Who payed the critics

Brilliant and touching

The movie's not perfect, but it sticks the landing of its message. It was engaging - thrilling at times - and I personally thought it was a great time.

Easily the biggest piece of Right wing non sense propaganda I ever saw.

We viewed this movie last night through TCM on demand; I'd only seen parts of it in the past, not the whole film. I was impressed by Joan Crawford's skillful depiction of a highly intelligent woman whose face had been disfigured when she was as child. Her character seemed to be a genius in her knowledge and musical abilities. Because of her appearance she'd been shunned and unjustly treated; this forced her to hide half of her face from others. She spends most of her time in seclusion with a band of misfits and crooks. Her rejection by society turned her into a seemingly heartless blackmailer among other things. We could see that beneath her bitterness was a spark of something else, something good perhaps; her doctor played by Melvyn Douglas sees this too. Her doctor presents her with hope to restore her face using his skill, but will it work? It was an unusual role for Ms. Crawford IMO, at this stage in her career I'd figured she'd always want to look her most beautiful in roles. I couldn't imagine her appearing less than attractive even for part of a film; yet here she allowed her face to appear disfigured in some scenes. It was reminiscent for me of scenes that Gloria Grahame did years later in 'The Big Heat', another excellent film. The supporting cast in 'A Woman's Face' is good, especially Conrad Veidt as the evil man who has her in his power because he finds her attractive. For him she is willing to do anything...almost. The unthinkable crime he wants her to commit is the crux of the story, I won't reveal it here except to say at times we were on the edge of our seats wondering would she do it. Also of note in the supporting cast are Marjorie Main as a servant jealous of Joan and Albert Bassermann as a kindly grandfather. I highly recommend this film and give it a rating of 8 out of 10 stars.

This is a shaded Crawford performance, showing her dramatic range better than most. As the conflicted Anna, she goes through a number of emotional changes in subtle fashion. Defaced by a facial scar, Anna strikes back at the world by heading up a blackmail ring. Then, by chance, she meets up with cosmetic surgeon Dr, Segert (Douglas), who restores her underlying beauty. Too bad he's married. With the operation, Anna can now lead a normal life, except her cruel boyfriend Torsten (Veidt) has a hold on her, and dispatches Anna to kill his toddler nephew who stands to inherit the fortune Torsten would otherwise inherit. So what's she going to do now that she has a chance to lead a normal life. Will Torsten's hold cause a relapse into her former criminal life.The sleigh chase and roaring cataract below may be the most exciting sequence in any of Joan's many dramatic films. It's certainly the high point here. Douglas and Veidt are excellent in their roles; however, Massen's over the top as Douglas's unfaithful wife. On the whole, the MGM production is excellent, especially the ballroom scenes. However, some of the outdoor process shots and miniatures are sometimes apparent. Director Cukor's a little out of his usual sophisticated element, but keeps things moving seamlessly.Too bad the film has drifted around in the Crawford canon because it's one of Joan's best, both for her and for the audience.

Joan Crawford plays a woman who had her face disfigured as a child and has grown up hating the world. So now she's a criminal who runs a blackmail gang. In the middle of one of her blackmail schemes she is caught by plastic surgeon Melvyn Douglas, who decides to help her look normal. But just because she looks good doesn't mean it's easy for her to forget her way of life. In steps slimy Conrad Veidt, who uses his charm to manipulate Joan into helping him with a plot to kill a little boy.One of Joan Crawford's best movies. Her acting is terrific. Veidt is a particularly scummy villain. Great supporting cast that includes Reginald Owen, George Zucco, Donald Meek, Albert Bassermann, Marjorie Main, Connie Gilchrist, and the lovely Osa Massen. All superb. The story is told through flashbacks via testimony at Joan's trial. It's an excellent film, wonderfully directed by George Cukor.

This takes place in Sweden. Anna Holm (Joan Crawford) is a blackmailer with a disfiguring scar on her face. Because of the scar she hates herself and everybody else. She meets Torsten Barring (Conrad Veidt) who lives beyond his means and needs her help. She gets her face fixed by kind Dr. Gustaf Segert (Melvyn Douglas). She's happy and free--but can't escape her evil past completely.Strange movie. It's well-made with top MGM production values and starts off as an interesting psychological drama. However, after Crawford's face is fixed, the psychological angle is dropped and it turns into another one of her women pictures. That's not a bad thing (I actually like womens pictures) but it started out so differently--and more interesting. Still it is a good movie and looks incredible. Also director George Cukor somehow got Crawford to underplay her role and it works beautifully. For once she reins in her tendency to over emote and gives a thoughtful good performance. The rest of the cast is fine except for Marjorie Main who seems WAY out of place as a Swedish woman! Still it's worth catching. I give it a 7.