Citadel
Citadel
R | 09 November 2012 (USA)
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Chronically agoraphobic since the day his wife was murdered, Tommy Cowley finds himself terrorized by a gang of syringe-wielding feral children, who are intent on taking his baby daughter. Upon discovering the nightmarish truth surrounding these hooded children, he learns that to be free of his fears, he must finally face the demons of his past and enter the one place he fears the most - the abandoned tower block, known as the Citadel.

Reviews
Spidersecu

Don't Believe the Hype

SteinMo

What a freaking movie. So many twists and turns. Absolutely intense from start to finish.

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Lollivan

It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.

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Isbel

A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.

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pcarmona-87899

This movie is one of my favorites. At the time I had first seen this, I had already been going through a lot of challenges in my life. When I saw this, I suddenly had to admit that this kind of cleared things in my life, it made me feel less depressed, and as a result, it gave me a rather unique taste in movies. This was scary but more like suspenseful/dramatic/depressing, especially towards the end. I had actually about this all the way back in 2012 when it was first coming but never actually saw it, except for the trailer. Years passed and I forgot about it completely. Last year, I went and found this, and realized it was worth the wait of 4 years after all.

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Fella_shibby

I saw this on a rented DVD in 2013. The movie was not bad. It has a sort of atmosphere which pulls you into the story. Some scenes were disturbing and kind of twisted. Found it to b scary and chilling, not like most horror films nowadays, where the scares are predictable and you can pretty much guess what will happen. The visualisation of the desolate slum-land is brilliantly created. The abandoned tower block was creepy. Tim Fleming's restless cinematography further adds to the picture's overall unsettling impact. The demons/stalkers are depicted as a genuinely menacing and frightening. Kinda supernatural/genetic mutations. The movie is extremely brooding n claustrophobic. There is a sense of dread, paranoia, surrealism, loneliness n helplessness. The film's exploration of the lead character's agoraphobia is powerful without being overpowering. The fears the lead character has are realistic. Brilliant acting from Aneurin Barnard. He looked like a person who is going thru a trauma. There is this feeling in this film that the lead character is completely alone. There is no help coming n he will have to fend for himself. Only one thing i disliked in this film was the twist in the end. Well its not predictable but i dint like it. The director was successful in creating tension by putting a baby in jeopardy. The priest in this movie looked like Brian Cox.

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tumtadiddlydoo

Browsing reddit for a horror movie to watch, I saw this one recommended a couple times. Something dealing with a more psychological aspect always interests me, so I decided to give it a shot. Sadly, I was disappointed. Small spoilers may follow (descriptions of small scenes) but nothing that will ruin the plot or the entirety of the described scene.The movie doesn't really do a good job at... well, anything. Its plot is rather simple (not always bad) and several things were never entirely explained, such as the actual cause of what's going on as well as why some of the characters in the movie seem to just completely ignore the main character and his cries for help. There's a part (not to ruin anything) where he's shouting at someone that he just saw someone get killed and the guy he's shouting at doesn't even look him in the eye. At first I thought this was part of whatever was going on in this movie, until the "creatures" killed that guy only seconds later.Additionally, several scenes in this movie seem implausible. While I'm aware horror's not supposed to be real, a couple scenes just defy logic, such as the creatures walking RIGHT past him at one point to attack some completely silent stranger further away from their point of entry. At times, it feels like the director forces illogical things to happen just to force conflict. Not to ruin anything again but there's a part where he has to break the door into his own house, leaving it vulnerable in the future. This is never explained, as it is made clear that it's his own house before this scene.As for scares... Well I don't look for scares in horror movies. I look more for creepy. This movie, sadly, has neither. The creatures look like uninspired zombies (yet they're not zombies) and there's no scares, legitimate or jump-scare.The movie's conclusion sort of just... ends. All in all, I want that hour and a half of my life back.

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Zachar_Laskewicz

Although this film was made thanks to sponsorship from the Irish film board, it is far from a piece of Catholic dogma. The character who plays the priest renounces religion entirely and the film's horror is an original and recent addition to the genre. It's full of good ideas and can be related to relatively recent phenomena; the urban sprawl and the creation of enormous flatblocks outside city centres, prevalent across the United Kingdom. Most frighteningly perhaps it represents the disaffected youth who hide themselves from the enormous collection of security cameras which dictate their life. Spawns of drug selling youth hide their identity behind hoodies; who'd have guessed 20 years ago that being approached by a group of youth wearing tracksuits would be such a menacing phenomenon. In this film creative use is made of this fear. The film is far from perfect, but most important is its originality, fear is created the way it should be, as suspense, and the implication of the horror created by its themes don't require an enormous spilling of blood or disgusting special effects to disquiet and disturb you. I'm glad I saw this film; it proves again that truly good additions to the genre, don't originate from Hollywood and don't require its approval to be made.

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