It’s an especially fun movie from a director and cast who are clearly having a good time allowing themselves to let loose.

I wanted to like it more than I actually did... But much of the humor totally escaped me and I walked out only mildly impressed.

One of the worst ways to make a cult movie is to set out to make a cult movie.

It's simply great fun, a winsome film and an occasionally over-the-top luxury fantasy that never flags.

9 discs of the entire cast of The Young Ones and French and Saunders before they hit their stride. From the opening night of Channel 4 in 1982, to mid-nineties burnout. "Hit 'n miss" is the best description for this collection, but you will have to sit through every episode to find the few you agree with (keep in mind they are over an hour long each, with some at feature length). Each (with the exception of the Famous Five, Bad News and Bullshitters reprises) is completely different, and range from bold and original, to unfunny, or unbearable.Personal favourites include:Mr. Jolly Lives Next Door - resides somewhere between Rick and Viv, Bottom and the movie Guest House Paradiso. No-brow humor that will only appeal to those born with a penis. And depends on whether you find Rik Mayall and Adrian Edmondson screaming "Nicholas, Bloody, Parsons! You BASTARD!" funny. Most will.Bad News / More Bad News - Predated Spinal Tap. As this is made by actual Brits, it gets right a lot of what Tap got wrong.The Strike / GLC - Brilliant send-up of pretty much everything, the real highlight of the collection and espoused by all. You will never view a British film in quite the same way after seeing this.Four Men in a Car/Plane - One-offs independent of the series, and the comedians at the height of their maturity. The best each has to offer.Spaghetti Hoops - Not laugh-out-loud funny, but not meant to be. Toward the end they were finally able to make the art house short they were aiming for.Private Enterprise and Gino don't have belly laughs, but they do have an enjoyable forward momentum. Whilst others will make you ask "what the hell were they thinking?" The entire series was timely and topical, which means that all the short films are incredibly dated. And most will no doubt play better in the mind's eye than actually watching them again. Making the first few discs write-offs on repeat viewing. Even at their worst, you have to admire their originality.

"The Comic Strip presents . . ." introduced a new crowd of "'varsity comics" (Jennifer Saunders, Dawn French, Ade Edondson, Rick Mayall, Robbie Coltrane) to British commercial television, and a fresh approach to the half-hour comedy format. Led (as performer, writer, and director) by Peter Richardson, the Channel 4 series broke away from the crazy-sketch format which had dominated the years since the debut of Monty Python, instead focusing each episode on a playful exploration of a particular film or TV genre, some quintessentially British ("Five Go Mad in Dorset," with its deadpan tweaking of Enid Blyton's wartime children's adventure books) to presciently contemporary ("Bad News Tour," which beat "Spinal Tap" to the screen by almost two years). Richardson's penchant for genre critique above all sometimes led to stylishly inert outings like "Beat Generation," but also to wildly idiosyncratic and memorable excursions like "Summer School," "Bullsh*tters," and "A Fistful of Traveler's Cheques." Unfortunately only available on DVD as a nine-count'em nine disc set in PAL format, The Comic Strip deserves a two or three disc compilation of its most marvelous episodes: After 25 years, many play better than most contemporary comedy today.

You what? You what you what you what? Keith Allen is the master of yob culture telly. The Yob! is like my favourite all time classic Comic Strip Presents episode. A yobbo Arsenal fan racist thug swaps brains with a yuppie pop video director. Only a genius like Keith Allen could have come up with an idea like this. Especially like the scene where he physically transforms into the yob and his frontal lobes protrudes outwardly. Brilliant. Then the scene where he goes out of the pub shouting "You're gonna get you're f*ing head kicked!" in true yob like style.Brilliant.

I only caught the odd episode of this show on it's initial run (and I was a little disappointed by what I saw), but years later a friend showed me the episode, "Mr. Jolly Lives Next Door" featuring Rik Mayall and Ade Edmondson as a couple of seedy alcoholic losers. About 8 years on from that first viewing I still rate it as one of the funniest things I've ever seen... TV show or movie. Although it's a fairly close comedic relative of this particular episode, I've never been a fan of Bottom. The characters are sleazy but too far removed from reality to be anything more than cartoonish, but in 'Mr. Jolly' their frightening alcohol consumption and heroically antisocial behaviour make for brilliant entertainment. Granted, they may not appeal to everyone. You could say it's a one-joke show but it works for me.The story revolves around these two losers mistakenly accepting a job intended for the eponymous Jolly (Peter Cooke), a hit-man charged with 'taking out' Nicholas Parsons. Misunderstanding, they take Parsons (playing himself) out for the night. I don't want to bang on about it endlessly, I'm only writing this in the hope of bringing it to the attention of someone, hopefully spreading the word on it's originality and brilliance, even just a little!Any fans of Rik Mayall, The Young Ones, Bottom etc. simply must track this priceless gem down (I eventually found an official VHS so it has been released at some point). Like I say I'm not even a particular fan of their previous work so anyone who is must go nuts for this.Trust me, you have to love it!