Plot so thin, it passes unnoticed.

Good concept, poorly executed.

It is an exhilarating, distressing, funny and profound film, with one of the more memorable film scores in years,

If you're interested in the topic at hand, you should just watch it and judge yourself because the reviews have gone very biased by people that didn't even watch it and just hate (or love) the creator. I liked it, it was well written, narrated, and directed and it was about a topic that interests me.

Viewed on Streaming. Production value = eight (8) stars. Director Youjirou Takita unleashes a dynamic period fantasy that seems to be targeting just about all ages. This is a spectacular Shochiku Company production loaded with foreground/background CGI effects and samurai-style sword swinging. It is also spectacularly plain silly (and boringly repetitious) rarely rising above the level of a cartoon populated (for the most part) by actresses/actors (vice digital composites thereof). The Director seems to have given his cast free rein resulting in uniform melodramatic and hammy performances. Cinematography (semi-wide screen, color) is excellent and editing is crisp. But scene lighting can be a bit on the dark side (perhaps to disguise digital shortfalls?). Sound field is good. Subtitles are okay and use multiple colors for translation clarity (there is also a bit of expository information (in white) at the top of the screen regarding demonology during the Edo period of history). Fun to watch for almost 30 minutes. WILLIAM FLANIGAN, PhD.

Unbeatable, baleful, and sinister Ashura, Queen of the Demons, has a plan to dominate this world. The Japanese film "The Eyes of Ashura's Castle" is set in the chaotic nineteenth century Edo (later Tokyo) where humans, demons, and evil spirits coexist. The Demon Wardens, a secret society, is beating invincible undead in the city. In the midst of the war between human beings and demons, Ashura's assistant Bizan notifies demon slayers about the rebirth of the impregnable queen Ashura in Edo. The story revolves around the ghostly, heartrending love relationship between dandy Kabuki actor Wakuraba Izumo and a beautiful thief named Tsubaki. He is a former star demon slayer, and she is graceful and fierce. While developing their romance, they cross a border between this world and the next, which triggers a disastrous outcome. Ultimately, their love and fate unfold by insinuating a common memory of the past that is the dramatic relationship between killing and being killed. Professional Kabuki actor Somegoro Ichikawa plays Wakuraba Izumo. He is the scion of the most famous Kabuki families whose tradition is much respected by many and recognized as one of the chief Japanese traditional art forms. His skillful and flamboyant swordplay is admirable. Rie Miyazawa, a popular Japanese actress, plays the mysteriously attractive yet ferocious Tsubaki. Directed by Academy Award winning film director Yojiro Takita, "The Eyes of Ashura's Castle" features a timeless range of cultural references to Japanese popular culture from romanticized eighteenth century Kabuki theater and its playwright Tsuruya Namboku IV's ghost stories to contemporary playful video games and computer graphics. Besides, the film skillfully adds exhilarating zombies with kimono costumes to Japanese pop music. A psychedelic mixture of old and new epitomizes the richness of Japanese popular culture. The prologue is particularly an eerie collection of some Japanese myths and ethereal symbols. For instance, a fireball is approaching to Edo while Emish, an ominous demon, is singing a parody of children's tune, "Toryanse." Further, signposts for ogres such as bridges, borders, and twilight are effectively employed. A ghost emerges at the edge of a bridge connecting this world and the next. Additionally, seas, rivers, and mountains demarcate the two worlds. Finally, the opening scene is twilight, which is a brief period of ambiguous time. It is a time of transformation from one being to another. Indeed, the times of uncertainty are chances for ethereal beings that are roaming around the human world. Furthermore, a parody of legendary horror playwright Tsuruya Namboku IV (1755-1829) plays a crucial role to unite the whole eclectic Japanese national and cultural symbols: Kabuki theater, Izumo's crimson thread magic, Tokubei's giant frog, stylized actions, and the undying Japanese ghost story, "Oiwa." Namboku produced many ghost stories for Kabuki plays, and also wrote about Tokubei's story. These cultural references from the early nineteenth century add an exotic character to the film.Consequently, the story unfurls a series of Namboku's fantastically weird tales, which include comedy, apparitions, love, tragedy, and disgust. A dreadful opening and a wonderful ending are key components of his story. Blurring this world and the next in the film, Namboku says 'which world you live in, the world has its own paradise.' The poignant story, where the lovers cannot fulfill their love in this world, clearly follows Namboku's traditional Kabuki taste.Overall, the film is entertaining and worthwhile watching.

