I like the storyline of this show,it attract me so much

Very well executed

Boring, long, and too preachy.

Mostly, the movie is committed to the value of a good time.

Baby Take A Bow is based on a Broadway play called Square Crooks and ran a respectable 150 performances in 1926 and also was a silent film in 1928. But noting in the credits of both the Broadway cast and the silent film I noted all the names save for an equivalent of Shirley Temple.Fox films showed some good judgment in grafting Shirley Temple's child character into this version. A couple of guys played by James Dunn and Ray Walker are trying to go straight and are succeeding. Both are employed by a wealthy family as chauffeurs. Dunn and Walker are married to Claire Trevor and Dorothy Libaire respectively. But Dunn and Trevor have that little bundle from heaven named Shirley Temple.Both these guys face a pair of menaces. A recently released con played by Ralf Harolde who tries to get them back in the life. And Alan Dinehart who is a private detective who would like to become a real cop, but they won't have him. His role model in law enforcement is Inspector Javert and he hounds Dunn and Walker especially after a jewel heist is pulled on their employer.Of course it's Shirley who in her innocent way gets Dunn and Walker out of a potential jackpot. Dunn and Trevor both have trouble keeping up with her.Fans of the eternal moppet will be pleased.

Eddie Ellison (James Dunn) made a big mistake and ending up serving time in Sing Sing. However, his lovely fiancé, Kay (Claire Trevor) waits for him and even takes him to Niagara Falls to get married on the day he leaves prison. Now, six years later, they live in New York City with their little girl, Shirley (Shirley Temple). Eddie presently works as a chauffeur and even got his good buddy a job with the same company. But, a crooked insurance investigator is certain that Eddie will break the law again and he watches the home constantly. On the day of Shirley's birthday, Eddie and Shirley entertain guests with their jokes, songs, and dances. But, things get complicated when an old, thieving friend of Eddie's gives Shirley a "hot" pearl necklace. He does this to bring Eddie back into the criminal fold but Shirley thinks it is a birthday gift. A ton of confusion reigns soon after as Eddie tries to hide the necklace from the insurance man and Shirley believes it is all an elaborate game of hide and seek. Will Eddie get fingered? This is a fun movie with a few dark elements, surprising in a Temple film. Shirley is adorable, young and talented, displaying her amazing talents for comedy, song, and dance. Dunn, too, is a stitch as her joking father, who is trying his best to go straight, while Trevor is very beautiful and touching as the faithful wife and mother. All of the lesser actors fulfill their roles quite nicely, too. The colorized version I watched had nice sets, costumes, songs, plot elements, and direction. If you like light comedy and vaudeville-type song-and-stomp, this is a good choice for you. Although there is a touch of violence, the sunny nature of the main players and their antics make it almost a second cousin to a Marx Brothers flick. My recommendation is to take a dose of Shirley on a day without sunshine, you'll feel like new.

Shirley Temple is wonderful. Beyond that, this is a movie that works on many levels for me. Claire Trevor brings an added dimension to the loyal wife and mother, and the ever-hard-luck-bitten James Dunn (A Tree Grows In Brooklyn) is perfect as the ex-con father trying desperately to put his past behind him. Alan Dinehart's slick and sycophantic private detective -- an embittered and opportunistic ex-cop -- does his best to pray on people's fears and keep Dunn with no recourse from the gutter. James Flavin, who later made a career playing Irish cops in the city, plays one here, albeit generally higher in rank and nobility than most of his later characters. Shirley only has two songs and one nice dance number with Dunn, but does more acting than musical work here, and is quite good at both. This is fine family entertainment amidst a backdrop of struggling to survive while the malicious and hypocritical try to keep others down. Certainly, although the movie was made in 1934, its themes are as resonant as ever.

When valuable pearls are stolen, two ex-cons working in the home are immediately suspected. One of these fellows has an incredibly precocious & talented little daughter who manages to get her chubby hands on the missing necklace. When the real thief returns, will the tiny tot handle the dangerous situation to everyone's satisfaction? Will, once again, BABY TAKE A BOW?Except for the presence of Shirley Temple, most likely this film would long ago have slipped into complete obscurity. James Dunn, Claire Trevor & the rest of the adult performers do their best with the rather tired material, but it is Shirley that one remembers. She is a darling & lights up her scenes with her sparkling personality. Everything else fades away...