I cannot think of one single thing that I would change about this film. The acting is incomparable, the directing deft, and the writing poignantly brilliant.

It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.

The movie's not perfect, but it sticks the landing of its message. It was engaging - thrilling at times - and I personally thought it was a great time.

One of the most extraordinary films you will see this year. Take that as you want.

I thought, from the date, and the black cast, that this would be one of the "blaxploitation" films. Maybe some still consider it so, but to me those were horror and/or action flicks. This was a serious film, with themes, character development, drama, etc. Loved the music, by Curtis Mayfield and Gladys Knight and the Pips. I suspect that the filmmakers never really thought this would be seen by many white people, as many of its characters were very similar to the (seen today as racist) stereotypes that were widely held in those days. Even the characters themselves remarked upon this. And there was a lot of surprising candor in the portrayal of the destruction wreaked on the black family structure by the (fairly new, at that time) welfare system. Not bad at all.

How is "Claudine" a fantasy film? We'll get to that in a bit.I remember seeing "Claudine" in the late 70's on cable TV, and just watched it for the first time since then. It's not bad, but it does indeed say a few things. It also challenges what many people consider "stereotypes" in today's politically-correct world, portraying these "stereotypes" as cold-hearted truisms.Of course, things were not "PC" back in 1974 when this was made. Claudine is a black mother of six (count 'em, six) children, living in Harlem, surviving on welfare and her secret housekeeping job on the side. The six kids are all total brats - they do nothing but scream at each other, fight each other, and give their mother Claudine a hard time. Despite that she breaks her back for them, they show no respect towards her whatsoever.They do act as a team, however, whenever the welfare social worker comes to the apartment to check on things (she's white of course), which they always manage to see her coming up the block - do they take turns as full-time lookouts? They then hide whatever "extras" they have, like a toaster, etc., to appear even more poor than they are so welfare doesn't deduct any money for the extra things.Welfare is a villain in the film, and it's made clear many times. Claudine always complains she can't take care of her family - but she has six kids! And she's 36 years old! Even James Earl Jones's character, Roop, expresses shock when she reveals she's a 36-year old mother of six. (Claudine was pretty angry.) Now, it takes two to tango, but six kids at 36! Another "villain" of the film, is the black man as a father. It is made very clear that black men run out on their kids and families. In today's time, that is a popular "stereotype," and here, in the non-PC world of 1974, it is presented as fact. So what's the truth? Claudine's children even express severe skepticism at her new beau Roop, just waiting for him to eventually leave their mom, which of course, he does.Claudine, incidentally, looks amazing. Diahann Carroll is a very beautiful woman, and in the film, as a mother of six, she is in amazing physical condition. That's part of the fantasy of the film. Have you ever seen a mom, at 36 who had six babies, look so amazing? The funny thing is, it's Darth Vader's body we keep seeing almost nude, not Claudine's. As they spend their first night together, Jones gets out of bed a lot, and the camera always shoots Jones in a clever way as we always see something blocking his "private parts" (although we are lucky enough to see his nude butt though). So if you want to see "sexy" James Earl Jones walk around nude, you got it! Diahann Carroll, well with her we're just not as fortunate. Roop, a garbage man with kids in other parts of the country, has been eying Claudine for a while before finally asking her on a date, then meeting her six wild kids.One of the kids is the oldest, Lawrence Hilton-Jacobs, a very radical teenager who shows zero respect for his mom like the other kids. he does warn Roop that he'll pay if he makes his mother cry, which he does when Roop leaves her. Jacobs then tracks down Roop and beats the hell out of him, the only show in the film that Jacobs cares about his mom. We never get a scene that shows her reacting to his showing of caring, even if the caring was beating Roop up. Jacobs even disrupts and destroys their eventual wedding by running in the middle of it while being chased by the cops (he also obviously had better things to do, like go to a protest, than attend his mom's wedding).Which leads to another fantasy of the film, how a black man, after it is established that black men always leave their fatherly responsibilities behind, marries a woman with six kids, none of which are his. Even forgetting about race, any man marrying a woman with six children who are not his children is something that you simply never hear of, and one of the things that turns this "real life drama" into a fairy tale.The "white man" is another of the film's villains, even to Claudine, who says to Jacobs that "the white man tries to take away your manhood, but you go do it yourself" after he gets himself "fixed." Her oldest daughter gets pregnant, of course, by yet another uncaring black man. I was surprised that the one time we see Claudine's white couple she works for, that they weren't all nasty and mean white people. The husband was actually a very nice guy, and the wife wasn't bad, although she complained on the telephone that Claudine was late for work again. We also overhear the wife talking some "big business" on the phone, just to remind the audience how well-off all white people are, of course. The ending of the film sees them all race away in the back of a police van (!), and then the film ends in perfect fairy-tale mode, with Claudine, Roop and the six kids all walking on the street, everyone all smiles, hand-in-hand, including Jacobs' rebel character! Jacobs is going to move out, the oldest daughter is going to move into a place with her boyfriend (turns out he cares about the baby they're going to have, but we never meet him on screen), and Roop will move into Claudine's apartment. Everything works out great, no wonder everyone is smiling and laughing as they walk in the street for the finale! "Claudine" isn't really a bad film, but it is important to recognize all the fantasy elements that make it quite an unrealistic film.

This is a film about Claudine (Diahann Carroll), a black lady (widow or abandoned by her husband(s) or lover(s)) who had six children and must have worked hard to sustain the whole family. Working as a maid in one house she was discovered by a strong black man (James Earl Jones) who worked as a garbageman and felt in love with her. A romantic relationship started between both, which was finally accepted by the Claudine's children. Their honey moon did not last for long because he did not want her to work anymore but money to sustain the whole family were not enough. Economical difficulties combined with some then racial limitations make their lives miserable. The end was a happy one but solutions to the problems were not really given. One may assume that the director John Berry just wanted to present clearly the situation of this couple, which could be the situation of too many in this society at that time and may be even now.

Claudine is one of those movies that you don't want to end and when it does you make up additional scenes in your mind! This movie is about a woman with 6 kids "living" on welfare in the bronx. she has a gig on the side as a domestic worker. she hooks up with a garbage man, named rupe and they hit it off, the kids however ain't trying to hear it. the story evolves around rupe trying to bond with the kids, claudine trying to battle with the welfare system and curtis mayfield's sound track punctuates the mood of the movie. gladys knight and the pips' vocals are tops! this movie has a "good times","coolie high","monky hustle" type of vibe to it. please see it. do it for me.