Wow! Such a good movie.

SERIOUSLY. This is what the crap Hollywood still puts out?

It is both painfully honest and laugh-out-loud funny at the same time.

There are moments that feel comical, some horrific, and some downright inspiring but the tonal shifts hardly matter as the end results come to a film that's perfect for this time.

This is one of the best "true Westerns" ever, a tribute to the faithfulness of the makers to the book, and the labor of love done by the makers (Sam Elliott and Catherine Ross themselves). Sam and Catherine stuck to the text for the script, despite PC pressures to change some scenes.The depth of love and respect for the original is also conveyed by the gracious touch of having Louis L'Amour's daughter portraying the starting-over former saloon girl stuck in the Indian battle at the stage station. The casting is near-perfect, even if most of them were the Elliott's good friends (and several were in Sam's other films).The realistic look at ranch hand life strikes chords of memory with Monty Walsh. The action scenes were more reality-based than the 50's through 70's Westerns, such as the primitive look of the final saloon fight scene. And the costumes look straight out of a Matthew Brady photo book of a Western settlement, with the characters showing the dirt and grit which true pioneers experienced.The developing love story between Con and Evie is beautifully captured by the camera, often without a word, as "the eyes tell the story". Ross plays the part perfectly of the dutiful, faithful frontier wife. And you "feel her pain" as she struggles with loneliness, and his as he struggles with an identity crisis and feelings of inadequacy to be the husband of a woman so noble. Sam deserved the Golden Globe for Best Actor he won, with a quietly powerful portrayal of the honest cowpoke.All in all, a delightful and classically beautiful story of the Old West. I grew up in one of the last Western towns to "go modern", a real cow town which experienced some of the last (and biggest) gun battles in US history. This movie made me proud to be from my home area.

This was a solid lower-key Louis L'Amour-written western, meaning a little bit less action than the normal film of its genre. The action scenes they did have in here were short, too.This is mainly a movie with several stories weaved in it: 1 - Cowhands slowly being sifted out as the times change and they are no longer needed; 2 - traitors among the main group, men who go to a competing gang of rustlers; 3 - a story of a lonely widow who has to take care of two kids after he husband disappears (killed).Katharine Ross is the mother ("Evie Teale") who turns cook at a lonely stagecoach stop that also is being eliminated. She is a good woman, and it's nice to see the female star of "Butch Cassidy And the Sundance Kid" still looking good out there is the prairie over 20 years later. Also refreshing to see was her young boy "Laban," one of the nicest, most respectful kids I've ever seen on film: the exact opposite of the many brats I've seen on film in the last quarter of the 20th century. Cody Braun was excellent as the son, and, that's the only movie role he ever played.The man "Evie" eventually falls for is the hero of the film, "Conagher," played by Sam Elliott. If anyone in the modern era of films ever looked like he was born to play a cowboy, it has to be Elliott. He has the weathered looks and the voice that go perfectly with westerns.Overall, this is another beautifully-photographed, nice story and a real "keeper" for those who love a good fim of this genre.

With Sam Elliot and Katherine Ross's smoking chemistry, this delightful adaptation of the L'Amour classic is a winner all the way.The horses, horsemanship (most of it anyway) and tack and equipment are correct for the time period, a rarity in TV movies. The range of emotion is beautifully captured in the sweeping cinematography, rich with sunsets and broad expanses of prairie. The story, one of LAmour's finest, tells of a woman facing the harsh reality that sometimes husbands never do come home...and the kindness of strangers may be the saving grace. Several songs have sprung from the imagery of this film,one of the best being Juni Fisher's "He'd Be Home By Now" on her "Sideshow Romance" album, (Red Geetar Records, 2004) Enjoy this one with a bowl of popcorn and keep a hankie ready.

Sam Elliot IS Conagher! Strong, self reliant, honest and stands up for what he believes in in the tradition of John Wayne,American. Yet today there are real ranches with real cowboys that Sam Elliot would feel right at home with. The movie and its cast should have been given double Emmys and an Oscar for their portrayals along with a special award for following the book so closely. I hope this movie is hardy and will stand up for all of the play it's going to get!!