Constance aux enfers
Constance aux enfers
| 30 May 1964 (USA)
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Rear Window meets Estate violenta. The middle-aged Constance watches a young couple that lives across the courtyard; the girl plays loud pop music and goes out of her way to be unpleasant to the classically educated and piano-playing Constance. Then one day Constance sees the boyfriend strangle the little tart in a fit of jealousy. He sees her, too, and has nobody else to turn to for help. Constance keeps silent about the murder and offers the young Hugo a place in her bed. Then the blackmail notes start to arrive...

Reviews
Arianna Moses

Let me be very fair here, this is not the best movie in my opinion. But, this movie is fun, it has purpose and is very enjoyable to watch.

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Jonah Abbott

There's no way I can possibly love it entirely but I just think its ridiculously bad, but enjoyable at the same time.

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Nicole

I enjoyed watching this film and would recommend other to give it a try , (as I am) but this movie, although enjoyable to watch due to the better than average acting fails to add anything new to its storyline that is all too familiar to these types of movies.

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Deanna

There are moments in this movie where the great movie it could've been peek out... They're fleeting, here, but they're worth savoring, and they happen often enough to make it worth your while.

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dbdumonteil

Like Clouzot at the end of "Les Diaboliques" ,the director warns the audience: please,don't tell your friends the ending of my story!don't spoil their pleasure!What pleasure ?The beginning is a pale imitation of "rear window" and the movie continues as a "Diaboliques " rip off ;only the last third shows some originality,so to speak:the average viewer can guess the ending at least twenty minutes before the "unexpected " end .Why on earth did Michele Morgan get involved in that business?Her character of a lonely widow longing for love verges on ridicule;and anyway how could the young lovers be sure she would be so naive?The supporting cast is either almost unbearable (Dany Saval,Maria Pacome) or bland (the young gigolo).Even the last "trick" is borrowed from Maurice Cam's "Metropolitain" (1938).The score includes Vivaldi's "four seasons" and Sidney Bechet's "Petite Fleur"

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