Sweet Virginia
Sweet Virginia
R | 17 November 2017 (USA)
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A former rodeo star, now a motel manager, meets a young man who is responsible for the violence that suddenly has seized his small town.

Reviews
Supelice

Dreadfully Boring

Solidrariol

Am I Missing Something?

Humaira Grant

It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.

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Neive Bellamy

Excellent and certainly provocative... If nothing else, the film is a real conversation starter.

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educallejero

So. They set up the characters really well. Super engaging scenes that makes you learn about all of them. They open a ton of threads about all them in subtle, natural ways, plus relationships between some of them...And then all ends in a few sequences in a non-climax. I honestly believe they thought they could film for more time in a two hour film, they were noticed that wasn't going to be the case, and rewrite the end so they could at least sell the movie.Having said that, the acting and script of the good part (2/3) of the movie is so good that I couldn't put this movie less than a six...

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aaronbremser

The acting is great, the optics are 1A, the editing : to the point, directing class A not a second of thinking getting one more beer . BUT the script leaves you in the desert : pointless and senseless . If you are up for a good story keep off. Otherwise a terrific movie well worth the time to watch

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Lee Diamond

This was a strong movie, yet subtle in every way. The acting is superb and cinematography is profoundly impressive. It's a simple plot, but sticks in your head after, very thought provoking. I was impressed with Jon Bernthal's blunt emotional performance as well as Christopher Abbot's take on playing a psychopath with a conscience. It's a mystery, drama that will haunt you at the end. The China Brothers pay close attention to detail and focus in on unexpected, interesting camera angles throughout the film. This movie is ALL about 'less-is-more', unpretentious dialogue and realistic acting. It has its own style though, somewhere in between Robert Altman and The Coen Brothers. I think it's a perfect movie and one hell of an unexpected 'classic' of the year!

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axapvov

Two thirds of the film are a build-up to an underwhelming ending. Jon Bernthal's physique should grant him a long career but his acting can't lift this very poor script. His portrayal of a sensible tough guy is reduced to some exaggerated mannerisms and speaking with his throat instead of his mouth. Still, everything else is so lame that he somehow ends up owning the film. I watched this because of my huge crush on Imogen Poots. She's awesome but her character is painfully underwritten. She has a couple of promising scenes and then dissapears. There are lots of missed opportunities all the way and, in my opinion, her character is the worst one.Then there is the bad guy, who does feel like a threat sometimes. That 's good, but he seems written in one afternoon as well. A midwest version of Javier Bardem´s role in "No Country for Old Men". His relationship with the main character is too vague for a possible confrontation to have any kind of dramatic effect.The technical part of the film is flawless and this could have been great but how anyone would consider this script to be finished is beyond me.

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