Appaloosa
Appaloosa
R | 19 September 2008 (USA)
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Two friends hired to police a small town that is suffering under the rule of a rancher find their job complicated by the arrival of a young widow.

Reviews
Supelice

Dreadfully Boring

SparkMore

n my opinion it was a great movie with some interesting elements, even though having some plot holes and the ending probably was just too messy and crammed together, but still fun to watch and not your casual movie that is similar to all other ones.

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Jemima

It's a movie as timely as it is provocative and amazingly, for much of its running time, it is weirdly funny.

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Billy Ollie

Through painfully honest and emotional moments, the movie becomes irresistibly relatable

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Per Johnsen

Appaloosa is a classical western in a modern suit. It seems like Ed Harris wanted to show the world that he could make a real good traditional western and that some producers, directors and casters have missed out not giving him the main part in such a movie. And right he did, also asking his favorite actors to join in, and Harris himself is shining. Seems like they had a lot of fun.The main subject in Appaloosa, besides the classical struggle between good and evil, is trust and betrayal in human relations. There are of course good guys and girls and the bad one's, but in this story none of the characters really seem to be either, except for one or two perhaps. So in the end, the only good guy gets to put and end to what ever is wrong or evil. If there's a moral, that's all there is to it.I'm writing this after watching the film for the third time, and I seem to forget how it goes and ends every time. I suppose that makes it quite a good film with a subtle story about love and hate, trust and betrayal.

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bjlaleman

This is an excellent movie. I liked that it was done on film instead of digital. It gives a different feel to the movie. I also liked that the filming was done as a vintage western would have been done. The movie unfolds at a pace that draws the viewer into the plot and is not rushed and cluttered with too much action. All the scenes advance the plot. There is no gratuitous violence, just what is needed to tell the story. The costuming is great, lots of attention was given to make everyone look authentic to 1882, including the Indians. The sets were like real places with small touches to make each set personal and accurate to the times. The weapons and gear for the horses were authentic and period as well. And I loved the train! The movie was very well cast, all the characters were convincing and real to me. When I saw the top 3 male names in the cast, I knew it was going to be good. And it didn't disappoint.

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Vard Antinyan

I usually read but not write reviews. Now... I needed to write. The main reason is that I did not see anyone of the reviewers have noticed how badly the character of antagonist is developed. First he is introduced to be a cruel, cold-blooded gang leader, who does not blink his eyes when killing police officers. And suddenly towards the and he becomes a coward trying to escape justice. I mean how? How exactly this could be possible in the wild west?Otherwise it is an OK movie, worth watching, though towards the end it becomes a boring mixture of revenge and love, not quite understandable.By the way, it is worth to watch the movie just to see Viggo Mortensen's stunning act!

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Berkshire_Lou

It was very moral film. Savvy lawmen who were honest & told the truth, who never killed except to uphold the law. They defined integrity. I liked the quirkiness of the characters, e.g. the town leaders (Spall) funny bickering; "sequestered" and the other words that Mortenson defines for Harris. These vocabulary exchanges symbolized their relationship built on friendship, loyalty, & mutual trust. Sometimes it tried a bit too hard & it felt forced, perhaps because of the lack of flow in Irons' forced accent (why not let him be English?—he ends up importing that English steer anyway) & Zellweger's weirdness. Zellweger played her flawed character like Harris told her, but she needed to show a darker side—not just the insecure lunatic who was scared of everything. She was the antithesis of the men's morality, so why didn't she get punished? We didn't get stereotypical natives, but characters who accepted the horse because they had integrity. Hell, everyone had more integrity than her. The end showed Mortenson accepting her two- faced immorality only because Harris had affirmed that he wouldn't leave her. With this declaration, Mortenson had no other choice in the end but to move on (to take care of himself) & kill Irons (to aid Harris). I get it, but I didn't like it as an invested movie viewer who thought she was trash and didn't deserve him.

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