This short combines my two favorite Fleischer characters coming together - Betty Boop and Popeye the Sailor. Even though Betty's appearance is more of a cameo then an full-time character in the short.The one thing that bother me about is cartoon, is Olive's voice, I didn't really like it. I really prefer Mae Questel's take on Olive, but I got to bear with what they got. My favorite scene is when Betty & Popeye do the hula on stage.

I'll start off by saying what incredible artisans and crafts-persons Fleischer, Segar and Co. were. They achieve a type of brilliance that even Disney(during that period)doesn't quite match. Now, that said I seriously doubt I would allow children to watch it even though I did. Its just too violent and the consequences of the extreme nature of it is played for laughs. Popeye's world in the cartoon is an impoverished one and its heavily suggested that the violence is a necessary part of that environment. I see it as part of life during an economic depression. Everything is heightened, gender roles, racial stereotypes and a sense that the rug has been pulled out from under all the characters(they change jobs a lot). Spinach takes on a weird quality and I thought about street drugs being the actual little helper that Popeye may be using. PCP anyone? Sherms? Crack? Crank?