I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

One of my all time favorites.

It is a performances centric movie

What a freaking movie. So many twists and turns. Absolutely intense from start to finish.

I'm a guy, and as such, chick flicks aren't my forte. However, having watched this movie with my family, I can say it's not half bad. Geena Davis is an intriguing actress. She always has a decent, good-natured way about her characters, and that really shows through in this film. It's an effective story about coping with family issues in an Italian-American family. Davis' title character has to deal with raising a newborn without the support of the child's father, and that throws everything in her life into a tailspin. I wouldn't exactly say it's a memorable work on Davis' resume, but it's a quality movie none the less. I'd recommend it as a family movie, more for the parents than the children.

Geena Davis and a few veterans from the popular TV series, "The Sopranos" are featured in this 1994 comedy/drama claptrap from Hollywood Pictures. Davis is in the title role as an unmarried and pregnant woman who decides to leave the pressures of the big city life and start over in a more relaxed setting. The film could've been a little better if more screen time were given to Tony Soprano himself, James Gandolfini (who was very effective in bit parts and minor supporting roles before "The Sopranos" made him a breakout star).

The video box cover promised hopeful viewers that the film contained inside was "a heartwarming story brimming with irrepressible fun. This was not so. We laughed at the movie, but certainly not with it. Telling the story of a hysterical, irresponsible and certainly resistable woman, this movie may be praised by critics but whatever quality they saw in it must have wound up on the cutting room floor. The characters are unlikable and obnoxious, the plot meanders without ever deciding where it wants to go, and sheer lethargy kept us from doing what we should have done five minutes into the film and shown our VCR some mercy. Do yourself a favour and avoid this mess, whatever the video box may say.

The protagonist (Geena Davis) was told she was abandoned by her mother, grew up with secrecy surrounding the whereabouts of her mother, was lied to, and felt abandonment issues that she had to deal with -- much like an adoptee. Her stepmother tried to pretend she was the mother of Gina's charactor. Geena's character left her own baby for awhile, but regretted it later. One amazing and gratifying detail for me is when the step-mother character admitted that Geena's charactor was the mother of her child and "we" (her and her husband) had no rights coming between them (which they had been trying to do). So unlike mothers in real life, this woman was allowed to reclaim her child after she dealt with her problems. It's a good movies for exploring adoption issues.