And So They Were Married
And So They Were Married
NR | 10 May 1936 (USA)
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A bitter widow and a grumpy widower find themselves stuck in a hotel that is cut off from the outside by a snowstorm. Although both have no intention of getting married again, they begin to fall for each other. Their children, however, are determined to see that the "romance" never gets off the ground and do everything they can to see that they are kept apart.

Reviews
Hellen

I like the storyline of this show,it attract me so much

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Billie Morin

This movie feels like it was made purely to piss off people who want good shows

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Roy Hart

If you're interested in the topic at hand, you should just watch it and judge yourself because the reviews have gone very biased by people that didn't even watch it and just hate (or love) the creator. I liked it, it was well written, narrated, and directed and it was about a topic that interests me.

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Hayleigh Joseph

This is ultimately a movie about the very bad things that can happen when we don't address our unease, when we just try to brush it off, whether that's to fit in or to preserve our self-image.

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blanche-2

Two terrific actors, Mary Astor and Melvyn Douglas, star in "And So They Were Married," a film from 1936 featuring Jackie Moran, Edith Fellows, and Donald Meek.Astor and Douglas play Edith Farnham and Stephen Blake, a divorcée and a widower, who get off on the wrong foot at a ski resort. Edith's daughter (Edith Fellows) is used to her mother being around all the time, and when she sees Edith warming up to Stephen, she becomes jealous. She and Blake's son (Jackie Moran) decide to break them up by pretending to hate one another.I love Mary Astor and Melvyn Douglas, but I did not enjoy this film. First of all, it had animal abuse played for laughs. Horrendous, and that alone earns it a low score. The children were obnoxious.This was a short film, maybe even a second feature, which seems ludicrous. I'm not a student of Mary Astor's films, but what she was doing in a B movie in 1936 when her star didn't start to fade until a few years later. It's possible she had to do it to fulfill a contractual obligation. Douglas, of course, had only been in films since 1932.Skip it.

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Richard Burin

And So They Were Married (Elliot Nugent, 1936) is a fun romantic comedy set over the Christmas season, with divorcée Mary Astor falling for widower Melvyn Douglas at a snowbound hotel as their boisterous children (Edith Fellows and Jackie Moran) plot to keep them apart. Though the production values are a bit low - and there's little utilisation of the festive setting - the kids are great value and Douglas shows the deft comic touch and ability to subtly evoke emotion that saw him spread his screen success to stage and the small screen. There's a lovely moment where he shrugs off his broken heart by ruffling his son's hair and murmuring: "I just need a little time, son."The film is more realistic, and therefore less escapist, than Columbia's usual sparkly fare, as it effectively paraphrases the difficulties of single parenthood. There's a slight over-reliance on visual humour and the title is shamefully generic, but you can't fail to enjoy a film that features both Donald Meek as an exasperated hotel manager and Douglas Scott (young Hindley in Wyler's Wuthering Heights), scene-stealing as a breakaway mummy's boy. Once you've explored the more obvious genre gems from Columbia (It Happened One Night, A Night to Remember, Together Again), it's worth giving this one a go.

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Michael_Elliott

And So They Were Married (1936) ** 1/2 (out of 4) A man hating divorcée (Mary Astor) goes to a snow lodge where she meets a woman hating widow (Melvyn Douglas) and the two quickly hit it off but their children decide to make sure they don't get married. This romantic comedy has a lot going for it but the screenplay starts to go off in all directions and it doesn't go after the most appealing aspects of the film. Astor and Douglas are both terrific in their roles as they manage to be quite charming, romantic and endearing. The two have wonderful chemistry together and they shine whenever they're together. The problem comes when the children (Judith Fellows, Jackie Moran) start to take over the picture. Their fighting and bickering works for a while but when it starts to take the story away from the adults it becomes rather annoying. There's one hilarious sequence where the kids feed a dog soap and when it takes off through the hotel it sets off a panic that the dog is rabid.

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Bob F.

Recent divorcée Mary Astor (Edith Farham) and daughter Brenda, spend Christmas at a fashionable mountain hotel - ski lodge. At the same time, Melvin Douglas (Stephan Blake) a long time widower arrives awaiting his ten-year-old son, also to spend their Christmas holidays together. Brenda is a man hater, apparently because daddy left her and mommy. When Steve's son (Tommy) arrives both children take an immediate dislike of one another -- to the point of physically beating each other up! Both children can't stand the fact that Edith and Steve are becoming attracted to each other, and both are determined to derail any chance of Steve and Edith becoming a couple. In most romantic 1930's comedies kids are not as mischievous or in fact, as delinquent as this pair is, but it's done in funny ways that keeps the kids from becoming obnoxious. A good cast with fine supporting actors drives this film merrily along. Columbia Pictures was good at making comedies. This is worth a look, if you like that genre.

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