Clay
Clay
| 20 May 1940 (USA)
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In Rio de Janeiro, Gilberto (Celso Guimarães) is a talented artisan engaged of Marina (Lídia Mattos), working in a pottery factory. He is hired by the millionaire widow Luciana (Carmem Santos) to perform a restoration in her castle in Correas, a district of Petrópolis. He suffers an accident and Luciana lodges and treats him for a long period, and they fall in love for each other.

Reviews
Casey Duggan

It’s sentimental, ridiculously long and only occasionally funny

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Patience Watson

One of those movie experiences that is so good it makes you realize you've been grading everything else on a curve.

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Edwin

The storyline feels a little thin and moth-eaten in parts but this sequel is plenty of fun.

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Walter Sloane

Mostly, the movie is committed to the value of a good time.

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Claudio Carvalho

In Rio de Janeiro, Gilberto (Celso Guimarães) is a talented artisan engaged of Marina (Lídia Mattos), working in a pottery factory. He is hired by the millionaire widow Luciana (Carmem Santos) to perform a restoration in her castle in Correas, a district of Petrópolis. He suffers an accident and Luciana lodges and treats him for a long period, and they fall in love for each other. The moral values of the Brazilian society of the 40's make this love impossible for them. "Argila" is a beautiful and sensitive romance. The direction of Humberto Mauro is excellent, but the story is very dated for the present days. It is very interesting to see the behavior of the society sixty-five years ago, and very worthwhile watching this very rare movie, which is difficult to be found in Brazil. My vote is seven.Title (Brazil): "Argila" ("Clay")

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