Excellent but underrated film

One of the best movies of the year! Incredible from the beginning to the end.

Just intense enough to provide a much-needed diversion, just lightweight enough to make you forget about it soon after it’s over. It’s not exactly “good,” per se, but it does what it sets out to do in terms of putting us on edge, which makes it … successful?

The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.

American Grindhouse is a straightforward clip compilation that traces the history of exploitation cinema from its very beginnings through to the present day. It's very ordinary in format, and the writing is hardly engaging, but it just about gets by thanks to the extraordinary assortment of interviewees they've assembled for the job.The documentary starts out by looking at the old sensation films of the 1930s before moving into the 1950s nudity wave. From the 1960s, the double whammy sellers of sex and violence become prevalent, with the likes of H. G. Lewis coming to the fore, and then the glory days of 1970s grindhouse cinema hit.The reliable Robert Forster is the narrator, while those being interviewed include John Landis, Joe Dante, William Lustig, Jack Hill, and many more besides. Tons of clips are also used to illustrate various points, but for the most part this is a generalised celebration of exploitation cinema, extremely superficial but entertaining nonetheless.

Cheerful, appropriately unfettered documentary on exploitation, sexploitation and blaxploitation movies, from 1913's "Traffic in Souls" to the (would-be) grindhouse movies of the present day (Tarantino's efforts rightly looked upon as homages rather than the real thing). Elijah Drenner co-wrote, co-produced and directed this clip-heavy essay on the names, faces and posters behind the salacious, scandalous, shocking and sometimes successful grade-B features that played in rundown theaters on the bad side of town. Of the celebrity interviews, only directors John Landis and Joe Dante are knowing enough to give us a broad spectrum of the now-cult genre. Drenner loves showing off the title cards and advertisements of the movies his guests are talking about, but there's no exploration into the financing, production or box-office returns of these pictures. It's a facetious, shallow entertainment--which may be purely intentional, as it accurately reflects the sex-drugs-and-gore-infatuated features on display. ** from ****

Always remember - If what you're viewing on screen becomes unbearable to watch, just keep telling yourself - "It's only a movie... It's only a movie... It's only a movie..." Duh!.... Call me a monkey's uncle, but I had always thought (until today) that the term "Grindhouse" referred to those exploitation films that were exclusively from the 1960s & 70s.But after viewing this fairly enlightening documentary on the subject, I am now being told that "Grindhouse" films actually go all the way back to the very first time (1894?) when some bloke with a half-baked perversion in his head picked up a movie camera and recorded "that forbidden thing" on film. (Tsk. Tsk) Anyways - Whether it's bona-fide "Grindhouse", or not, this here documentary sure covered a lot of ground in film history, and it definitely brought my attention to a number of totally "taboo" films out there that I'd sure like to view for myself, such as - Maniac (1934), Mom & Dad (1945) and Scum Of The Earth (1963), to name but a few.From perversion for profit; to scandalous sensation; to challenging censorship; to teenage rampage, and beyond - American Grindhouse is a documentary that's certain to pique the interest of more than just fans of exploitation films.*Note of Warning!" - This documentary contains not only film clips of nudity, but, it also shows the graphic depiction of childbirth, as well.

I really, really enjoyed this. At the same time, though entertaining and informative, it leaves one yearning for so much more. The clips from the films shown are usually VERY short, and quite often, they are not directly discussed by the commentators. Instead, they are used to "illustrate" a more general discussion of one of the sub-genres covered her (ie: pre-code; nudist camp, nudie cuties, etc). I look forward to someone expanding upon this introduction to provide us with a film exploring each of the sub-genres in more depth.Finally, I was pleased to hear John Landis refer to PASSION OF THE Christ as an Exploitation film, as that's exactly how I viewed it... with total delight, I must say. In fact, given it and APOCALYPTO, an argument could be made for Mel Gibson as the greatest Exploitation film director of the past decade... even if he does not exactly see his own films in that light.