A Man Called Sledge
A Man Called Sledge
R | 09 July 1971 (USA)
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James Garner is Luther Sledge, the leader of a pack of rebels who are planning to steal a stash of gold. But after the thieves actually manage to get away with the bounty, they soon discover that the enemy lies within their midst. As they begin to bicker over who should get the biggest cut, the stage is set for a deadly showdown. Claude Akins and John Marley co-star in this Italian Western directed by Vic Morrow.

Reviews
SoftInloveRox

Horrible, fascist and poorly acted

HeadlinesExotic

Boring

Bereamic

Awesome Movie

SpunkySelfTwitter

It’s an especially fun movie from a director and cast who are clearly having a good time allowing themselves to let loose.

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Spikeopath

A Man Called Sledge is directed by Vic Morrow and Morrow co-writes the screenplay with Frank Kowalski. It stars James Garner, Dennis Weaver, Claude Akins, John Marley, Laura Antonelli, Wayde Preston and Ken Clarke. Music is by Gianni Ferrio and cinematography by Luigi Kuveiller.Luther Sledge (Garner) is a wanted outlaw who upon hearing about a huge gold shipment stored in a prison, promptly assembles his gang and sets about executing a daring robbery.A Pasta Western filmed in Technicolor/Techniscope out of Andalucia in Spain, A Man Called Sledge is a most interesting and entertaining addition to this splinter of Westerns. From the off we are in no doubt that Garner is serving up a character not of his normal portrayal varieties, here he's not heroic, all American or a lovable rogue, he's a bad egg, gruff, rough and tough, and driven by law breaking activities. Added into the mix is a rather cheeky premise, that of gold being stored in a working prison, which is naturally heavily fortified, protected and seemingly impossible to breach, but Sledge and his cohorts have other ideas that gives the narrative and dramatic drive much strength.You couldn't take it with a pope!In spite of the odd flecks of humour, such as a terrific organ sequence and Akins' constant cynical asides (both orally and visually), pic is grim in texture, there will be blood and the unfurling of other hateful human traits. Morrow knows his Pasta Oaters, both as regards visual ticks and via characterisations. So we get camera zooms, low level up-tilts and spins, while the characters range from the foolish to the greedy - to the twitchy and the dumb - and even a howling man! The story plays out through differing back drops, be it a snow storm, an arid landscape or a sweaty bar - not least the imposing prison at the centre of the plot - Morrow is taking his story through visual variations.I would have died for you Sledge!There are a number of great scenes to enjoy, usually where action is concerned, not least the quite exhilarating show-piece involving a jailbreak, where here we are treated to top stunt work as dynamite and a Gatling Gun join the usual bullets and blood carnage. Cards are a big feature, as are crosses - cum - crucifixes, the latter providing some striking (and scary) imagery. While all the time Ferrio's varied musical score hits all the right Pasta Western notes. Hell! even the irritating theme song is hauntingly chaotic and thus fitting once the pic reaches its denouement. With the mostly American cast turning in good perfs, and Morrow proving deft at genre compliance, this is very much an under valued pic and worthy of either seeking out for a first time view or for reevaluation purpose. 7.5/10

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Leofwine_draca

A MAN CALLED SLEDGE is a US/Italian western featuring a starring role for TV actor James Garner. It very much feels like a US rather than a spaghetti western, and it has a notably dark and nihilistic streak that makes it worth a look for those who think they've seen everything the genre has to offer. Garner plays the usual sharpshooter who teams up with a few ne'er-do-wells (including character actors Claude Akins and Dennis Weaver) in order to rob a gold shipment that's heavily guarded.The most entertaining part of the movie is the midsection which sees Garner going undercover in prison in order to effect a breakout. There are some memorably kooky character creations here and oodles of suspense. The film gets grimmer and grimmer as it goes on, building to a climactic shoot-out which works well and fits the subject matter like a glove.

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capone666

A Man Called SledgeThe main proponent of laxed prison sentences is always the man who prints the Wanted Posters.Mind you, the outlaw in this Western doesn't need any likeness to land him in jail – just the promise of untold riches.Tipped off to a regular gold shipment that is locked up overnight at the nearby prison, notorious bandit Luther Sledge (James Garner) rounds up his gang (Dennis Weaver, Claude Akins) and plots to purloin the bullion by getting himself apprehended.Incarcerated, Sledge frees the inmates and escapes with the booty during the melee.However, infighting amongst Sledge's men over the gold during a poker game results in bloodshed, and the kidnapping of Sledge's prostitute girlfriend.An unorthodox Western thanks to its substantial Italian influence, A Man Called Sledge features a refreshing departure from the affable gunslinger characters that Garner usually played.Furthermore, pioneer prisons were notoriously ineffective on account of their sod roofs.Yellow Lightvidiotreviews.blogspot.ca

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burthelukyman

Shot in Spain and Italy (check out all the Italian names in the credits) with American stars and director, this is one unusual psychotronic Spaghetti western ! As an actor himself, Morrow can get the best performances out of his cast but his direction is sometimes great, sometimes surprisingly sloppy. He's way too fond of hand-held 360 degree shots (something he also used many times in the few COMBAT shows he directed. While it might have been relevant in a war environment, in a western it's highly unusual and distracting for the viewer). He also often disregard the old rule of "not crossing the axis" with the camera, which makes for startling camera placement ! Only western I know that goes from western, to men-in-prison film, to film noir (check out the nighttime prison scene where all other prisoners suddenly start howling at the moon !! ) to a very nasty STRAW DOGS style revenge movie (with a Mexican Death Ceremony thrown in near the end) ! Soundtrack goes from efficient, to unusually jazzy to down right silly, the theme song being particularly atrocious ! A few years before he was to find a bloody horse head in his bed in THE GODFATHER, veteran actor John Marley (as the Old Man) shows us he could actually ride one for real ;) Finally, I don't care what the credits say, this is definitely NOT gorgeous Italian beauty Laura Antonelli playing Ria (Sledge's girlfriend) ... I mean COME ON ! This girl is borderline ugly !

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