Ballet Shoes
Ballet Shoes
PG | 26 August 2008 (USA)
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An unusual explorer named Gum and his kindly niece adopt three orphans -- Pauline, Petrova and Posy -- and raise them as sisters in 1930s London. But the girls must fend for themselves when Gum doesn't return from one of his adventures. Together, they nurture their passions for acting, aviation and ballet in this charming TV adaptation of Noel Streatfield's novel.

Reviews
Hellen

I like the storyline of this show,it attract me so much

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Evengyny

Thanks for the memories!

Micitype

Pretty Good

Scarlet

The film never slows down or bores, plunging from one harrowing sequence to the next.

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Irishchatter

I swear to god, this is meant to be a family film but we see babies in bags,not buggies or even baby appropriate to carry the child! Seriously I am god smacked and extremely annoyed that they let this be filmed, this is considered child abuse!Also, the acting wasn't the best at all. It may not have been a Hollywood sort movie but they should've at least given this movie a bit of a kick! It just looks so depressing and fake, it doesn't give you enough enlightenment to know that's it's a good movie! Emma Watson and Richard Griffiths(RIP) shouldn't have gotten involved in the film, it would probably be better off if they just stuck with Harry Potter that time.I wouldn't recommend this to kids especially the younger ones!

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axel-koch

Ballet Shoes, a BBC television film adaption of Noel Streatfeild's novel of the same name, is, even if you're not a twelve-year-old girl disproportionately infatuated with the title-giving type of dancing, a charming and well-made watch, significantly improved by a source material detailed with its plot and characters.However, that doesn't diminish the often rather sloppy filmmaking director Sandra Goldbacher exhibits in Ballet Shoes. In a counterproductive attempt to include each and every one of the novel's story lines in the 80 minute picture, she and her screenwriter Heidi Thomas both neglect the characters and also partly rob them of their likability by leaving out one or two needed explanations for some peculiar or touchy behaviour. Moreover, the great talent the three main young actresses prove to possess every now and then in Ballet Shoes, isn't particularly encouraged by Goldbacher, leading to many a scene being disappointing.On the bright side, the story Streatfeild originally conceived preserves all of its loveliness on screen and is almost the perfect viewing choice for a rainy Sunday afternoon, a genuine feel-good flick with a considerable number of exciting actors and actresses in it.

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Movies-132-135749

I saw yesterday Ballet Shoes and only what can I say is one word: AMAZING! This film is very intense,romantic and Powerfully acted. Films like that are a masterpiece,i love Emma Watson and her screen play,i think she is a good actress,also plot,screenplay,scenery WHAT A MOVIE!!! Only " Catwoman" i better than Ballet Shoes. It should be in TOP 250 but it isn't , i don't know why? This film has no drawbacks it's PERFECT! Really watch it! Recommend! 10/10 (LOVE) Emma Watson please more movies like that! I love this type of movies! If you not don't watch this movie! It will be a waste of time for you. Amazing,really amazing

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robert-temple-1

Noel Streatfeild's book 'Ballet Shoes' was read by nearly every English girl who is now a woman over fifty. It was filmed in 1975 and here it is again. If you don't mind the fact that the plot will not stand a close examination (one character disappears for twelve years without explanation, before returning, but no one finds that odd), and if you are willing to watch a film for its fairtytale qualities and sparkle, then you will find this most enjoyable and well done. Most viewers will be female, either women delightfully reminiscing, or young girls still innocent enough to dream (if there are any left who are not already binge-drinking and having sex at the age of ten). Heidi Thomas's script doesn't even try to make sense of the implausible plot, but just gets on with the fun. The film has been very well directed by Sandra Goldbacher, now we hope rescued from the world of television advertising. The story concerns three orphan girls living in a big house whose owner is absent. They are played with tremendous youthful energy and verve by Emma Watson, Yasmin Paige, and Lucy Boynton. They are 'running out of money' and cannot afford dresses, despite the fact that they live in a huge mansion (see page 94), but let's not worry about that inconsistency. One wants to act, one wants to be a ballet dancer, and one wants to be an airplane pilot. Well, why not? They struggle and have vicissitudes, as one must do to succeed, and manage to earn enough money to keep the bailiffs from the door. They are looked after by Emilia Fox, who coughs and becomes increasingly frail and wan but never quite gets the TB that is hinted at, and she falls in love, and is broken-hearted and desolate, but ... well, I ain't sayin' what happens there. Comedienne Victoria Wood is a kind of super-nanny to all, showing her warm heart straight off the AGA, Richard Griffiths is as jolly as ever when he is around, and that is very jolly indeed. Everybody has a great time, and so do we.

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