If you don't like this, we can't be friends.

I cannot think of one single thing that I would change about this film. The acting is incomparable, the directing deft, and the writing poignantly brilliant.

Blistering performances.

It is a whirlwind of delight --- attractive actors, stunning couture, spectacular sets and outrageous parties.

The late Victoria Wood, along with Jim Davidson and Lenny Henry, made her mark after a successful appearance on ATV's 'New Faces'. Her first regular television appearance was in 'That's Life' ( ye gods! ) alongside Esther Rantzen and Richard Stilgoe, in which she sang ( or rather bellowed ) cringe making songs. She was awarded her first regular comedy series in 1981 entitled 'Wood & Walters' which saw her form her first partnership with Julie Walters. It was a ratings success though it only ran for a single series on Granada Television.Her next series was the more successful 'As Seen On TV', which was broadcast by BBC2. It was a curiously old fashioned piece, featuring stand-up routines and piano ditties. Sketches were usually spoofs of some sort, whether it be of adverts, fly-on-the-wall documentaries or of television shows. One recurring spoof was of the '60's soap opera 'Crossroads' entitled 'Acorn Antiques' which was set in a failing antiques store. Judging by the merciless fun poking at all the programme's flaws ( the wobbly sets, inane dialogue, amateurish acting, misplaced props, bad camera angles and so on ), it is clear that Ms. Wood was no admirer of the long running soap opera. Indeed, 'Acorn Antiques' had such an effect that 'Crossroads' was pulled from the airwaves not long after.My favourite sketches were actually those featuring Patricia Routledge as Kitty, the outspoken middle-aged harridan from Cheadle who appeared here in vox-pop sketches. Routledge was hilarious as the ghastly spinster and it may well have been these monologues that awarded her the role she would become best remembered for - as Hyacinth Bucket in 'Keeping Up Appearances'.Wood's regular supporting cast included Duncan Preston, Celia Imrie, Susie Blake ( who appeared here as a vindictive continuity announcer ) and, of course, Julie Walters and Patricia Routlegde. Making appearances from time to time were Kenny Ireland, Gerard Kelly, Meg Johnson, Jim Broadbent and Rosie Collins.'As Seen On TV' missed as many targets as it did hit but when it was funny it was very funny. The first series was the better of the two in my opinion. In 1989, Wood then moved into the world of sitcom with a show entitled simply 'Victoria Wood' ( which was a series of six different comedy playlets ) but it never caught on the same way 'As Seen On TV' did. In 1998, Wood devised another sitcom ( of which more or less all of the cast of 'As Seen On TV appeared in ) - the hugely successful 'Dinnerladies'. Sadly, Wood died of cancer ( which she was diagnosed with in 2015 but kept a secret from the public ) in April of this year, aged just 62.

In the midst of the alternative comedy revolution of the '80's, along came Victoria Wood with this B.B.C.-2 series. I have to admit to not being the world's biggest fan of Ms.Wood. I well remember her early television work such as 'That's Life!' in which she ( badly ) performed over-twee songs about acne and unrequited teenage love. My view of her changed, however, when she wrote and appeared in a television play with Julie Walters called 'Talent'. I did not care for the songs but there were good one-liners. Next up was a short-lived sketch show for Granada called 'Wood & Walters'. Though it boasted some witty items it was hampered by a patently obvious laugh track.'As Seen On T.V.' opened with a cringe-inducing title sequence featuring a 'Camberwick Green'-style version of Wood, whose arm falls off in the middle of her stand-up routine, backed up by a theme tune that sounded like the jingle to a '50's commercial for cocoa, and comic sound effects. It took a superhuman effort on my part not to switch off.I am glad I did not because then I would have missed what I regard as the best soap opera parody of them all - 'Acorn Antiques'. Obviously based on A.T.V.'s long running 'Crossroads', it skillfully ridiculed all the clichés - the wobbly sets, bad dialogue, actors not knowing their lines properly, cameras coming into shot etc. Even the closing credits in which the actors' names could be seen sliding diagonally into view was mercilessly sent up. So effective was 'Acorn Antiques' that the real 'Crossroads' tried to change its image radically by introducing a new title sequence in which a car was seen driving up to the motel entrance. Wood spoofed that too! I do not know whether 'Acorn Antiques' was instrumental in bringing 'Crossroads' down ( it ended three years after this series debuted ) but its hard to believe it played no part in hastening its demise.Other good sketches included some spoof documentaries ( one in which Wood played a naive young woman who wanted to swim the Channel turned out not only to be funny but also moving ), and a sharp parody of daytime television. Wood's supporting cast included Duncan Preston, Celia Imrie, Patricia Routledge ( whose 'Kitty' was the prototype for 'Hyacinth Bucket' ), Susie Blake as a snooty continuity announcer ( how I miss continuity announcers on I.T.V.! ), and of course the priceless Julie Walters. Jim Broadbent and the late Hugh Lloyd made occasional appearances. Some of the sketches fell flat but there were enough good ones to make this worthwhile. Amongst the hits was a hilarious 'Coronation Street' spoof with Wood as the legendary 'Ena Sharples'. When 'As Seen On T.V.' debuted on B.B.C.-2, it looked doomed initially. Its main competitor on I.T.V. was an inexplicably popular crime show called 'Dempsey & Makepeace'. Wood's show was trounced in the ratings for the first few weeks, but then an amazing thing happened. As word got out about 'A.S.O.T.', so 'Woopsey & Dingbat' ( as T.V. critic Nina Myskow referred to it ) began to lose viewers. I.T.V. panicked, and it was later moved to a safe Saturday night slot.In an era where more and more comedians were resorting to swear words and body function jokes to get laughs, 'A.S.O.T.' stood out like a sore thumb. It was funny without being offensive. Not to everyone's taste perhaps, but an enjoyable series all the same.

I haven't actually seen this movie, although my faith is such that I do not feel that I need to in order to recommend it. I have, however, seen Victoria Wood Live. Dinnerladies (Victoria Wood not so live) is the definitive comedy programme, and this generation can relax knowing that, despite Norman Foster, we have left something of value behind us. But Victoria Wood Live has a closing aerobic routine that makes being born a small price to pay for being in her audience (for both parties). We are not worthy.(Embarrassed silence: The sponsors have warned me that concision in these comments is not rewarded, and a minimum of ten lines of text is required. Pithy.)

This sketch show is second to none. Nearly twenty years after its' first outing, it stands the test of time. Victoria Wood's writing is instantly recognisable, and her ear for dialogue has influenced so much that has come after her. Some of the sketches and characters in this series can be spotted a mile off, and have been imitated endlessly.The immortal Acorn Antiques, with Victoria Wood and Celia Imrie as the overly made-up Miss Babs and Miss Berta, and Julie Walters as the legendary Mrs Overall, queen of the coconut macaroons and homemade sherry, is the sketch everyone remembers. It's quite possible that Acorn Antiques changed British TV comedy forever, but there are so many other gems in the rest of the series.Susie Blake's scathing and rude continuity announcer; Patricia Routledge as Kitty, fitting in a quick monologue before rushing back home to Cheadle; Victoria and Julie as hopeless daytime TV presenters ... wonderful.This series is not to be missed. Victoria Wood's work is guaranteed high-quality stuff, and this is the best thing she has done so far.