Highly Overrated But Still Good

I wanted to like it more than I actually did... But much of the humor totally escaped me and I walked out only mildly impressed.

Good films always raise compelling questions, whether the format is fiction or documentary fact.

There is, somehow, an interesting story here, as well as some good acting. There are also some good scenes

Series 1 is excellent. The female lead detective, Sandra Winckler, is outstanding as she strives to prove herself in a male-dominated profession. Also outstanding is Paul Maisonneuve, the retired detective, who comes back to work with Winckler on solving a series of puzzling crimes that involve corpses being dug up and displayed in model homes. The plot slowly unfolds and comes to a satisfying conclusion in the final two episodes of Season 1. Seasons 2 is longer and during the second half, the behavior of Sandra Winckler is so unprofessional and implausible that it seriously lowers the quality of the series. Season 1 gets a 9; season 2 a 5.

I liked season 1 of Witnesses but season 2 is terrible. Preposterous plot and it violates an important rule of the genre: you don't introduce new characters at the very end of the series. There were so many questions which were never answered and the main detective was so unlikeable and self-centered, it was hard to root for her. Skip this one and watch something else!

French crime drama 'Witnesses' appears to take many of its cues from the superb Danish series 'The Killing': an intense, career focused, thoughtful but lonely female protagonist, with a tendency to go into dark places alone, coupled with a landscape that is always painted grey (in this case, the seaside town of Le Treport, which probably won't attract too many additional holiday makers as a result of its portrayal). Unfortuantly, there are also some problems, most notably, a complex plot that doesn't make a lot of sense. For example, it's clear that the crime under investigation involves someone seeking revenge on a retired detective, so the first thing the police do is to bring the person in question back onto the job specifically to lead the case. It's a standard trope of television detectives, of course, that they accidentally find a personal link to the case they're investigating; but it's a bit crazy to assume the reverse, that a known personal involvement would lead to someone being put in charge, especially as much of the tension in the drama comes from his own reluctance to share what he knows with his colleagues. The acting from the two leads was good, and I also liked the mood of the piece, but ultimately, the story just isn't very plausible or engaging.

I've just finished watching this series following its run on Channel 4 in the UK, and thoroughly enjoyed it. It has bags of atmosphere, some fabulous and very intense acting, and a great central character in the stunning Marie Dompnier. Certainly an actress to watch.In addition, considering its 6 hour running time and novelistic structure, not to mention 2 intertwined mysteries to keep the viewer guessing, it really jogs along at quite a clip, with as much intrigue and incident per episode as many mini-series have in their entire running times.There were a few plotting issues that lose it one point out of 10, but otherwise I thought this was as gripping as anything I've seen on TV for a while.