everything you have heard about this movie is true.

It was OK. I don't see why everyone loves it so much. It wasn't very smart or deep or well-directed.

It's a movie as timely as it is provocative and amazingly, for much of its running time, it is weirdly funny.

This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.

I read more about this Egyptian film after finding it in the book 1001 Movies You Must See Before You Die, it was selected as the Egyptian entry for the Best Foreign Language Film at the Oscars, but it did not make the final nominations, so I was more intrigued to watch it. Basically newsstand owner Madbouli (Hassan el Baroudi) takes pity on physically challenged peddler Qinawi (Youssef Chahine, also directing). He is given a job selling newspapers in the Cairo train station, but he is shunned by all the women there because of his mild handicap, although he has little trouble walking. Qinawi becomes obsessed with beautiful cold drink vendor Hannuma (Hind Rostom), but she is already engaged to husky luggage porter Abu Siri (Farid Shawqi), who is trying to organise a protest with his fellow workers against exploiting and abusive treatment from the manager. Hannuma treats Qinawi sympathetically, and makes a joke about a possible relationship, this prompts him to propose to her. He has fantasies about a home and family with her, but Hannuma rejects him, and Qinawi's obsession with her turns into madness. Qinawi reads a story in the newspapers about an unsolved murder, he is inspired to buy a knife and plots to kill Hannuma. Local policemen are trying to catch Hannuma and the other women illegally selling drinks, she asks Qinawi to take and hide her incriminating drink bucket. Qinawi seeks to lure her into a warehouse to pick up the bucket, but instead she asks a friend to get it instead. In the darkness, Qinawi is unaware that a different woman comes into the warehouse, he stabs her repeatedly, hides the body in a wooden crate. Qinawi gets Abu Siri to put the crate aboard a train, but the woman inside it is not dead, she is found, and the station is alerted. The workers Abu Siri tried to form a union with at first try to blame the attempted murder on him, but the would-be victim identifies the assailant. Meanwhile, unaware of her near-death escape, Hannuma goes to the warehouse to get her bucket. Qinawi chases her through the rail yard and catches her, he holds a knife to her head to keep a crowd of people away. The newsstand owner tells Qinawi that he will be allowed to marry Hannuma, he coaxes him into putting on what he thinks is a wedding garment. Qinawi then realizes he has been put into a straitjacket, he struggles, but is taken away by the authorities. It is the story of a disabled man with a deluded affection is driven to insanity, I thought it was going to a simple sad tale of a love story that can never be, but it turned dark, and the use of the location was great, I really liked it, a most interesting drama. Very good!

"Cairo Station" is a very sad film...there's no getting around that. The story is tragic and when the film ends, you'll likely feel a bit drained...so don't day I didn't warn you. But I am not saying to avoid this Egyptian flick...it's well worth seeing.The story begins with Madbouli introducing the film and explaining how me met and befriended Qinawi*. Qinawi was a poor guy with a limp without a friend in the world...so he adopted him and helped set him up at the train station selling newspapers. What follows for much of the film is showing the plight of all the many workers at the station-- the porters, women who work there illegally selling drinks and the rest. They get paid next to nothing and life is very, very hard.About midway through the story, Qinawi approaches Hanouma and proposes to her. But he's poor, limps and seems a bit slow intellectually...and Hanouma is an obnoxious pig. So she laughs at him and belittles him for proposing to her! Qinawi is crushed...and soon has murder on his mind. Here is where it gets interesting because although everyone watching the picture knows murder is wrong, within many or perhaps most watching the film, there is a part of them that wants to see the coarse and horrid Hanouma die! This reminds me of the great 1944 film, "The Suspect"...where the audience naturally cheers for the leading man to kill and hopes he gets away with it!! I don't want to say more...other than the plan does NOT go as Qinawi hoped...and ends on a very sad note.The film has a good story but there are other interesting things going for it. The camera-work is pretty amazing...especially coming from a nation not known for filmmaking. Many of the scenes have an almost film noir style to them with the lighting and camera angles. And, the film is rather daring--especially choosing to make the movie about folks near the bottom of society. Worth seeing.*Like many films not in English and from countries with non-Western alphabets, there is no one way to spell the characters' names. The subtitles call him Qinawi and IMDb Kinawi...both are correct.