'Ashura-jô no hitomi'takes place in the Japan of some centuries ago. Demons have infested Edo, the main city, taking human form and being hard to recognize. That's why they have the Demons Wardens, the guys who hunt and kill the demons to bring some peace to Edo.Even being a necessary job, being a Demon Warden is not easy, since you need to have a lot of cold blood and a sixth sense to recognize demons. Izumo is a charming and well known Kabuki actor with a demon-slaying past. He eventually meets the mysterious girl Tsubaki and falls in love with her. The problem that neither he or Tsubaki knows, is that she is a demon, the reincarnation of Ashura, the Queen of all the demons. And as the mysterious mark in Tsubaki's body increases her size, more strange things starts to happen to her. To make things harder, Jaku, who was Demon Warden working with Izumi, is corrupted by Bizan, a demon lady who is a kind of Ashura's advisory and follower.'Ashura-jô no hitomi' looks an incredible movie for it's reviews, but I need to be honest and say that I expected a little more excitement from it. (It's is not that the movie is terrible or anything like that, I thought it was fun and I liked some actors and actresses, I just thought it would be FANTASTIC.)Some of the special effects (specially the first ones in the demons eyes and mouths)were bad, but you can forget that when you see the charming Izumo Wakuraba trying to get Tsubaki's heart.Ps: I think this is the first Japanese movie I see a sex scene.Ps2: Even enjoying the acting of the actor Somegoro Ichikawa as the character Izumo Wakuraba, I found his looks a little odd, looking he did plastic, botox and lip collagen. Can someone who is familiarized with the actor Somegoro, send me a PM telling me if he did those procedures or not?

Set in Japan, Ashura is the story of Demons taking over the earth. The premise is far more complicated, but the arching storyline should not be forgotten. Japan is in turmoil, with Demons occupying human form roaming the lands. Generally speaking Demons look and act like humans, but are evil. The Japanese word they use is not just demons, but rather the classical form of 'ogre' which is a mythological creature of some historic stature. We're talking about creatures that would appear more like gods than simple ugly child-eating monsters.However in human form all that remains is the green eyes and green teeth, which appear when put under any sort of stress. In order to save the world from Demons there are Demon-slayers. Trained and skilled warriors who can spot and defeat most every kind of demon, and who guard the passage-way between the realm of hell and that of the real world. These are the basic premises.The story begins with a festival in a local town. Amid these festivities, 3 men ride in, dressed in all black, seemingly intent on doing harm. The villagers run, excepting those which are demonic in nature, who turn green-eyed and try to kill them. The Demon-Slayers end up killing off the majority of the demons. From here the story gets interesting. The whole essence of the story begins when at the gate to hell a fortune-telling demon appears before the 3 gate-keepers, revealing the arrival of Ashura. With it, comes the end of the reign of man, and begins the reign of demons. Ashura however requires some form of birthing process, the first step of which occurred during the opening battle, but which won't be revealed to you until you see the film. The 3 demon-slayers are a wise old man, a powerful yet unprincipled man, and a skilled and compassionate warrior. Immediately you can see the split between them, the old man wanting to stop the demons, the powerful one wanting to bend them to his increasing ego maniacal wishes and the third looking to stop the second. Along the way he meets a woman who he begins to take fancy to, and believes himself to have a special relationship with. She in turn is a brigand who is good-natured, sought after by authorities. When the two finally meet face to face, he places his hand on her shoulder, and suddenly she is scathed by a mark on her shoulder. Needless to say, the mark is not a good sign. What ensues is a battle for earth, a battle between both good and evil, as it should be, but also between good and good itself.The point for me of this film became something other than what I thought it would. I came in thinking it would either be a fast-paced action style film with demons, or a horror film with macabre evil and foul creatures the likes of which would be seen in Ringu and Ju-on. I was however mistaken in the best possible way. The story it seemed to me is an adaptation of a very old Japanese play, and it plays itself out as such, combining the essentially action driven adrenaline scenes with a great concept, an amazing narrative, and a style which makes you compelled to think rather than just sit wallowing in gore. Many scenes are painted with luxurious dialogue between two characters the likes of which will never be seen in a Hollywood film. It becomes a practically theatrical experience which takes your breath away.The film makes use of some immaculate scenery and camera-work comparable to many great Samurai films of our days, but adding to it a well-thought and classical plot. With great acting, great music, and thoroughly stunning scenes, its a must watch in my book.That being said, it does need the disclaimer that it is not for everyone. Its not cheap thrills horror, its not balls to the wall action. Its a horror style play thats been filmed. It has very much to say and takes the time to do so, flying in the face of the conventional one-liners. Like Japanese plays, the exchanges between the characters can last for many minutes before they come together for a quick yet marvelous battle scene. If you can enjoy such a thing, this is a masterpiece. If your idea of a good film is slasher flicks with little plot and excessive nudity, then you can easily watch something else.Overall, this film to me is a unique and amazing one, which keeps you riveted and amused. it has good writing, good acting, and good direction. It is all in all a solidly great film.