I like the storyline of this show,it attract me so much

Absolutely the worst movie.

It is not deep, but it is fun to watch. It does have a bit more of an edge to it than other similar films.

A great movie, one of the best of this year. There was a bit of confusion at one point in the plot, but nothing serious.

Unreleased theatrical feature, first seen on cable-TV and video, isn't particularly well-made yet has a mysterious quality and fine performances which make it worth-finding. Harvey Keitel plays a jazz musician sidelined by a gunshot wound who hooks up with waitress/actress Mira Sorvino by chance. Film's objective is to show the criss-crossing patterns of human lives, as well as being a modern-day play on Pandora's Box. It features plenty of emotion and feeling, and it works wonders despite some crass dialogue and a finale that isn't really satisfying (it feels truncated). However, the central relationship between Keitel and Sorvino is tremendously charismatic; Keitel in particular is surprisingly warm and real. **1/2 from ****

I rented this DVD online and after it arrived I wondered what possessed me to order it at the time. The odd title and the seemingly droll storyline of a depressed musician was my first reflection of memory, but knew I HAD to have had a good reason to rent it. Knowing nothing of the artsy stuff in the movie realm, I do appreciate art when I see it and feel it ... and this movie has art written all over it. In viewing the great sculpture of The Thinker, this movie was sculptured with caring hands/thought and designed by a true thinking and uniquely creative artist.One area of imperfection here is that the sex scenes could have been lessened and shortened as I felt it took much away from the movie's fine craft(iness). Fast-forward 2x, 4x all the way to 8x .. sex scene way too long. Padding or filler .. should have been on the editing cutter's floor.This movie was more of a sculpture made of marble or bronze or perhaps gold? ... or silver? It has a beauty that is not easily defined or describable, but when viewed it leaves one with a distinct impression of stunning and thoughtful awe. After viewing, I asked myself how could the title have been made better, but the symbolism involved of the one scene makes the title appropriate and yet carved with a slight Mona Lisa grin.Harvey Keitel's character was unique and I can't imagine anyone else being able to pull it off as he managed to do. I watched the movie as it unfolded each new particle of new thought to bridge to another, leaving me with using my own skills to fill in pieces and parts .. which was really enjoyable to do! And then, the surprise at the end, which I won't reveal, was charming and captivating. This one I'll definitely watch again before returning it in the mail and am considering buying it for my library. If you don't like symbolism, and are not a deep thinker, you'll not like this movie. This one is definitely a Criterion Collection formula. I can't say enough about it, but yet can't convey in words to properly give it the kudos that it deserves. Not a 10 vote, but a 15 or 20!

Sure it was suspenseful. It was fascinating for about 90 minutes until the anthropologist (Defoe) grilled our protagonist (Keitel) about his childhood and his relationship with his brother and father. Then I knew that I had been had! The writer and directors had adopted a staple of the soap operas and TV movies, but instead of just a little dream sequence, the whole thing was a dream sequence. The whole story came crashing down when I realized that the only mystery in the movie was choosing between Keitel imagining this as he lay on the night club floor or laying in the hospital bed. I hate dream sequences. One can do anything with them. People fascinated with this movie after seeing the distasteful ending are deluding themselves. Shame on the director. Go back to the soaps.

***MAJOR SPOILERS***A lot of people seem to compare this to Jacob's Ladder. I understand the connection but what makes Lulu On The Bridge a better film (in my opinion of course) is that it's not only about Harvey Keitel's character but also about Mira Sorvino's and her longing for someone she can be in love with. She's indeed not just a fantasy but a real person as the final scene confirms. I think the combination and interaction of these two characters makes this film much more intense than Jacob's Ladder. As for the people who think the ending is a "plot twist" - I can't believe it wasn't already clear to them what this was all about. There are many many hints throughout the film (maybe too many actually) to make sure you understand that it's all just taking place in the head of Harvey Keitel's character. It's a bit sickening to see that a shallow movie like The Sixth Sense with Bruce Willis is considered as being more subtle than this when it's just as predictable but also much emptier.I'm really looking forward to seeing Paul Auster's next film !