This is simply one fine movie because it follows a solid and involving story about simple characters, dealing with only seemingly small problems and frustrations.This is actually a quite daring movie, from such a religious and strict country such as Egypt, especially for its time of course. Not that there is anything shocking in by any other standards but the main characters is a both mentally as physically handicapped one and the female lead is quite flirtatious and free-minded. Besides, the movie also casually has other themes such as female rights and abuse, not just toward women but also abuse from the bosses of the simple workers and denying them equal rights. But the movie is not preachy about any of these subjects at all and I like I said, it actually only handles it casually as the movie it's main story moves along. And the movie does move quite fast, which is not necessarily due to its pace but more because there is always something happening story-wise, with one of the many characters.It's all being weaved in quite cleverly and effectively with its main story of the physically challenged peddler, who falls for the very attractive Hanuma, who is way more woman than he ever can handle. It's therefore also an already doomed love-story from the start and luckily the movie also doesn't have a fairy tale type of story.It's a bit of an old fashioned done sort of movie, with also some unusual acting styles in it but this is what works quite refreshing at the same time. It's always interesting to compare movies from different continents, that got made during the same time period. Every country has its own strongly present culture present and also a different sort of film-making that goes along with it. This movie got made at the time period that is known as the golden age of Egyptian cinema. Many people don't seem to know this but during the '40's and '50's lots of worldwide critically acclaimed movies got made in Egypt, of which this movie is also one.A great vivid movie, that follows a great story and has some solid characters in it.8/10http://bobafett1138.blogspot.com/

I believe Cairo Station marks my very first experience in watching an Egyptian movie (those television soap operas over the RTM channels when I was younger, don't exactly count). And having the opportunity to watch one made by an acclaimed Egyptian filmmaker, was nothing less than a bonus. What provided the icing on the cake, was that it was shown in 35mm print, and that is precisely the attraction of the World Cinema Series.I was under the uninformed impression that older, black and white movies, will likely to be paced too slow for my liking, or have stories that are quite bland by today's standards. I was so wrong, and Cairo Station absolutely threw those notions out of my mental window the minute I experienced the first few minutes of it. It has an extremely strong story, sophisticated in that it managed to span multiple threads and had ensemble characters, having so much paced so nicely within its 74 minute runtime, and having them all come together neatly for the finale.Having the events take place within a single day, it centers around 3 lead characters - Kenawi the newpaper boy (played by the director himself), who walks with a limp and gets discriminate against by the working folks at the train station (hence the English title), Hanuma the sultry, sexy soft drink seller (played by Hind Rostrom) and her beau Abu Sri (Farid Shawqi), a porter at the station who's galvanizing his fellow workers to form a union to fight for better wages and welfare. There you have the female lead in a familiar seductress role, an anti-hero, and the hero himself, caught in a love triangle, which starts to turn Kenawi's jealousy and having his love spurned, into a dangerous obsession.Sounds like a Hitchcock-ian thriller? You bet! It's a dark movie indeed, one which explores the trappings of a misguided soul and his fetish and fantasies of beautiful pin up models, and because of his inability to express himself properly, gets frustrated and even with his relatively low IQ, starts to scheme to get his desires met. But it's not always all about Kenawi, as having the premise set in one of the busiest train stations, it allows for a number of avenues to introduce simple side stories to enrich the main narrative - every anonymous face in the station, definitely has a story to tell.And what exactly was in the film that had made audiences back then upset? Well, I could offer a few suggestions, but by today's standards, it has seemed that it's already quite common, be it the water soaked clothing that accentuates a woman's curves, or a folio consisting of various scantily clad pin up models, or the many cleavage bearing shots, or perhaps some dancing and flirting amongst a train full of man, giving them that seductive wink? One wonders, but as with most situations, anyone seemed to have been crossing the boundaries, pushing the envelopes, or revolutionizing the way stories are told, would have met with either accolades for doing so, or unfortunate condemnation like what this film received during its very first screening.But on hindsight, as always, this movie is nothing short of being remarkable. And having already watched it, I will be watching it again when the film screens once more to the general public on October 5th. Mark your calendars, and experience a world class production that has withstood the test of time - 50 years and counting, is no mean feat!