An Exercise In Nonsense

The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one

A film of deceptively outspoken contemporary relevance, this is cinema at its most alert, alarming and alive.

.Like the great film, it's made with a great deal of visible affection both in front of and behind the camera.

I found 'Broken English' one night at the video store when I was bored and couldn't find anything else to rent. I read the caption and that was enough to perk up interest. I have to say I thought the movie was pretty cool, although I agree that there are major gaps in what makes people like Ivan and his son Darko tick. The racism of Ivan, of course, is just ridiculous. Not that they used it in the film, but that he should have the gall to treat the Maori culture so shabbily (what is that black child doing in the family if he doesn't like black people??). After all, his family came to NZ fleeing war, not the other way around. The Maori were happily (hopefully so)going about their business long before the Croats showed up (probably the same could be said for the English, the Scots, the Irish and all the other Euro-peans arriving on boats to lord and rule for all these years). At least the film gives people, particularly American audiences, a glimpse into a little known culture like New Zealand (kiwi fruit and Russell Crowe, that's about it--and he gets tagged as Aussie most of the time). A shame is that Marton Csokas only gets to give himself to us as a straight-up meat head (a very good portrayal, but a meat head nonetheless) because he's a talented fellow. Ah, well, such is life.Tee

This movie was hard to track down. Living as I do in America, I had to order a VHS copy. I saw the NC-17 version, by the way, which I didn't find to be too graphic. The sex scene was extremely sexy and I thought the actors playing Nina and Eddie, the young couple at the center of the movie, had a ton of chemistry. You could believe they were attracted to each other. Nina, the Croation daughter of Ivan, was an interesting character: a wild rebel and a scared child eager to remain her father's favorite all in one. The actor who played Ivan did the best job, as a man who fled his homeland due to ethnic cleansing and finds himself obsessed with race and dissatisfied with his new life in New Zealand. The beginning half of this movie was more enjoyable than the latter half, when the story devolves into a slightly predictable romantic comedy and none of the interesting implications about class, race, and family are dealt with in a serious way. However, a lot of romantic movies never even ask the audience to think about anything greater at all, so Broken English still comes out ahead of more traditional movie fare. Perhaps it's because this movie comes from the producers of "Once Were Warriors" which is one of my favorite dramas of all time. Watch for the romance between Nina and Eddie (played by Julien Arahanga from "Once Were Warriors",) Ivan, and Martin Csokas' portrayal of Ivan's menacing son.

"Broken English" is about a Croatian woman who lives with her old world parents in New Zealand and falls in love with a Maori man which, of course, causes problems while she acts as though she had no clue that would happen. Duh. Though it manages a modicum of entertainment, this film seems to know where it wants to go but has to pound square characters through round holes to make the plot work. In the process there are too many tongue clucking moments where the film's credibility is breached such as when a modern Maori man fights and chants like an ancient Maori warrior or a woman swims with dolphins which, as we learn, they only do with pregnant women...yeah, right. The characters in "Broken English" are in serious need of some conflict resolution...something which no one seeks as it would destroy the contrived drama. "Once Were Warriors" this film is not. However, it is an okay watch for those into Kiwi flicks with time on their hands. (C+)

Nina, young, beautiful and sexy, driven out from war-torn Croatia, has emigrated with her family to Auckland, New Zealand. Why New Zealand? Well it seems Mum was born there (there is an old established "Dalmatian" community in the region famously associated with the wine industry). Dad has quickly found work as a building contractor and seems to be doing well. Ironically, having been driven out of his own country by Serbian ethnic cleansing, he finds NZ's mild multi-racial society impossible to tolerate, at least when his gorgeous daughter falls seriously in lust with Eddie, a handsome Maori, in the kitchen of the Chinese restaurant where they both work. Being a fairly typical NZ movie, the theme is played for comedy rather than tragedy, though there is plenty of tension. An erotic scene early on dissolves into a minor domestic mishap. Cars get their windows smashed but no-one gets their head smashed in. The real tragedy is back home in Croatia via home videos from remaining relatives. The young couple progress from 90% lust /10% affection to about 50/50, though it's a rocky road. Dad however just can't adjust. Civil enough with his Tongan ("coconut") neighbours, the idea of his little girl having it off with any Maori sends him ballistic (it could have been worse - the lover might have been Serbian). With his knucklehead son, he attempts to break them up, with predictable lack of success. It's a great sketch of a tough, admirable (in some ways) but unadaptable man. Why is he like that? At the end we're none the wiser. Nor do we get to understand Mum's position, which seems to be total submission. She may be NZ born but she isn't a typical post 1960 NZ wife. There's a mildly amusing sub-plot regarding an immigration scam run by Nina and Eddies's employer, with the characters involved verging on caricature. But the main theme is that youth will do what it's going to do (sex, mostly) for good or ill and the oldies might as well stand clear. A nicely made and well paced light piece from the producers of the rather more serious "Once Were Warriors."