Agony: The Life and Death of Rasputin
Agony: The Life and Death of Rasputin
| 15 November 1985 (USA)
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Russian monk Grigori Rasputin rises to power, which corrupts him along the way. His sexual perversions and madness ultimatly leads to his gruesome assasination.

Reviews
SpuffyWeb

Sadly Over-hyped

Steineded

How sad is this?

Moustroll

Good movie but grossly overrated

Acensbart

Excellent but underrated film

Kirpianuscus

a special film. at first sigh, about a man who was in many others movies used as exotic character. in this case , he represents only the pretext. for a story about a profound crisis, for the chronicle of the fall premises of a monarchy. in same measure, it is a manifesto. the reaction of Soviet authorities about it is the basic argument. because the realities presented by Elem Klimov are against the entire portrait of Tsarist regime presented by official sources. and Rasputin himself is not exactly the expected one. but the film is, in same measure, less than a tool of political opposition. it is an analysis of Russia. the Russia from yesterday and today. the Russia of illusions and leaders and incertitude, hope and faith. and this facts does it a special film. because the fragments of documentary film reminds the powerful shadows behind the artistic purposes.

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b_larson

I don't understand russian language and I'm not very familiar to russian history, but the events told in this film make a very strong and exciting experience. Much of this is due to Elem Klimovs very conscious use of cinematic methods. The mad monk (Rasputin) as an evil force in russian politics is portrayed with great force. Klimov seems to be one of the great cinematic poets and dramatist who can tell a story of violent and dramatic political events, and also of private and psychological conditions. The actors are first rate in every aspect and make this cruel story a memorable, thrilling and moving experience. Agoniya means of course agony, and that is what the imperial family and the political elite in Russia went trough these years. Klimov had to do some compromises, but this film is in any way a masterpiece.

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grendel-28

I must say that for me no other director is even getting close to the level of annoyance of Mr. Klimov. I like Petrenko and the is guy really trying to get this stuff off the ground but even such heavyweight as him can't pull this off. Rent it if you have seen the other one - for the full measure but Elem bores the hell out of me with his predictability.

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JohnnyCNote

...but I speak the language fluently. Even so, I need the subtitles to get through this one. Petrenko is VERY convincing as the mad monk.The plot is every bit as convoluted and murky as was Russian society in those days.It's a great film, one of my favorites from Russia/USSR...

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