Excellent, Without a doubt!!
There is just so much movie here. For some it may be too much. But in the same secretly sarcastic way most telemarketers say the phrase, the title of this one is particularly apt.
View MoreGreat example of an old-fashioned, pure-at-heart escapist event movie that doesn't pretend to be anything that it's not and has boat loads of fun being its own ludicrous self.
View MoreA clunky actioner with a handful of cool moments.
I was not very fond of it originally but I found I actually liked it a lot more seeing it again so soon after the 1971 version. The two share the same screenwriter, who seems to have lifted a lot from the 1971 to use again in this version. Many scenes are virtually identical, or very close. Margaret was cut yet again but other than that it followed the book more closely than 1971. It lacked all the wacky 70s costumes and hairstyles that made the earlier one so crazy and seemed much more understated to me. Part of this also has to do with the acting, much of which was more low-key. Some of the casting was better, some was worse It's up to you to decide which you prefer!
View MoreI don't think this is the worst movie ever made by any means but I did not like it at all. Sure, it tells the story well enough, but the acting really is atrocious.The Dashwood Ladies (the mom and Mrs. John Dashwood included) all did a decent job, as well as Edward, Willowby, and Colonel Brandon. Nothing extraordinary, but they get the job done. My issue was with the supporting players. All of them sounded like they were reading from scripts, esp. Lucy, Miss Steele, Charlotte, and Mrs. Jennings. I had the biggest issues with Charlotte and Miss Steele. Charlotte's laugh even sounded scripted (ha ha ha ha) with no authenticity whatsoever. **SPOILER ALERT** When Miss Steele drops the bomb and Fanny Dashwood flips out, Miss Steele's cowering looks somewhere between hypothermia and seizures. Also, none of the actors had the emotional depth needed for this story. Whenever one of the actresses was trying to hold back tears, there is no look of restraint before they burst into tears, so it looks very odd and bi-polar. Also, when Brandon is taking Marianne out of the party, there is no sense of urgency. Elinor just strolls out after them. I would think, if your sister has fainted, you would feel like maybe you should move a little quicker. Mrs. Jennings had good moments but I was totally thrown off by her closeup after Elinor tells her off; and she never came back from that for me.Basically, I would say go with the 1995 version, there is excellent acting, better looking people, better cinematography (it isn't really the movie's fault that it's so bad in that department since it was in 1981), the stuff that needs to be in there is, and they don't add anything too Hollywood to it. This version added nothing to the story for me, and I found it very unromantic (probably the best description as to why this movie is lacking for me in comparison to the 1995 version). The novel has very romantic moments but no part of this movie gave me that "Aw" heartwarming moment.
View MoreLuckily we have the beautiful 1995 version to remind us that this is actually a wonderful story. You wouldn't know it from this. The actors are wooden, the costumes are lacking and the locations are dreary. The opening sequence with Elinor and Marianne sitting on some sort of demented cousin of a see-saw is just out and out creepy. None of the actors seem to have any interest and definitely no excitement with their roles. They're practically sleepwalking! The first problem with this is really in the script. The writers did not seem to find any of the humor in the book, and seemed to focus on all the wrong things. As has already been mentioned, the character of Margaret is completely left out. This isn't really a big deal, she is hardly in the book at all (kind of like Kitty in Pride & Prejudice - she's just there). But in her version, Emma Thompson really saw potential in the character of Margaret to add some cute one-liners and bring some comic relief. She expanded the character rather than deleting it, and it's easy to see which way worked better.There's no comic relief in this version at all. No one's funny. No one's even interesting. This focuses too much on the Elinor/Edward factor and doesn't put any real energy in the Marianne/Willoughby/Brandon triangle - a real misfortune because I always found the latter plot line far more interesting.Irene Richard does turn in an acceptable performance as Elinor. Tracey Childs is an okay Marianne, but definitely nothing exceptional. She loses major points when you compare her portrayal with Kate Winslet's Oscar-nominated one. Where Childs was quiet and accepting Winslet was all over the place with passion. To Childs's defense, let's note that she had the most wooden and irritating actors playing her suitors, while Winslet had the incredibly handsome Alan Rickman and Greg Wise.All in all, this version just falls short in too many ways. See the remake, it's a shining example of how Austen *should* be done.
View MoreThis film is a crime! This bbc production is probably the worst thing ever created by the BBC. Forget about wooden, these actors are set in cement! Although it does follow austen's novel, the camera work is lousey, its as if you are watching a play, close ups are rare and when done, you find yourself half way up the actor's nose. Marianne is far to irritating, she rivals the character of lydia from Pride and Prejudice in the biggest pain in the butt factor. the character of Margaret is completely cut out of the film, which one would think would not be a huge deal, since she's not that important of a character. However, the family dynamic just seems wrong without a little sister to liven things up now and then. Edward is scary! In fact looks wise (which ordinarly i would never mention), all of the characters are a bit freakish. And the worst part is that Willoughby is dressed like a demented evil lephercan (sp?) the majority of the movie. He's nothing to pine over, that's for sure. All in all, this movie is terrible and if you're trying to get a friend to fall in love with Austen DO NOT SHOW THEM THIS! This movie will make even a hardcore lover of Austen to think twice about her work. It's slow, and boring. Her spirit is NOT with this film. I give it a -5. and a big "UCK!"
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