One of my all time favorites.

The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful

I didn’t really have many expectations going into the movie (good or bad), but I actually really enjoyed it. I really liked the characters and the banter between them.

There is definitely an excellent idea hidden in the background of the film. Unfortunately, it's difficult to find it.

I'm not going to try to tell you this is a great film, but it's a decent B film, and -- a rarity -- it has a very different story line than you've probably seen before.Robert Young, who does nicely here, plays an ace advertising man who is fired from his job, despite being in love with the bosses daughter...or perhaps because he is in love with the bosses daughter! So, he opens his own business -- a sort of "I'll do anything to help you...for pay" business. This leads to finding a new love interest, though he doesn't know it at the time, and what is mistaken for a kidnapping.Considering the year -- 1935 -- this is more sophisticated than many of the films of that era. Not one for the DVD shelf, but a rather pleasant way to spend about 90 minutes.

Even a weaker B-movie like "Calm Yourself" is more entertaining to me than your average blockbuster of today. However, the humour is rather frantic and forced, as other reviewers have mentioned - plus that unfortunate blackface gag must bring the rating down.Madge Evans deserved to be a bigger star, and deserved better scripts than this one. I enjoy Robert Young in anything, but he plays a slightly less likable character here than usual. Preston (Young) comes across as rather callous in switching from one fiancée to another, even taking into account that this is standard behavior in screwball comedies. However, I did enjoy the fact that he made romantic doodles about both women...you know, the kind we usually see adolescent girls scribbling in movies, writing their names in combination with the names of their crush-object.My main beef is that Preston shows no qualms or regret about sabotaging the potential relationship between a father (Ralph Morgan) and daughter (Madge Evans), who don't know each other. Although initially working at the father's request (he's trying to keep his daughter away until he can muster the courage to tell his young second wife about the existence of a grown daughter - and thus, his real age), Preston goes a bit too far in deceiving both of them and badmouthing each one to the other...apparently for purely mercenary reasons. But of course it all works out in the end, and I'm definitely taking this silly movie too seriously! I should, ahem, calm myself.

The title "Calm Yourself" is so generic, even for 1935, that I always have to look it up on IMDb to make sure I get the right movie. Otherwise, this is a fairly good film that fills its 70 minute format with ease. It sort of runs as a TV sitcom before there were TV sitcoms. Part of this is due to the fine cast that includes Robert Young before he became typecast as either the perfect father, Jim Anderson, or the perfect family doctor, Dr. Marcus Welby; Betty Furness before she became a refrigerator; Madge Evans, somewhat of a silent child star who developed into a talented actress yet never received stardom as an adult; and a covey of skillful character actors including Nat Pendleton, cowboy regulars Raymond Hatton and Ward Bond, and Paul Hurst.The story is an amusing one, if a bit confusing, involving Pat Patton (Robert Young) who tries to impress his girlfriend, whose father has just fired him, by opening a confidential agency. His new career gets him involved with a new girlfriend while the old one is still around plus an assignment that turns into an unintentional kidnapping. There is also a temperamental dog that keeps nipping at his backside. Beware that there is a bit of unnecessary Hollywood racism thrown in near the end which was not uncommon for that time period.Of interest is Pat Patton's agency which seemed unusual until a new movie just out at theaters, "Inside Man," presents a new version of a confidential agency with Jodie Foster at its head. Many viewers, myself included, were at first unsure just what Jodie Foster's job entailed. This old Hollywood flick helps to explain it.

This movie is carried on Robert Young's charm and youthful optimism that it will get him out of any jam, and into the land of milk and honey. Don't let the fact that the plot hinges on Young's character getting a millionaire's baby who just happened to be handed over by the baby's nurse, who looks more like street person than the nurse of a milionaire. The baby is given to his would be rival to Young's first girl friend, who happens to be the daughter of his boss. Young gets the baby because his fledgling business - Calm Yourself; takes on clients with such problems. Like what to do with a baby. If this sounds crazy, watch the movie. Its one of those movies that somehow can take the edge off a blustery day and bring in a little black and white sunshine.