Disturbing yet enthralling

Awesome Movie

A Brilliant Conflict

There's no way I can possibly love it entirely but I just think its ridiculously bad, but enjoyable at the same time.

The Night Manager is an elegant well acted film, on all levels, drawing us in until its very last moments. Bravo!

fantastic series. If you are Le Carre' fan, you will not be disappointed. The familiar Le Carre' structure of the spy (hero), the backer, the orchestrate-tor, the mole and the charismatic villain mixed with dangerous liaisons. This is a masterful spy thriller on a smaller scale than Tinker Tailor Soldier Spy. Nonetheless just as tense and gripping as TTSP. I have to say I could do without the cliché dangerous romance between protagonist and boss's woman. It just seems like a cheap pitfall a lot of writers cannot avoid. On the other hand, Roper's character played by Hugh Laurie is the glue much like the Alec Guinness in TTSP but in opposite side of the battle. Laurie plays this with an ease and tremendous confidence and intensity when needed. What a remarkable acting. Plus Tom Hiddleston does a outstanding job playing the main protagonist Jon Pine. All in all with a couple of minor exception, the ensemble of actors play very well together. The production value s very high and looks expensive. Nicely done

SEASON 01:The British television series has a special status in me. Usually they won't disappoint me, particularly one under the banner of the BBC. I was expecting it, and also it took time for me to give it a try. After so many months delay, I finally saw and liked it. One of the best secret intelligence-thriller. When it comes to the basic narrative, there's nothing new. You know it's a man was sent to get close to the international criminal and pass all the details to the security agency. Yeah, it's that simple, yet a bit differently done in here.It is a mini-series with six episodes and each one was like an individual film in a spy film franchise. Yeah, that would have not been a bad idea. Surely it would have been one of the best films of its kind. Anyway, the narration shifts its locations all over the world in each episode. There's no preserved secret in the tale, everything was told in a straightforward narration. But comes to the point whenever it needed. Then what makes it so powerful is the performances, especially all the lead ones, including, Tom Hiddleton, Hugh Laurie, Elizabeth Debicki, Olivian Colman and a few others.The night manager in one of the leading hotels in Cairo unexpectedly gets into an international criminal affair. But he escapes unhurt, except hurt in the heart. Following that, a few years later on the different part of the world, again he meets the same gang and this time he tries to do the right thing. The plan is to infiltrate and collect all the information. He succeeds in getting in, but what are the challenges he is going to face are the remaining suspense parts told.Liked the casting, locations, the making was awesome. Looks very carefully carved product. Highest budget television product from the BBC till date and it all paid off back with the great recognition all around. The details are good, it took time to get everything right, otherwise it would have been 3-4 episode series. It won three Golden Globes, three BAFTA and two Emmies. Almost recognised in all the important sections as it deserved for awards. If you love television series, then this one is not to be missed. The same old theme, concept, but brilliantly reshaped with fine actors and in locations with music and all. Recommended!8/10

OK, maybe not dead altogether, but dated for sure. LeCarre worked -and subsequently became a writer- in a time before religion mixed with (or took over?) politics and suicide bombers took over suave gun-carrying secret agents. So his adventures look dated per se. Yet, his skeptical view of international politics allows him to be enjoyable by the readers, or viewers, who do not believe everything is black or white. The hallmark of a LeCarre story is, halfway through it you are still unsure of who to root for (sometimes all the way to the end) Sadly, all that is lost in this adaptation. The villains may be charming, but it's very clear they are baaaaad, and if the good guys (they are depicted in crystal clear manner too) don't get them, their own clients will. All the bad guys get is the sarcastic one liners -but in the end they are going down. It's a Bond plot without the gadgets, which are the only thing that makes Bond movies barely watchable.It could be a consequence of the American market, where gray toned nuances have never been popular, and are soundly rejected by today's good-beats-bad, happy-ending-seeking crowd. But the fact that English actors and crew work in this one, and it was indeed premiered in Brit TV before coming to the US, seems to say that our friends across the pond have also grown tired of moral ambiguity. So, I guess a London-based superhero is coming soon to the small screen -while in the real world, people die in conflicts which are not even remotely similar to these ones.