Too much of everything

This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.

I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.

A few miles outside Cambridge in the countryside sits The Green Man, a well preserved stately 17th century hostelry of some renown. Today it is a hotel that also boasts a gourmet restaurant aimed at tourists and the idle rich. Its present owner is the lecherous alcoholic, Maurice Allington (Albert Finney), who lives there with his wife Joyce, his daughter Amy and his father known commonly as "Gramps". The success of The Green Man in most good food guides is owed mainly to Maurice, for he's a genial sort who likes to regale his customers with his knowledge of fine wine and tales of ghosts that still haunt the corridors of The Green Man. Most people take his ghost stories at face value and believe them to be part of an act, but Maurice does regularly see the ghost of a young woman in a long black hooded cloak lurking in the corridors or on the stairs. At a birthday dinner for Maurice, his father (Michael Hordern) begins to act strangely, after he appears to have seen something horrifying, a vision that nobody else sees, Jack a friend of Maurice's present at the meal and a doctor, diagnoses a cerebral hemorrhage, the father dies shortly after wards. That night Maurice is drinking heavily and he sees a vision of his dead father and soon after wards a spectral vision of a man in 17th century clothes in the dining room, guests put his screaming and histrionics down to his keeping the ghost story myth going, but Maurice is seriously disturbed by it and he soon finds the identity of the man to be is a 17th century cleric by the name of Underhill, a man of ill repute, who used his power and mind games and tales of demons to lure underage girls to his bed against their will and he's intent on continuing his dastly deeds. Soon after Maurice is also visited by a winged demon while in the bath, this is the final straw for Jack who now believes Maurice is stressed and should cut back on the booze for the sake of his health. Is Maurice going mad, is he just a drunk or are his visions in some way related to the death of his father, with the help of his lover Diana he investigates further with a spot of grave robbing....The Green Man was a three-part mini series commissioned for the BBC and based on Kinglsey Amis's 1969 novel of the same name. For the most part it plays a like a mundane drama, concerning the ins and outs of running a hotel, keeping the staff and guests happy and of course the celebrity food writers who seem to visit most nights. Its full of dark humour that alleviates from the darker more horrific themes that ensue, its a balance that needs to be exact or the production can fall between two stools, being neither one thing nor the other, but while it does this quite well, it doesn't quite succeed completely, with the lighter end of things winning out. Still though there's enough spooky goings on to satisfy, the mysterious Dr Thomas Underhill striking an imposing image, his long black hair set against his deathly white face is a disturbing sight. There's also a spot of grave robbing in a mist bound cemetery, some dreamlike visions containing demonic vines in an evil wood that bind and ravish young maidens, Maurice even receives a visit from a whiskey drinking God who helps him tackle the evil of Underhill by suggesting he use the powers of the local "Hippy" vicar, nicely played by Nickolas Grace, a vicar who doesn't believe in an afterlife.The cast are very good, Finney excels, his comic timing is very good as are his more dramatic moments, a large range of emotions are called for and he succeeds on all counts. His clumsy attempts to get his lover in to bed with his wife for a threesome are also a joy to behold, especially when it doesn't turn out quite as he planned, as the ladies soon forget he's there. Hordern is left with little screen time, but like a real old pro he still delivers a very memorable performance. All in all The Green Man is a fun sexually charged ghost story with a lot of ideas, there's even time for an exorcism. As a ghost story its visuals are striking, but the humour does take away from its power somewhat, still though the its all very entertaining.

We love, Love, LOVE The GREENMAN and would love to have it in our inventory. We've searched high and low and can't find a copy - anyone out there know how/where we can locate one? Yep, we've tried Amazon, etc. to no avail. This is the perfect Halloween movie and we're fast approaching another witching season and would love to see it again. It's a classic "adult" ghost story worth seeing. The mood is dark yet entertaining and the performances of the entire cast are riveting and spell binding. Albert Finney outdoes himself as the owner of an Inn (The Greenman) whose past is filled with secrets, mystery and the unknown. If you like The Fog and the suspicious nature of what's going to happen next, you'll enjoy The Greenman, year after year.

Kingsley Amis, a charter member of the English 'Angry Young Men' club of post World War II writers, wrote a marvelous book containing equal parts of horror and humour.'The Green Man' is an adequite translation of Amis's literary masterpiece to the screen; alas, in this case, the television screen.Albert Finney delivers a preformance to match the character Amis created to present the story of a centuries-old child molester who still inhabits the precincts of the home in which he lived.The production is English, hence, superior. If this one doesn't stick with you...check your pulse. -30-

I loved this 3 part series, and have seen it 3 or 4 times over the years. Albert Finney's character, Maurice, does have many unappealing traits. However, Finney makes the character irresistible. Finney plays the anti-hero to perfection. The script is excellent. I loved the scene where Linda Marlow and Sarah Berger (excellent performances both) pull a fast one on the `manipulative' Maurice. Just reading the other reviewers' comments makes me eager to see this British gem again!