Dreadfully Boring

It's fun, it's light, [but] it has a hard time when its tries to get heavy.

This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.

I enjoyed watching this film and would recommend other to give it a try , (as I am) but this movie, although enjoyable to watch due to the better than average acting fails to add anything new to its storyline that is all too familiar to these types of movies.

Brooklyn, New York has changed over the last 18 years since this film first premiered. The location near Prospect Park is now one of the most desirable locales to live and reside in the borough and even in New York City. Brooklyn's transformation from a working class borough has changed in some parts. Brooklyn has become hip for the trend setters. It also gentrified in areas especially near the Prospect Park, Brooklyn's Central Park. Still, the film reminds me of another time when Brooklyn wasn't so hip or trendy but real. The people of Brooklyn and New York City like Harvey Keitel, Lou Reed, and others recall their likes and dislikes as well. They spend their time smoking at the Brooklyn Cigar Shop where Augie played by Keitel is the manager but not the owner. The cast includes top notch performers like Lily Tomlin, Lou Reed, Roseanne, Mira Sorvino, etc. A lot of the film's script seems improvised but it makes the film more authentic to documenting the life in a day.

After filming Smoke, director Wayne Wang and writer Paul Auster (along with most of the crew and cast from that movie) decided to improvise some kind of tribute to the Brooklyn district. So we find the same tobacconist's in the same street-corner, and managed by the same guy (Harvey Keitel). Surrealist reflexions, small talks, and some of the freaks/weirdos that make up the Brooklyn "fauna". Auster and Wang invited to take part in this "hobby" some of their friends, such as Jim Jarmusch, Lou Reed, Roseanne, and Madonna in person. Take it or leave it. I don't think they made this movie with any pretension in particular but to have fun, and improvise. So don't you think you'll find here sort of a masterpiece, nor the biggest script ever, 'cause you won't. It has some acid and lucid sequences, and lots of witty dialogues... and for the non-americans Blue In The Face is such a good way to know about Brooklyn's ways of life and history. That's all. My rate: 7/10

"Blue in the Face" was a fastly produced follow-up of director Wayne Wang's and writer Paul Auster's 1994 art house hit "Smoke". While "Smoke" was produced in the usual way with script, casts, etc., this movie was a quickly shot within less than a month, just containing vague ideas, interviews and improvisations with the same production unit and main actor Harvey Keitel, but without a script and with lots of popular supporting actors who were improvising their performance straight in front of the camera. And it works.Focused on Keitel's smoke shop in Brooklyn, his customers and visitors are telling stories about their lives, views, ideas, dream, relationships and carreers, all focused around the topic of smoking. Lou Reed can't remember his first cigarette, but presents his self-constructed glasses, Jim Jarmusch celebrates his last cigarette, Harvey Keitel reminds which war movie made him a cigarette smoker, and there are several more famous guests in the shop. Michael J. Fox plays a weird insurance guy, Madonna appears as a singing telegram girl, and John Lurie, Mia Sorvino, Paul Keith and the whole NYC artist's scene appear on the screen.Although the pointless composition of independent scenes and interviews might become a bit out of tune or boring sometimes, the movie works really well. There are lots of interesting (real life?) stories told by the actors, a great rare groove soundtrack that could fit into every Tarantino production, and some really good jokes too. "Blue in the Face" become a minor art house classic in Europe in the nineties, and one could wonder if this movie would have been the same ten years later in the times of anti-smoking laws and campaigns. Nice independent movie.

Whenever "Blue in the Face" comes up in conversation, nothing angers me more then hearing it compared to as a sequel to "Smoke." It is clearly not a sequel. When talking about "Goldeneye" you don't refer to it as just another sequel to "Dr. No" in the James Bond series. While "Smoke" was a drama, "Blue in the Face" takes a comical look at those who go in and out of a corner tobacco shop in the heart of Brooklyn. Besides, you can't compare a fully scripted film like "Smoke" to an almost completely improvised approach in "Blue in the Face."Harvey Keitel plays Auggie Wren, the man behind the counter of the Brooklyn Cigar Store, who acts as a homing beacon for some of the most colorful characters in Brooklyn, including a mentally unstable girlfriend, a rapping watch dealer, an owner and his wife having marriage trouble, and so on. The cast also includes Jim Jarmusch, Malik Yoba, Victor Argo, Madonna, Lily Tomlin, Roseanne, Mel Gorham and Mira Sorvino to name a few.The topics covered in this film include Brooklyn, the Dodgers, smoking, eye glasses, lack of communication, relationships, surveys and much more.One of the unique elements of "Blue in the Face" is the use of both the film footage, and interview footage of the actual residents of Brooklyn all tying together. Add on to that little introductions to each section of the film by legendary musician Lou Reed, the film flows through each subject very smoothly.If your in the mood for a great independent film, check out "Blue in the Face" at your local video store. Just be sure not to start comparing it to "Smoke" as you watch it, otherwise you will get less enjoyment out of the film.9/10