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Amateur movie with Big budget

In other words,this film is a surreal ride.

Anne Bronte was in the shadow of her sisters Charlotte and Emily and The Tenant of Wildfell Hall less well-known than Jane Eyre and Wuthering Heights. Charlotte and Emily Bronte are great writers and their books classic but Anne does deserve more credit than just "the other Bronte sister", and The Tenant of Wildfell Hall does deserve to be up there with Jane Eyre and Wuthering Heights as it does have all the ingredients of a classic. The book is hugely atmospheric and emotionally impactful and what further makes it a classic is how direct Anne Bronte's writing was and how she really understood her characters and people around her at that time. This dramatisation is just excellent with its only detriment being the ending feeling rather rushed. It is evocatively shot and the scenery is both beautiful and stark, the mist and rocks really giving setting the tone of the book. The costumes and the rest of the production values are incredibly well-done too. The music is haunting and unobtrusive with a real melancholic beauty to it too, some have deemed it anachronistic, I thought it blended with the mood with no problem and actually enhanced it. The script has Anne Bronte's writing style all over it and just as harrowing and heart-wrenching, and while details-wise it is not the most faithful adaptation there is the gritty and affecting spirit of the book is absolutely there and with a great passion also. Regarding other adaptations of any of the Bronte Sisters' work the 1983 Jane Eyre comes closest to evoking that feeling exactly. The direction is sensitive and lets things flow smoothly, if a little hurried at the end. The acting is without complaint, the supporting turns especially Pam Ferris turn in great work but it is the three leads that captivate. Rupert Graves has the juiciest character as Arthur Huntingdon and he is incredible, he shows an initial charming side to Arthur but later becomes brutish and tormented, making it easy for us to really hate him with an ounce of sympathy too. Tara Fitzgerald is appropriately stoic, determined and passionate, you can tell how into the role of Helen she was with what she does physically(ie. no makeup, making her perhaps less attractive than she actually is), people may be frustrated with how too saintly Helen may seem later on but considering the situation Helen was in it's understandable. Toby Stephens gives one of his better performances here too, giving a tender and magnetic performance with ruggedly handsome charm too. In conclusion, the book is a classic and while not quite as good the adaptation is excellent, recommended highly. 9/10 Bethany Cox

Spoilers.....I saw the original on TV sometime ago and remembered this production as less gripping than most Beeb costume drama. I rewatched on DVD this week and still have the same impression of it. It's a good story at first, but weakens when the heroine becomes oh so terribly brave and noble and returns to her utterly vile husband when he's ill and I got so totally irritated with her saintliness. I suppose this was the "right thing to do" when the story was written as well as contributing plenty of angst, and it was difficult for a woman to be independent of her husband as marriage made her no more than his possession, let alone to carry on scandalously with a lover as I expect a lot of the modern audience would have liked to see. But it's hard to take the santimoniousness nowadays and especially when this heroine had a strong, brave admirer ready to defend her against anyone and everyone. So re the story as in the film I'm equivocal. It's well done as per the novel, but somewhat irritating as per today's kind of life.Steadfast hero Gilbert was certainly a saint to put up with his ladylove's variable and often cryptic behaviour and persistent self-denial and to be so consistently supportive. So I felt it a great shame that when Helen was at long last free to be with him, the script didn't allow him a bit more than about one minute to fall on each other for a quick hug before the titles came up. This was completely ridiculous when we'd been waiting all this time through all that dripping sentiment over the undeserving husband for a decent bit of dialogue and a good embrace between hero and heroine. Instead, the ending was as though the film makers had run out of time or finance or just couldn't be bothered. "Here you are - one minute, do what you can in that, then cut as the director wants to go home now....." I was left feeling totally dissasatisfied.However, very high commendations to the acting of Toby Stephens a perfect and very handsome hero, and Rupert Graves a superbly nasty and self-pitying villain. Tara Fitzgerald was satisfactory within the confines of the script that forced her to be a depressing and rather sanctimonious victim so much of the time.That said, I love these classic dramas and virtually all of them are a sight better than much of the "modern" drama on TV these days. So 7 stars because in spite of the irritations it's still a good watch.

I bought this adaptation because I really liked Anne Brontë's novel when I read it some time ago and usually particularly enjoy BBC dramas. But I'm very disappointed, I never thought it would be as bad as that: the whole series made me laugh much more than moved me as the novel had.First of all, the music (and songs) seems totally out of place in a period drama (sounds as if it's been written for a contemporary horror film)and like another commentator, I was particularly annoyed by the way the cameras spun and spun round the actors. I've seen some scenes filmed that way in "North and South" and it seemed all right there but in The Tenant, it's definitely overdone and simply annoying. Camera movements cannot make wooden acting lively.Most of the second roles were difficult to distinguish at first and the script lacked clarity. None of the characters were properly introduced at first. The little boy gave a very good performance, he's very cute and the best feature of the film.SPOILERS Tara Fitzgerald's characterisation of Helen Graham made her appear cold and harsh, letting no emotion pass through. She doesn't seem to be able to cry at all in a realistic way. I just couldn't believe Markham could have fell for her and I'm not mentioning the awful hairdo she was given. I could not help feeling some sympathy with her husband! Fancy being married to such a virago... Besides, he was the only main actor that sounded right to me. Toby Stephens I found just OK, Helen Graham's brother not very good. Maybe it's difficult to adapt a novel that deals with such bleak subjects as alcoholism and cruelty. Besides, what is only hinted at and left to the reader's imagination in the book is dwelt upon with complaisance in the TV adaptation: making some scenes both gross and comic, (like when Huntingdon's eye starts bleeding) and others far too sexed up for a period drama! I mean, don't we get enough of those bed scenes in contemporary dramas?

What can be said of the compelling performance of Tara Fitzgerald? She is utterly believable as the injured Mrs Graham, hardened by experience, sharp and strong-willed, yet not immune to the passionate attentions of Mr Markham. Through every mischievous glance and every flare of temper, every flicker of discernment in his eyes and telling facial expression, Toby Stephens is a master of his character. He is the force of passion and hope that will restore Helen's injured spirit. Graves' Huntingdon is a perfect performance of the unreformable rogue. Yet despite all he has done, there is an undeniable human dignity in his refusal to play the hypocrite at the end; he is at least aware of his own failings and how they have brought his ruin. Helen's attempt to save his soul-- after leaving him and taking their child at a time when this was unheard of--is a triumph of hope, hope and faith in the worth of every human life and soul, however misguided, however sinful that person may be. Markham's constancy may then be seen as her reward for her faith and unyielding moral character. Though the opinionated ideas of morality so strongly presented in Tenant seem outdated by today's standards, the story is imbued with integrity, passion, and conviction which still make an impact. Tenant is far more believable than Wuthering Heights or even Jane Eyre; here is an adaptation that does the novel justice. I highly recommend viewing it!