Slow pace in the most part of the movie.

Good movie, but best of all time? Hardly . . .

Fun premise, good actors, bad writing. This film seemed to have potential at the beginning but it quickly devolves into a trite action film. Ultimately it's very boring.

By the time the dramatic fireworks start popping off, each one feels earned.

Others have described this movie as a scientifictional version of Dickens' A CHRISTMAS CAROL, and that's not a bad tag. On Mars, where everyone wears Medieval garb and a big ankh, E. Holman Clark has committed some crime. For his punishment, he has his ankh taken away and must redeem Charles Hawtrey.This is not the Charles Hawtrey of the CARRY ON films, but a stout, well-to-do man who wants to stay home and read the paper when his fiancee, Crissie Bell wants to go to a dance. After she breaks their engagement and he settles in, a man comes with a note asking if Hawtrey can do something for him. The answer is apparently no. After this, Martian Clark pops in using standard camera tricks, and tries to redeem Earthling Hawtrey by tormenting him.It is based on a play by Richard Ganthony from 1899 and this is believed to be the earliest British sf feature -- make of those distinctions what you will. I found the hour-long restoration a bit abrupt, but well carried out, the story well acted and the print quite watchable; doubtless the tinting helped. I am always glad to see any early movie restored, and to see one, like this, that is quite watchable on its own terms is a pleasure.What I found distinctly not a pleasure is the sound track that the BFI allowed it to be saddled with by Matthew Herbert, credited here as "Sound Designer." I have heard Mr. Herbert's work previously on the Best Foreign Oscar-winning UNA MUJER FANTASTICA, and he is certainly competent in that. For this movie, his sound design sounds as if part of it has been lifted from the 1960s version of DOCTOR WHO; the music, including dance music, is something I can only describe as electro-junkyard Reggae; and his idea of what an Edwardian London Street sounds like on a clear, clean evening, is that of the Indianapolis Speedway on a slushy afternoon. Other sound effects are equally over-the-top.Like many a contemporary musical artist brought in to compose for a silent movie, Mr.Herbert seems to think that there are silent movie fans who will watch this regardless, so he needs to get in the kids who wouldn't watch it without the weird and ugly music. The result, I fear, will be something that will please no one but Mr. Herbert. People like me, who enjoy silent movies, will be rude about it, and the kids won't come to see this movie anyway. Not until they have gone to a lot of the more easily accessible silents. At that point, they will, at best, be puzzled.

A Martian is sent to Earth to cure a rich man called Horace of his selfish ways. In other words this is a sci fi variation of the Dickens classic, A Christmas Carol. I watched the excellent B.F.I restoration on the Talking Pictures channel. Needless to say, everything ends well. But one question that I found myself asking - how does a fat, bolding middle aged man get engaged to an attractive woman who looks young enough to be his daughter!? The answer I guess is obvious - his wealth. Some things haven't changed!

A MESSAGE FROM MARS is an intriguing little sci-fi movie with two distinguishing factors: it's a silent film, released in 1913, and there aren't too many of them around; also, it's British, which is unusual in itself from this era. We have the BFI to thank for recently cleaning up the print and putting it on general release.As for the film itself, I think it's fair to say this is no classic. I was expecting a low rent British version of A TRIP TO THE MOON from the title, but what we get instead is a morality story along the lines of A Christmas CAROL. The plot involves a disgraced Martian who, in order to reintegrate into his society, must help a selfish human see the error of his ways in order to become a better person.A MESSAGE FROM MARS is an hour long production with accompanying music and sound effects and tinted scenes varying between sepia, blue, and red. The acting is exaggerated, as you'd expect from the era, but the storyline is quite involved. Although the Martians themselves are disappointingly dated, the 'zap' effects are cleverly staged, and there's a decent set-piece involving a burning building. The camera-work is static for most of the time but there's a good rolling shot of a moving vehicle which must have been tough to stage. I should imagine that this was electrifying stuff for audiences at the time although nowadays it's more of a quaint curio than anything else.

Charles Hawtrey (more about that name later) was an actor-manager in Victorian England, specialising in light comedies. One of his biggest hits was "A Message from Mars" by the American playwright Richard Ganthony. Hawtrey premiered this play at the Avenue Theatre, London, in 1899. The play ran for nearly two years. In 1901, Hawtrey made his triumphant American debut in this same play at the Garrick Theatre, New York City.The plot line of "A Message from Mars" is glaringly similar to "A Christmas Carol" ... so similar, in fact, that anyone who has read Dickens's novel (or seen any of its dramatisations) will be able to guess all of the plot developments in "A Message from Mars". The chief difference between them is that "A Message from Mars" is lighter and more comedic in tone.Horace Parker (Hawtrey) is a wealthy young man who is exceedingly selfish and self-centred: not only is he a miser, but he also expects his friends (and everyone else) to conduct their lives according to his personal convenience. Parker is engaged to Minnie Templer (played by the attractive ingenue Crissie Bell), but Minnie has discovered Parker's selfishness and she is on the brink of calling off the engagement.Parker does have one constructive hobby: he is an amateur astronomer, and owns a magnificent telescope. One evening he reads a magazine article which speculates about the possibility of intelligent life on Mars. Parker is sceptical about this, and he drifts off to sleep in his study.Suddenly, Parker is awakened by a visitor: Ramiel, a messenger from Mars. If you're wondering what a 1913-vintage movie Martian looks like, you'll be disappointed. Ramiel (played by E. Holman Clark) looks like a handsome Englishman in tight-fitting black clothes. He doesn't have a spaceship or any other interplanetary gear; he simply ARRIVES in Parker's study. All through the story, Ramiel acts more like an angel than an alien: he really seems to be a visitor from Heaven (using some sort of magic or divine intervention) rather than a visitor from another planet with access to advanced technology.Ramiel has come all the way from Mars to teach Parker the error of his ways. Just as the Spirits of Christmas did with Scrooge, Ramiel is able to teleport himself and Parker to different locations, where they observe other people's actions while remaining invisible to everyone but us.First, Ramiel makes Parker witness the lives of people much less fortunate than himself ... including an inventor who was cheated out of the fruits of his labour and now must live as a starving tramp. Parker is unmoved. Next, Ramiel allows Parker to eavesdrop on his friends and to overhear their real opinions of him: most of his "friends" actually despise Parker's selfishness and are only interested in him for his money. Parker is angered but unmoved. Finally, Ramiel manipulates reality so that Parker's fortune is lost and he is a pauper.SPOILER ALERT: The ending is obvious. Parker was asleep when the Martian arrives, so of course all of this turns out to be (surprise!) a dream. Now he awakens, and (like Scrooge) he has learnt his lesson. Parker vows to end his selfishness, using his fortune to help others. Minnie decides to marry him after all, without bothering to wonder how Parker has changed so drastically overnight.The script of "A Message from Mars" was published in book form in 1913, illustrated with photo stills from the movie. This may be the very first book/movie publicity tie-in.Most film fans will associate the name "Charles Hawtrey" with an English comedian of a later era, who starred in the "Carry On" movies and played supporting roles in several major British films, including "Sabotage" and "Passport to Pimlico". For years, I mistakenly assumed that he was Charles Hawtrey Junior, son of the Victorian stage actor who stars in 'A Message from Mars'. In fact, the 'Carry On' actor's real name was George Hartree. During his adolescence, as a child actor (when the original Charles Hawtrey was still well-remembered), Hartree cynically changed his name to "Charles Hawtrey" with the specific intention of misleading people into believing that he was Hawtrey's son."A Message from Mars" is creaky and predictable, and not a science-fiction film as I define the term, but it holds some interest for those interested in the Victorian theatre.