Very well executed

A different way of telling a story

The performances transcend the film's tropes, grounding it in characters that feel more complete than this subgenre often produces.

It's easily one of the freshest, sharpest and most enjoyable films of this year.

The story of Mrs Violette Szabo as portrayed by Virginia McKenna is poignantly brought to the screen. The exploits of an ordinary woman who proved to be - "The most fearless of all women SOE operatives" - as described by none other than another famous SOE operative Mrs Odette Churchill who survived the war undergoing almost similar experiences is a must. The film in almost three compartments re-traces the life of Violette from the time she meets her husband on Bastille Day in 1940 and their whirlwind romance, flashes to 1942 when her child is celebrating her 2nd birthday when she receives news of her husbands death at El-Alamein. It then fast forwards six months when she is recruited by the SOE as she had perfect qualifications for the post which included being a crack shot with the rifle (which however is contradicted by SOE records which state that she spoke French with an English accent...). The next part of the film features her training where she excels but sprains her ankle and has to sit out the first assignment by her team. During her convalescence she has to confront her father who feels she is not doing enough for the war effort,brush aside her guilt in abandoning her daughter etc.( Virginia McKenna handles these emotive scenes with remarkable talent) Her first assignment passes off quite well but the undertones of the danger of such attempts by agents are underplayed by the director. Her second assignment just after D-Day puts her a prisoner with the Gestapo after she has valiantly stood upto to a single-handed encounter with a German patrol - the torture she suffers and her ultimate death facing a firing squad at Ravensbruck Concentration Camp is leaves the viewer with no doubts on the methods used by her captors without depicting violence per se. The third part of the film is largely based on reports given by the French Resistance & Nazi records & reports by fellow prisoners of Ravensbruck all poignantly brought to the screen. The finale where we see her 5 year old daughter being received by King George to honour her mother posthumously with the George Cross brings a lump to the throat. Incidentally the episode of her shopping in Paris for her daughter while on assignment is corroborated by others hence not fictionalised for the film. In all a wonderful film that makes one wonder-struck with the exemplary courage of ordinary people who became legends in their time.

The story of Violette Szabo is told in an unfussy low key way. This film has the feeling of authenticity in the way that after Etienne her husband was killed in the war , Violette was recruited into the S.O.E. You can imagine how this subject would be filmed today whereas Lewis Gilbert makes her genuinely heroic life low key and truthful.There are two scenes in this film that for me have great power -- the first is when she is urged to go back to France on her second 'job'; she is persuaded by one of the service personnel not to go and yet Violette goes against this and shows extreme courage in not only accepting but going through with the assignment,she is supported immediately in her choice.The other scene is more obvious though no less powerful where her interrogator in Foches where Gilbert has the camera on his reaction to her treatment by the gestapo.By doing this the film tells the facts without resorting to 'drama'. She really was the most courageous of human beings.

I was just wasting time in front of the TV when this movie came on. I was initially interested because of Paul Scofield, who was so wonderful in "A Man for All Seasons" and in "The Crucible." He is indeed excellent in this film, as is the lead actress.The story involves a young British woman who because of her French heritage and married life in France becomes a spy for the British during WWII.Unlike other modern war films, where everyone is "hero" just for waking up in the morning, this film shows people who deserve the name 'the greatest generation.' Just like the characters, the film is understated, as, for example the moment when Violette's father realizes that his daughter is a spy but says nothing. Another moment is when the two spies are in Paris buying a dress for a little girl as if they were merely a couple shopping rather than wanted criminals risking a firing squad. Paul Scofield's quiet "Oh god" expresses volumes, as he realizes what has happened to his friend after they meet in bad circumstances. Even running from the Nazis is understated, with no grandstanding speeches, no "Hollywood" punches and no bullets whizzing underwater. There is only good story, good acting, and good script.This is a story that shows the extraordinary power of ordinary people who do not proclaim their own virtues or demand recognition of their efforts. It is worth watching.

British Director Lewis Gilbert is unknown to most Americans. This is a pity because he has directed a number of "crossover" masterpieces and this true story of wartime heroism is but one of them. The movie reminds me somewhat of The Man Who Never Was, a spy movie which required a woman who had been through a recent tragedy, marvelously played by Gloria Grahame, to use that tragedy to make herself a believable spy. Although she has excellent support by a young Paul Scofield and a non-too-shabby veteran cast, Virginia McKenna must pull off the central character, Violetta Szabo, in order for the film to succeed. She does so without question,and then some. If this movie does not bring tears to your eyes, no movie will.